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Originally commissioned by an Austrian couple in 1961 to photograph a travel diary documenting their wild game hunt, Kubelka shot three hours of film more
Originally commissioned by an Austrian couple in 1961 to photograph a travel diary documenting their wild game hunt, Kubelka shot three hours of film and recorded fourteen hours of audio. Over the next few years, Kubelka toiled in the editing bay, producing a work charged with intricate, ironic brutality. close
A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan.
A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan. close
A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his more
A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his scooter, Tomaszek asks the elderly very adult, though basic, questions, which they are happy to answer. The boy's ideas of future and life are confronted with those of men at the end of their lives. close
Max accepts a wager that he cannot remain in a haunted castle for one hour (11 PM to midnight) without crying for help. As soon as he arrives he encounters more
Max accepts a wager that he cannot remain in a haunted castle for one hour (11 PM to midnight) without crying for help. As soon as he arrives he encounters strange and nightmarish visions, but he is nevertheless on the verge of winning the bet when a phone-call brings startling news. close
Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions more
Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shifts Alix’s narration out of sync with what we see. close
In this short film, prominent jazz musicians of the 1940s gather for a rare filming of a jam session. This highly stylized chronicle features tenor sax legend Lester Young.
In this short film, prominent jazz musicians of the 1940s gather for a rare filming of a jam session. This highly stylized chronicle features tenor sax legend Lester Young. close
The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished more
The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished by placing the camera on a moving transport, such as a boat or train. close
Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third more
Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration. close
In this story set at a seaside fishing village and inspired by a Charles Kingsley poem, a young couple's happy life is turned about by an accident. The more
In this story set at a seaside fishing village and inspired by a Charles Kingsley poem, a young couple's happy life is turned about by an accident. The husband, although saved from drowning, loses his memory. A child is on the way, and soon a daughter is born to his wife. We watch the passage of time, as his daughter matures and his wife ages. The daughter becomes a lovely young woman, herself ready for marriage. One day on the beach, the familiarity of the sea and the surroundings triggers a return of her father's memory, and we are reminded that although people age and change, the sea and the ways of the fisherfolk remain eternal. close
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage more
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage and book covers, rephotographed photographs, views of Paris and its neighborhoods, and a catalogue of disabused, seemingly offhand footage of him and his friends in the porous zone comprising the cafe and the street. close
Coke Ennyday, the scientific detective, divides his time into periods of "Sleep", "Eat", "Dope" and "Drinks". In fact, he overcomes every situation with more
Coke Ennyday, the scientific detective, divides his time into periods of "Sleep", "Eat", "Dope" and "Drinks". In fact, he overcomes every situation with drugs: consuming cocaine to increase his energy or injecting it in his opponents to incapacitate them. To help the police, he tracks down a contraband of opium (which he eagerly tastes) transported within "leaping fishes", saving a "fish-blower" girl from blackmail along the way. close
Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter.
Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter. close
A day like any other in the Parisian metro – or maybe not? A young man sits quietly reading his book. A young woman is seated next to him. They have nothing more
A day like any other in the Parisian metro – or maybe not? A young man sits quietly reading his book. A young woman is seated next to him. They have nothing in common, nor do they know each other in the slightest. In spite of this, something quiet unexpected occurs between them. In full view of all the other passengers. And yet, none of the other travellers seem to notice. close
Everyman Coupeau's attempts to stop drinking are routinely thwarted by the wicked and vengeful Virginie. Based on Zola's novel, Capellani's film is about more
Everyman Coupeau's attempts to stop drinking are routinely thwarted by the wicked and vengeful Virginie. Based on Zola's novel, Capellani's film is about the free fall of a group of working-class French folk into degradation and tragedy due to carelessness, jealousy, and alcohol abuse. At the time of its release, L'Assommoir was hugely successful. close
A young man swims across the rivers and lakes of Britain to a soundtrack of assorted nationalistic music. As he passes people on the banksides including more
A young man swims across the rivers and lakes of Britain to a soundtrack of assorted nationalistic music. As he passes people on the banksides including children, lovers and a tramp their thoughts and conversations are also heard. Ultimately, after walking through a wood at night, the boy returns to the water and appears to sink below the surface. close
A silent short movie, is a literal journey that we can experience. We are being taken to Avebury and given the chance to admire it for 10 minutes. The more
A silent short movie, is a literal journey that we can experience. We are being taken to Avebury and given the chance to admire it for 10 minutes. The shots are incredibly beautiful, as we see a huge stone or trees bathed in orange light of sunset. close
Strange - A Black and White Mode by Anton Corbijn is the second music video compilation by Depeche Mode, featuring the first five Depeche Mode videos more
Strange - A Black and White Mode by Anton Corbijn is the second music video compilation by Depeche Mode, featuring the first five Depeche Mode videos directed by Anton Corbijn, released in 1988. Corbijn shot the entire video album in Super-8. The five videos are mostly in black and white, except for some random megaphones that were colored red. There were the three main singles for Music for the Masses, the final Black Celebration single "A Question of Time", and "Pimpf", the instrumental closer to Music for the Masses. The "Pimpf" video is currently exclusive to "Strange". close
Rich Nikoghos-agha buys some beef liver for Nerses-akhpar's family. Although months have passed, Nikoghos-agha does not hesitate to remind his "charity" to Nerses-akhpar every time they met.
Rich Nikoghos-agha buys some beef liver for Nerses-akhpar's family. Although months have passed, Nikoghos-agha does not hesitate to remind his "charity" to Nerses-akhpar every time they met. close
As a visual narrative it is reminiscent of a pile of postcards from a journey, which indeed is what the film is. It consists of a series of lengthy shots more
As a visual narrative it is reminiscent of a pile of postcards from a journey, which indeed is what the film is. It consists of a series of lengthy shots of a tableau nature, each appearing to be a more or less random cross section of American reality, but which in total invoke a highly emblematic picture of the USA. close
Everybody is going to die one day. Oskar (70) is going to die in 6 days. He is now ready to forgive his brother for a disagreement years ago. Will he more
Everybody is going to die one day. Oskar (70) is going to die in 6 days. He is now ready to forgive his brother for a disagreement years ago. Will he reach his brother, who he believes lives on the other side of the Atlantic Ocean, before it is too late? close
