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The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic more
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather. close
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 more
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds. close
Hyde Park Corner (also known as Leisurely Pedestrians, Open Topped Buses and Hansom Cabs with Trotting Horses) depicts life at Hyde Park Corner in London. more
Hyde Park Corner (also known as Leisurely Pedestrians, Open Topped Buses and Hansom Cabs with Trotting Horses) depicts life at Hyde Park Corner in London. It is claimed to be the first film set in London, as well as the first to be filmed on celluloid. It is currently considered a partially lost film, with only 6 possible film frames preserved as part of the Jonathan Silent Film Collection. close
Experimental film made to test the original cylinder format of the Kinetoscope and believed to be the first film shot in the United States. It shows a more
Experimental film made to test the original cylinder format of the Kinetoscope and believed to be the first film shot in the United States. It shows a blurry figure in white standing in one place making large gestures and is only a few seconds long. close
Experimental film that follows up on the results of "Monkeyshines, No. 1" and "Monkeyshines, No. 2". Once again, an Edison company worker moves around more
Experimental film that follows up on the results of "Monkeyshines, No. 1" and "Monkeyshines, No. 2". Once again, an Edison company worker moves around in front of the motion picture camera. Lost film. close
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first more
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press. close
One night, Arlequin comes to see his lover Colombine. But then Pierrot knocks at the door and Colombine and Arlequin hide. Pierrot starts singing but more
One night, Arlequin comes to see his lover Colombine. But then Pierrot knocks at the door and Colombine and Arlequin hide. Pierrot starts singing but Arlequin scares him and the poor man goes away. close
The film consists of a series of animations on a beach containing two beach huts and a diving board. Two characters play at diving into the water from more
The film consists of a series of animations on a beach containing two beach huts and a diving board. Two characters play at diving into the water from the diving board and then appear on the beach. The woman begins to play with a small dog and is then joined by a gentleman. The two play around on the beach before getting changed into bathing costumes and going into the water. They bob up and down in the water before swimming out of the scene. Once the couple have gone a man sails out in a boat. close
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