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Some of Petit's works were made for television. In this session, the three films are about three major figures in the English universe: filmmaker Peter more
Some of Petit's works were made for television. In this session, the three films are about three major figures in the English universe: filmmaker Peter Whitehead, novelist and screenwriter Rudy Wurlitzer, and writer J. G. Ballard. In these cinematographic portraits, Petit explores the potentialities of the hybridization between fiction and documentary, building elaborate stories - supported in genres such as the police story - to better define the characters. In the biography of Ballard, we have a curious participation of David Cronenberg about to embark on the adaptation of Crash. close
The final days of the reign of the Shah: processions of mourning and jubilation, scenes after the fire in the Cinema Rex in Abadan, southern Iran, in more
The final days of the reign of the Shah: processions of mourning and jubilation, scenes after the fire in the Cinema Rex in Abadan, southern Iran, in which 377 viewers died; the famous interview with the Shah – shortly before his departure at Mehrabad Airport, followed by the acclaimed arrival and first speech by Ayatollah Khomeini; finally the graves of the martyrs of the revolution in Tehran’s large cemetery Behesht-e Zahra. Torabi and his cameramen film euphoric crowds and thoughtful revolutionaries, statesmen and members of various minorities such as Turkmen and Zoroastrians. close
Through the pattern of this film a ‘Test’ at Lord’s runs like a thread and a broadcast commentary on the match is imposed on the background of cricket more
Through the pattern of this film a ‘Test’ at Lord’s runs like a thread and a broadcast commentary on the match is imposed on the background of cricket as a game, a craft, an interest of a people, a piece of history. The craftsmen are shown who make the ball and the bat–that ‘fourth straight stick’ with which the batsmen defend ‘the other three’. The craftsmen are shown who play the game, from W. G. Grace in the ‘nets’ to D. G. Bradman and Denis Compton in the thread of the ‘Test’. The history of the game is epitomized in the Long Room shots at Lord’s and from there the camera moves to the village green; to the London side- street where the urchins play on a ‘bumping pitch’; to South Africa, and India, where in the ‘blinding light’ there is often ‘an hour to play and the last man in. close
Charts a journey through various `memory' productions such as murals, monuments, TV histories, commemorations etc, and in so doing questions the role that historical memory plays in our society.
Charts a journey through various `memory' productions such as murals, monuments, TV histories, commemorations etc, and in so doing questions the role that historical memory plays in our society. close
Written and co-directed by 18-year-old Tunde Ikoli, this was made, he said, 'to show people what we have to put up with'; and its immediacy in dealing more
Written and co-directed by 18-year-old Tunde Ikoli, this was made, he said, 'to show people what we have to put up with'; and its immediacy in dealing with the repressive influences on teenagers living in the East End of London often compensates for its lack of technical gloss. Particularly effective are a pointless search by goon-like policemen, and a café conversation between Tunde's friends, both of which do more to 'explain' delinquency than all of your glib sociological theorising. Like all neo-realism, Tunde's Film has the authority of performers re-enacting lived experience rather than acting. close
'I don't know if you've ever heard a goat eating carrots? It's almost too much, it's so lovely' An Eyeful of Sound conjures up the fascinating visually more
'I don't know if you've ever heard a goat eating carrots? It's almost too much, it's so lovely' An Eyeful of Sound conjures up the fascinating visually complex internal world of audio-visual synaesthesia, where senses make unique neural connections the rest of us don't experience. Synaesthesia is discussed, argued over, dissected and celebrated in this beautifully sensitive animated documentary. close
A look at the April 15, 1989 tragedy at Hillsborough Stadium in Sheffield, England, where a stampede in the stadium's standing-room-only areas killed more
A look at the April 15, 1989 tragedy at Hillsborough Stadium in Sheffield, England, where a stampede in the stadium's standing-room-only areas killed 96 people and injured 766. The film also examines the ongoing efforts of victims' families to seek truth and justice, as well as tangible effects on English football, including stadium upgrades and the emergence of the English Premier League. close
A richly lyrical documentary celebration of the vibrant beach life in the North East of England, constructed entirely out of Sirkka-Liisa Konttinen's black & white photographs.
