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Armand Dranem performs The True Jiu-Jitsu ("Le Vrai Jiu-Jitsu", by P. Briollet & G. Fabri / C. D'Orviet) in this phonoscene by Alice Guy. This early more
Armand Dranem performs The True Jiu-Jitsu ("Le Vrai Jiu-Jitsu", by P. Briollet & G. Fabri / C. D'Orviet) in this phonoscene by Alice Guy. This early form of music video was created using a chronophone recording of Dranem, who was then filmed "lip singing". Guy would film phonoscenes of all three major Belle Époque celebrities in France: Polin, Félix Mayol, and Dranem. close
The Kidnappers Foil was an American short film. It was made by Melton Barker numerous times between the 1930s to 1970s. Each iteration featured small-town more
The Kidnappers Foil was an American short film. It was made by Melton Barker numerous times between the 1930s to 1970s. Each iteration featured small-town children as actors (a different small-town in each iteration), the parents of whom paid Barker a fee in exchange for appearing in the film. The plot of the film centered on a well-to-do girl being kidnapped, and then escaping, a pair of hoodlums. close
Edna's grandfather is a conductor of a small orchestra that gives concerts in the park every Sunday. Because of lack of audience the city officials want more
Edna's grandfather is a conductor of a small orchestra that gives concerts in the park every Sunday. Because of lack of audience the city officials want to cancel these concerts. To stop this from happening, Judy and Edna gather a crowd the following Sunday; and to keep its attention, they themselves perform with the orchestra. Edna sings an aria and Judy sings 'Americana'. close
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City. close
Using morgue photos, newsreel footage, and a recording by Lena Horne, Cuban filmmaker Santiago Alvarez fired off 'Now!', one of the most powerful bursts of propaganda rendered in the 1960s.
Using morgue photos, newsreel footage, and a recording by Lena Horne, Cuban filmmaker Santiago Alvarez fired off 'Now!', one of the most powerful bursts of propaganda rendered in the 1960s. close
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s more
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s the Frequency, Kenneth?” and “Drive” (both for REM), Conner’s movie is an experiment in the visual language of film. But no matter how powerful a formal analysis of his filmmaking process may be in suggesting how Conner’s rhythms affect us, there is much in Breakaway – in Basilotta’s brash and unbridled self-assertiveness, in Conner’s feverish camera style, and even in the uncomplicated honesty of Cobb’s catchy lyrics and tune – that defies verbalisation… and must simply be loved! -- Senses of Cinema close
