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Filmic insert to Eisenstein's modernized, free adaptation of Ostrovskiy's 19th-century Russian stage play, "The Wise Man" ("Na vsyakogo mudretsa dovolno more
Filmic insert to Eisenstein's modernized, free adaptation of Ostrovskiy's 19th-century Russian stage play, "The Wise Man" ("Na vsyakogo mudretsa dovolno prostoty"). The anti-hero Glumov tries to escape exposure in the midst of acrobatics, derring-do, and farcical clowning. Several members of Eisenstein's troupe at the legendary "Proletkult" stage theatre in Moscow briefly appear in this little film. close
This documentary promoting the joys of life in a Soviet village centers on the activities of the Young Pioneers. These children are constantly busy, pasting more
This documentary promoting the joys of life in a Soviet village centers on the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls, distributing hand bills, exhorting all to "buy from the cooperative" as opposed to the Public Sector, promoting temperance, and helping poor widows. Experimental portions of the film, projected in reverse, feature the un-slaughtering of a bull and the un-baking of bread. close
As she works in her tedious office job, Maria Ivanovna dreams about being married, and she has particular hopes that her co-worker Nikodim Mityushin will more
As she works in her tedious office job, Maria Ivanovna dreams about being married, and she has particular hopes that her co-worker Nikodim Mityushin will take an interest in her. Nikodim, though, is in love with Zina, who sells cigarettes on the sidewalk, and he frequently buys cigarettes from her even though he does not smoke. One day, a film crew uses Zina as an extra in an outdoor scene, and the cameraman, Latugin, falls in love with her. Latugin soon arranges an acting job for Zina. To complicate matters further, Zina has yet another admirer in Oliver MacBride, an American businessman who is visiting Moscow. close
Konstantin Eggert both directed and starred as Count Shemet, cursed by his insane mother’s traumatic experience with a bear to have seizures during which he himself becomes a “bear” on the kill.
Konstantin Eggert both directed and starred as Count Shemet, cursed by his insane mother’s traumatic experience with a bear to have seizures during which he himself becomes a “bear” on the kill. close
Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete more
Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused. close
Namus (Armenian: Նամուս, meaning "honor") is a 1925 silent film by Hamo Beknazarian, based on Alexander Shirvanzade's 1885 novel of the same name, which more
Namus (Armenian: Նամուս, meaning "honor") is a 1925 silent film by Hamo Beknazarian, based on Alexander Shirvanzade's 1885 novel of the same name, which denounces the despotic rites and customs of Caucasian families. It is widely recognized as the first Armenian feature film. close
"Though not given a New York showing until 1935, V. I. Pudovkin's Mechanics of the Brain (Mekhanika Golovnovo Mozga) was written and directed by Pudovkin more
"Though not given a New York showing until 1935, V. I. Pudovkin's Mechanics of the Brain (Mekhanika Golovnovo Mozga) was written and directed by Pudovkin in 1926. A full year in the making, this scientific documentary concentrates on the behavioral studies conducted by Prof. Ivan Pavlov. The laboratory dogs used in Pavlov's research don't seem too happy about it, and as a result this film might be hard to take for the more sensitive viewers (the vivisection sequence is particularly rough). The progress of the research is detailed with charts and graphs, hardly the "cinematic" touches one might expect from Pudovkin. Interestingly, Mechanics of the Brains was released two years before the results of Pavlov's studies were printed in book form." close
This documentary depicts the creation of collective farms for Jews in Crimea. It shows them building their houses, digging a well, and farming the land.