A richly lyrical documentary celebration of the vibrant beach life in the North East of England, constructed entirely out of Sirkka-Liisa Konttinen's black & white photographs. close
Perhaps this is Robert Vas' most personal film; a portrait of his country - Hungary - as seen through the eyes of an exile. Robert Vas escaped from his more
Perhaps this is Robert Vas' most personal film; a portrait of his country - Hungary - as seen through the eyes of an exile. Robert Vas escaped from his homeland after the brutal crushing of the 1956 Hungarian Uprising by the Russians and he was never able to return. He portrays his country through the writings of Hungary's national poets and illustrates the film with images of the Revolution and of the society it would become in the years immediately following 1956. The film was transmitted on the 20th anniversary of the crushing of the uprising. close
Director Jenn Nkiru authors a personal and powerful exploration of blackness through piecing together dreamlike portraits with stunning archival footage more
Director Jenn Nkiru authors a personal and powerful exploration of blackness through piecing together dreamlike portraits with stunning archival footage that includes Afrofuturism pioneer Sun Ra and revolutionary organization the Black Panther Party. close
Purple is a six-channel video installation addressing climate change, human communities and the wilderness. At a time when greenhouse gas emissions from more
Purple is a six-channel video installation addressing climate change, human communities and the wilderness. At a time when greenhouse gas emissions from human activities are at their highest levels in history, with people experiencing the significant impacts of climate change, including shifting weather patterns, rising sea levels, and more extreme weather events, Akomfrah’s Purple brings a multitude of ideas into conversation. These include animal extinctions, the memory of ice, the plastic ocean and global warming. Akomfrah has combined hundreds of hours of archival footage with newly shot film and a hypnotic sound score to produce the video installation. close
Facing an arranged marriage to a man of dubious morals, heiress Korah Hurley poses as the impoverished travelling companion of her aunt, the Marquise more
Facing an arranged marriage to a man of dubious morals, heiress Korah Hurley poses as the impoverished travelling companion of her aunt, the Marquise de Jaurmais, in order to test whether her rakish fiancé's affections are truly for her or for the fortune she will inherit. close
Abandoned Goods is an essay film exploring the journey of one of Britain’s major collections of Asylum Art containing about 5,500 objects (paintings, more
Abandoned Goods is an essay film exploring the journey of one of Britain’s major collections of Asylum Art containing about 5,500 objects (paintings, drawings, ceramics, sculptures and works on stone, flint and bone) created between 1946 and 1981, by about 140 people compelled to live in the Netherne psychiatric hospital in South London. Blending archive, reconstruction, animation, 35mm rostrum, and observational photography, the film explores the transformation of these objects from clinical material to revered art objects examining the lives of the creators and the changing contexts in which the objects were produced and displayed. close
A late night online chat between two men who haven't met since the turn of the millennium leads to their reunion after ten years of separation. The film more
A late night online chat between two men who haven't met since the turn of the millennium leads to their reunion after ten years of separation. The film navigates against time with an unsettling use of communication, recording technologies and temporal gaps. close
Going under cover, P.C. Mahoney passes for a gentleman to get into the notorious Moonstone Club. There he meets Clifford Tope, a ne'er do well who is more
Going under cover, P.C. Mahoney passes for a gentleman to get into the notorious Moonstone Club. There he meets Clifford Tope, a ne'er do well who is love with cabaret star Cora Mellish. She in turn has run up steep gambling debts and has paid off the Club's blackmailing owner with a stolen necklace. As things heat up Cora seeks help from the easy-going Tope. close
A large family in London's East End is celebrating a birthday party. Children and grandchildren from this extensive family have come to the party from more
A large family in London's East End is celebrating a birthday party. Children and grandchildren from this extensive family have come to the party from all over England. At the party the family members talk about hope and dreams for their children. The past and present lives of various relatives are compared with each other, while fragments from radio-programmes from the fourties and the fifties draw an emotional and historical line. Set against this archive material are fierce images of modern day family life in urban England in the year 1993. This makes the film a collage of dreams, memories and images of present-day life. close
A flickering dance of intriguing imagery brings to light the possibilities of ordinary movements from the everyday which appear, evolve and freeze before more
A flickering dance of intriguing imagery brings to light the possibilities of ordinary movements from the everyday which appear, evolve and freeze before your eyes. Made entirely from archive photographs and footage from the earliest days of moving image, All This Can Happen (2012) follows the footsteps of the protagonist from the short story 'The Walk' by Robert Walser. Juxtapositions, different speeds and split frame techniques convey the walker's state of mind as he encounters a world of hilarity, despair and ceaseless variety. close