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The story of a neurotic bachelor who, after marrying a beautiful woman, submits her to increasingly deranged accusations of infidelity and pleas for forgiveness.
The story of a neurotic bachelor who, after marrying a beautiful woman, submits her to increasingly deranged accusations of infidelity and pleas for forgiveness. close
Two women, angry Myope and happy Lunette (both played by Franssou Prenant), bounce ideas off each other in a small apartment, until Lunette fashions a more
Two women, angry Myope and happy Lunette (both played by Franssou Prenant), bounce ideas off each other in a small apartment, until Lunette fashions a story about Agathe (Cecile Garcia Fogel) and her husband Pierrot (Manuel Cedron), a one-time musician who now teaches gym. While the two love each other, they cannot communicate without quarreling. close
After ten years away, Jacques Pruez,an unmarried, 50-year-old, modestly successful actor, returns to his home village to comfort his dying mother. His more
After ten years away, Jacques Pruez,an unmarried, 50-year-old, modestly successful actor, returns to his home village to comfort his dying mother. His father Yvan, a family barber who's counting on his "successful" son to support him in his old age, refuses to believe that his wife is sick and insists that her doctors are killing her. She dies, and Jacques finds out that Yvan is not his real father. Besieged by memories of his childhood, the village and the past, Jacques wanders the streets at night, reliving the moments that set him apart from the rest. close
An enthralling look at the relationship between America and the Arab World from an Arab perspective. It tells the story of Yehia, a renowned Egyptian more
An enthralling look at the relationship between America and the Arab World from an Arab perspective. It tells the story of Yehia, a renowned Egyptian filmmaker whose life has been shaped by a pair of disrupted love affairs, one with an American woman named Ginger, the other with America itself. close
After an extended period directing original screenplays, dos Santos returned to the creative engagement with literature that was the wellspring of his more
After an extended period directing original screenplays, dos Santos returned to the creative engagement with literature that was the wellspring of his early masterpieces, offering a combinatory adaptation of five stories by the renowned Brazilian novelist João Guimarães Rosa. Openly embracing a mode of magical realism, dos Santos' celebrated film tells the story of a farming family defined by the absence of its father who abruptly abandoned his wife and children, sailing away down the river, including his son who continues to communicate with his father, speaking daily to him from the river bank. While offering an evocative vision of rural Brazil as a timeless land of mystery and solemnity, The Third Bank of the River is also bitingly satiric in the remarkable depiction of religious belief when the family moves to the city and its youngest member, a mesmerizing little girl, is revealed to be a kind of saint, capable of miraculous acts. -Harvard Film Archive close
On the Edge is a short film that documents the social changes occurring around the Olympic fringe, providing local communities with a platform to voice more
On the Edge is a short film that documents the social changes occurring around the Olympic fringe, providing local communities with a platform to voice their unheard opinions. We spent a number of weeks in the Olympic boroughs, interviewing people, and gaging their thoughts on the regeneration program that is occurring rapidly in the East End of London. close
It is an ordinary afternoon for young Mabo Keïta, at home, in Burkina Faso (West Africa). While his parents are taking a nap, he reads a schoolbook on more
It is an ordinary afternoon for young Mabo Keïta, at home, in Burkina Faso (West Africa). While his parents are taking a nap, he reads a schoolbook on the front porch when a stranger - an elderly man carrying his own hammock - appears for an unexpected visit. It turns out that the old man is a griot, a West African musician/entertainer whose performances include tribal histories and genealogies. The position of a griot is a time-honored one and passed down from father to son for many generations. close
At the start, Christine Blanc is a temp, her boyfriend has gone. Near the story's end, she's been offered a steady job, she has a fiancé, other men seem more
At the start, Christine Blanc is a temp, her boyfriend has gone. Near the story's end, she's been offered a steady job, she has a fiancé, other men seem interested in her, she's passed her driving test, and, after she wins 1000 Euros in a scratch-off, her colleagues sing that she's a jolly good fellow ("one of us"). But something's askew: her gaze is too direct, her eyes open too widely; conversational gambits hit odd notes; she parrots others' words; she cooks too much food when she invites a supervisor to dinner. When the supervisor takes Christine on a spontaneous outing that disorients her, her oddities become something else. Can things ever be normal? close
When her father files bankruptcy and then dies, Rose's fiancé jilts her; she takes a job as a maid in a Montmartre kindergarten with 150 poor children. more
When her father files bankruptcy and then dies, Rose's fiancé jilts her; she takes a job as a maid in a Montmartre kindergarten with 150 poor children. Rose gives each child loving attention, and soon she's their favorite. An especially needy child is Marie, a prostitute's daughter. Rose and she bond, and Marie is jealous of all attentions paid Rose, especially those of Dr. Libois, the school's physician. When Rose inadvertently guides the children through the educational experiment of a visiting scholar, and then discloses she has a college degree and is working beneath her station, the principal wants to fire her. Is there any way she can stay? And what will happen to Marie? close
Salih is a mechanic and the son of a respected barber named Ali. A woman named Tina arrives at Cholera Street, where she takes up residence and works as a prostitute.
