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Ydessa Hendeles' exhibition entitled "The living and the Artificial" (consisting of works of art all comprising a photograph of living persons in the more
Ydessa Hendeles' exhibition entitled "The living and the Artificial" (consisting of works of art all comprising a photograph of living persons in the company of one or several teddy bears) had puzzled Agnès Varda so much that she decided to go to Toronto where the artist lives and interview her. In front of Agnes Varda's DV camera, Ydessa tells about the singularity of her artistic approach. She also expresses herself about the Holocaust, which both her parents survived. close
“Miss Jasmine! I have a package for you!” The 14-year-old girl with braces takes a break from milking the goat. Her local postman has delivered a surprise. more
“Miss Jasmine! I have a package for you!” The 14-year-old girl with braces takes a break from milking the goat. Her local postman has delivered a surprise. She opens it up. Out floats a magical magenta ball dress ten times her teenage size. “I am curious,” she says, and enters the folds of the dress. From here, Jasmine⎯headstrong, a dreamer, a realist⎯takes us on a modern anti-fairy tale through caves and stalagmites, streets and shop windows, obsessions and everyday empowerment. close
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers more
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers and foliage, a woman’s smile, arms stretching, an arm giving rhythm to a rocking chair. It uses natural elements (light, mirrors, water, and wind) and photographic techniques (multiple exposures and lenses) to distort the various elements, or to intensify their design. close
The 'Ga' of the title refers to the film maker's mother. The film gathers together this elderly lady's everyday actions to offer an abstract insight into more
The 'Ga' of the title refers to the film maker's mother. The film gathers together this elderly lady's everyday actions to offer an abstract insight into her life. Margaret Tait described this film as follows: 'My mother seemed a good subject for a portrait, (she was there), and I thought it offered a chance to do a sort of 'abstract film', in the sense that it didn't have what you might call 'the grammar of film'. It's mostly discontinuous shots linked just by subject, in one case by colour, only rarely by movement'. close
Directed by Argentinean Lucrecia Martel, MUTA, meaning both “mute” and “transformation”, is a beautiful and cryptic portrayal of an all female world of symbolism, hidden meaning and intrigue.
Directed by Argentinean Lucrecia Martel, MUTA, meaning both “mute” and “transformation”, is a beautiful and cryptic portrayal of an all female world of symbolism, hidden meaning and intrigue. close
The themes of anarchy and individualism that run through Věra Chytilová’s work begin here, in an almost docu-realist look at women finding freedom and more
The themes of anarchy and individualism that run through Věra Chytilová’s work begin here, in an almost docu-realist look at women finding freedom and joy amid the rigid conformity of life in a communal factory dormitory. close
Short lo-fi film set in Senegal. Mostly focussing on a group of Senegalese youths, discussing their hopes and fears concerning the crossing of the atlantic more
Short lo-fi film set in Senegal. Mostly focussing on a group of Senegalese youths, discussing their hopes and fears concerning the crossing of the atlantic to get to Europe. Will life be easier there or not? close
On 11 March 2011, an earthquake caused a tsunami to hit the Tōhoku (Northeast) region of Japan. In this film, survivors of the tsunami rebuild as cherry more
On 11 March 2011, an earthquake caused a tsunami to hit the Tōhoku (Northeast) region of Japan. In this film, survivors of the tsunami rebuild as cherry blossom season begins. The film is a stunning visual haiku about the ephemeral nature of life–and of the healing power of Japan's most beloved flower. close
Have you ever found it impossible to say something, face to face, to someone you know, someone you love? The words just won’t come out? New messaging service, Somebody, could help.
Have you ever found it impossible to say something, face to face, to someone you know, someone you love? The words just won’t come out? New messaging service, Somebody, could help. close
While in San Francisco for the promotion of her last film in October 1967, Agnès Varda, tipped by her friend Tom Luddy, gets to know a relative she had more
While in San Francisco for the promotion of her last film in October 1967, Agnès Varda, tipped by her friend Tom Luddy, gets to know a relative she had never heard of before, Jean Varda, nicknamed "Yanco". This hitherto unknown uncle lives on a boat in Sausalito, is a painter, has adopted a hippie lifestyle and loves life. The meeting is a very happy one. close
According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in more
According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis. close
Commissioned by French television, this is a short documentary on the neo-classical statues found throughout Paris, predominantly on the walls of buildings, holding up windows, roofs etc.
Commissioned by French television, this is a short documentary on the neo-classical statues found throughout Paris, predominantly on the walls of buildings, holding up windows, roofs etc. close
Made at a time when Iran had a seemingly revolving door for incoming European directors and bottomless funding for their projects, Plaisir d'amour en more
Made at a time when Iran had a seemingly revolving door for incoming European directors and bottomless funding for their projects, Plaisir d'amour en Iran is a short, sort of love story between a handsome Iranian (Ali Raffi) and a visiting French woman (Valérie Mairesse). The film was shot at the Shah Masjed in romantic Esfehan. close
Set in the Los Angeles' criminal underworld with a dark but over-the-top Miami Vice vibe, 'Girltrash!' follows the story of five ass-kicking girls: tough-as-nails more
Set in the Los Angeles' criminal underworld with a dark but over-the-top Miami Vice vibe, 'Girltrash!' follows the story of five ass-kicking girls: tough-as-nails Tyler, her partner Daisy, con-artist LouAnne, and gang-bangers Misty and Colby, who try to get by any way they can, even if it means double-crossing a best friend or former lover. A gang war is brewing. You'll be asked to... pick a side. close
Tongue-in-cheek look at the French Riviera, especially in summer when it overflows with tourists. Reviews its history and famous visitors; displays its more
Tongue-in-cheek look at the French Riviera, especially in summer when it overflows with tourists. Reviews its history and famous visitors; displays its faux-exotic buildings, its crowded beaches, its trees and monuments; and, pokes fun at the colors women wear and the vagaries of fashion. The film celebrates the use of "Eden" as a place name, suggesting that paradise comes to the coast after all are gone, perhaps only on a remote island beach. close
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