French documentary movies of 60-th - very rare category. We know total 18 this movies.
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Follow renowned explorer Jacques-Yves Cousteau as he investigates aquatic habitats in various locations around the world. Featuring whales, sharks, and more
Follow renowned explorer Jacques-Yves Cousteau as he investigates aquatic habitats in various locations around the world. Featuring whales, sharks, and many other varieties of marine life, the film doesn't shy away from the brutality present in the natural world, but paints a fascinating picture of underwater exploration, as Cousteau and his associates strive to reach previously unseen ocean depths. close
Fascinating underwater documentary filmed with hand-held cameras by frogmen and mostly filmed in deep-water seas from within a special designed batiscaff, by the Cousteau family of sea explorers.
Fascinating underwater documentary filmed with hand-held cameras by frogmen and mostly filmed in deep-water seas from within a special designed batiscaff, by the Cousteau family of sea explorers. close
Paris, summer of 1960. Anthropologist and filmmaker Jean Rouch, along with sociologist and film critic Edgar Morin, both assisted by Marceline and Nadine, more
Paris, summer of 1960. Anthropologist and filmmaker Jean Rouch, along with sociologist and film critic Edgar Morin, both assisted by Marceline and Nadine, roam the crowded streets asking ordinary people how they deal with the misfortunes of life. Are you happy? But their real purpose is to find out if people can speak sincerely in front of a camera and how they react when they are later invited to analyze the meaning of their answers. close
Using a specially designed transparent 'canvas' to provide an unobstructed view, Picasso creates as the camera rolls. He begins with simple works that more
Using a specially designed transparent 'canvas' to provide an unobstructed view, Picasso creates as the camera rolls. He begins with simple works that take shape after only a single brush stroke. He then progresses to more complex paintings, in which he repeatedly adds and removes elements, transforming the entire scene at will, until at last the work is complete. close
One of Chris Marker's earliest documentaries (1957) and probably one of his best, the hour-long Letter From Siberia mixes new and found footage with inventive more
One of Chris Marker's earliest documentaries (1957) and probably one of his best, the hour-long Letter From Siberia mixes new and found footage with inventive commentary, and is especially memorable for a passage in which footage is repeated while the offscreen commentary transforms its meaning with a different ideological interpretation. It is perhaps the earliest example we have of Marker's inimitable essayistic manner, hence an indispensable work. close
A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan.
A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan. close
The subject of the film was the Hauka movement. The Hauka movement consisted of mimicry and dancing to become possessed by French Colonial administrators. more
The subject of the film was the Hauka movement. The Hauka movement consisted of mimicry and dancing to become possessed by French Colonial administrators. The participants performed the same elaborate military ceremonies of their colonial occupiers, but in more of a trance than true recreation. close
In 1963, 22-year-old Bertrand Blier invited 11 of his peers to come to a film studio and talk about their lives. The record of what was said is a discussion more
In 1963, 22-year-old Bertrand Blier invited 11 of his peers to come to a film studio and talk about their lives. The record of what was said is a discussion of values that remains relevant and fascinating today. The footage was shot just five years prior to May 1968, and the atmosphere of that time is clearly discernible: these young people may not yet be revolutionaries, but there is clearly a ferment in the air. close
Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally more
Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom. close
An essay film critiquing post-war France's urban developments- Pialat states that modernity and suburban convenience have limited Parisian freedom and widened class gaps.
An essay film critiquing post-war France's urban developments- Pialat states that modernity and suburban convenience have limited Parisian freedom and widened class gaps. close
Le chant du Styrène is a 1958 French documentary film directed by Alain Resnais. The film was an order by French industrial group Pechiney to highlight the merits of plastics.
Le chant du Styrène is a 1958 French documentary film directed by Alain Resnais. The film was an order by French industrial group Pechiney to highlight the merits of plastics. close
A short documentary about the 1962 Tour-de-France. Topics covered include: crowds of people and motorcycles, drinking raids and feeding, pileups, doping, "the charge," and the mountain stages.
A short documentary about the 1962 Tour-de-France. Topics covered include: crowds of people and motorcycles, drinking raids and feeding, pileups, doping, "the charge," and the mountain stages. close
Toute la mémoire du monde is a documentary about the Bibliothèque Nationale in Paris. It presents the building, with its processes of cataloguing and more
Toute la mémoire du monde is a documentary about the Bibliothèque Nationale in Paris. It presents the building, with its processes of cataloguing and preserving all sorts of printed material, as both a monument of cultural memory and as a monstrous, alien being. close
A photo montage of Cubans filmed by Agnès Varda during her visit to Cuba in 1963, four years after Fidel Castro came to power. This black & white documentary more
A photo montage of Cubans filmed by Agnès Varda during her visit to Cuba in 1963, four years after Fidel Castro came to power. This black & white documentary explores their post-revolution culture and society while making use of 1500 pictures (out of 4000!) the filmmaker took while on the island. close