This documentary depicts the creation of collective farms for Jews in Crimea. It shows them building their houses, digging a well, and farming the land. close
The seamy Jewish underworld of Odesa is the setting for Isaac Babel's story based on the life of gangster king Mishka Yaponchik "Mike the Jap" Vinnitsky. more
The seamy Jewish underworld of Odesa is the setting for Isaac Babel's story based on the life of gangster king Mishka Yaponchik "Mike the Jap" Vinnitsky. Murder is a way of life for Benya and his gang until he finds himself ensnared in a Bolshevik trap. close
A bold study on the dangers of prostitution in the Soviet Union in the 1920s. It's sort of dramatic fiction that tells the story of Lyuba, which after more
A bold study on the dangers of prostitution in the Soviet Union in the 1920s. It's sort of dramatic fiction that tells the story of Lyuba, which after irremediable events, loses his honor, being obliged to exercise the oldest profession in the world to survive. She hopes for better days and a new opportunity. The film also shows us the story of two other women who also need hope. close
Goga is a Russian man who has no luck with women. He has a chance meeting with Mary Pickford, and after she kisses him on the cheek, he becomes as irresistible as her.
Goga is a Russian man who has no luck with women. He has a chance meeting with Mary Pickford, and after she kisses him on the cheek, he becomes as irresistible as her. close
A Soviet girl has met Douglas Fairbanks and Mary Pickford during their visit to Moscow in 1927 and dreams of going to Hollywood. Overcome with excitement, more
A Soviet girl has met Douglas Fairbanks and Mary Pickford during their visit to Moscow in 1927 and dreams of going to Hollywood. Overcome with excitement, she falls asleep and her dream comes true. close
The story concentrates on a single 48-hour period during the Russian Revolution. The central character, played by Y. E. Samchykovski, is an old servant more
The story concentrates on a single 48-hour period during the Russian Revolution. The central character, played by Y. E. Samchykovski, is an old servant who staunchly supports the Royal Family. Even when his master is placed in prison and his son is appointed a commissar, the servant remains faithful to the Czarist regime. But when his village is invaded by the White Russian army and his son is summarily executed, the old man realizes that his homeland is far better off in the hands of the revolutionaries, who seek to build rather than destroy. A "cleansing" fire brings this propaganda piece to an appropriately symbolic conclusion. close
The protagonist, a lazy pen-pusher, gets the sack for his bureaucratic idleness, and learns that the way back into the job market depends on getting a more
The protagonist, a lazy pen-pusher, gets the sack for his bureaucratic idleness, and learns that the way back into the job market depends on getting a letter of recommendation from a "grandmother" close
As a response to criticism for the allegedly excessive “mass appeal” of his earlier epic STORM OVER ASIA (1928), Vsevolod Pudovkin unleashed his flair more
As a response to criticism for the allegedly excessive “mass appeal” of his earlier epic STORM OVER ASIA (1928), Vsevolod Pudovkin unleashed his flair for experimentation in what was supposed to be the director’s first sound feature. Everything went wrong: technical problems forced him to complete the film as a silent; viewers were baffled by the lack of a recognizable plot; then, the ideological climate of the Soviet Union changed. He was now being blamed for catering to bourgeois taste! Time has come to set the record straight. Here’s lyrical cinema at its best, deliberately operatic and yet intimate as it matches the characters’ inner life with the solemn rhythms of nature, and depicted through breathtaking black-and-white photography. A sensation at last year’s Pordenone fest, Pudovkin’s long-forgotten swan song to the art of montage is resurrected by Gabriel Thibaudeau’s emotionally charged live music performance. –PCU (USSR, 1930, 75m) close
The new power stations are beating like hearts to the pulse of modernisation. At gigantic expense and effort, the Soviet Union is rapidly industrialised. more
The new power stations are beating like hearts to the pulse of modernisation. At gigantic expense and effort, the Soviet Union is rapidly industrialised. The state plan foresees the construction of forty power-generation centres across the country. However, the people must first be enlightened about the nature and use of electrical current. Horses and tractors, households and industry, nature and the world of work, neon signs and the construction of power stations all depend on this miraculous new source of energy. The famous Soviet director Lev Kuleshov masterfully realises this project with documentary shots, acted scenes, and lots of creative trick sequences. close