Salih is a mechanic and the son of a respected barber named Ali. A woman named Tina arrives at Cholera Street, where she takes up residence and works as a prostitute. close
Exposure time – in photography it is nothing more than the time that an object lives in a frame. And based on this, any photo is not only a two-dimensional more
Exposure time – in photography it is nothing more than the time that an object lives in a frame. And based on this, any photo is not only a two-dimensional graphic composition. It also has a third, temporal dimension, a temporal depth. She is the bearer, the keeper of time. Which means memory. Whose memory? Faces, objects, landscapes captured in the picture? The photographer's own memory?
Making the photo material for the film “The life time of the object in the frame” (the Hour of life of the object in the frame), its authors inevitably found themselves in a maze of “aliens” and their memories, “alien” and their time. And in search of a way out of this maze, they themselves became part of it and the material for their own film. close
A hero of the Paris streets is recruited for a conspiracy against Mazarin in the court of the King, but he reveals the subversive plot to Anne of Austria.
A hero of the Paris streets is recruited for a conspiracy against Mazarin in the court of the King, but he reveals the subversive plot to Anne of Austria. close
Moby Dick is an unfinished film by Orson Welles, filmed in 1971. It is not to be confused with the incomplete (and now lost) 1955 film Welles made of more
Moby Dick is an unfinished film by Orson Welles, filmed in 1971. It is not to be confused with the incomplete (and now lost) 1955 film Welles made of his meta-play Moby Dick—Rehearsed, or with Moby Dick (1956 film), in which Welles played a supporting role. The film consists of readings by Welles from the book Moby Dick, shot against a blue background with various optical illusions to give the impression of being at sea. It was made during a break in the filming of The Other Side of the Wind. There is some ambiguity about what Welles intended to do with the footage, and how he was going to compile it. It remained unedited in his lifetime. close
Lina, a young girl in war-torn Beirut, finds an ally and friend in Sihan, her domineering aunt's maid. Sihan shows Lina what her life could be like, but more
Lina, a young girl in war-torn Beirut, finds an ally and friend in Sihan, her domineering aunt's maid. Sihan shows Lina what her life could be like, but tests the girl's limits when she asks her to help plot her escape from the city. close
Danny Cornish, a sort of stateless man who arranges art exhibits, is called from Tel Aviv to Paris with the news that a great uncle has died, in Birobidjan, more
Danny Cornish, a sort of stateless man who arranges art exhibits, is called from Tel Aviv to Paris with the news that a great uncle has died, in Birobidjan, the autonomous Jewish zone in Russia, leaving him a valuable art collection and the hand of a huge sculpture of a Golem. The uncle's will instructs Danny to find the rest of the statue, so Danny, who speaks no Russian, embarks on a trip that takes him (and the Golem's hand) to Moscow, St. Petersburg, and Siberia, fumbling with hotel clerks, taxi drivers, and bureaucrats, following leads, and making discoveries about myth, story telling, art, and hope. close
The last weekend of summer. Mother is preparing the jars for winter pickling, love-struck Françoise is practising karaoke in front of her little brother more
The last weekend of summer. Mother is preparing the jars for winter pickling, love-struck Françoise is practising karaoke in front of her little brother Julien. In the shed behind the house, Karim is doing some "undeclared" work, having given up on his acting dreams. In a few hours, the new canning factory, where Father works, will be inaugurated. No one is expecting Sonia, who decides to turn up that very morning. close
In this film, director Rene Feret tells the story of his parents' lives. In 1935 his mother Aline works in her parents' cafe in a mining town in northern more
In this film, director Rene Feret tells the story of his parents' lives. In 1935 his mother Aline works in her parents' cafe in a mining town in northern France. There, she meets a customer, Pierre and decides she is going to marry him. In a reversal of roles, she is the one who proposes to him, and she also engineers a false pregnancy to persuade her parents to okay the match. With a few stops along the way, the story picks up after the war with the birth of the couple's third son, who is given the name Rene in memory of their first, dead son. Never rich, they achieve some level of financial stability just as their sons are about to head off to the city for college. The love between the two older people is highlighted in a poignant scene as, just as he is about to die, the father shares a champagne toast with his wife in memory of one of their happier moments. close
Blandine arrives at the Charles de Gaulle Airport, seeking a reunion with her husband Papi in Paris. Despite articulate claims for asylum, she is held more
Blandine arrives at the Charles de Gaulle Airport, seeking a reunion with her husband Papi in Paris. Despite articulate claims for asylum, she is held in a cramped cell along with a number of fellow Africans, humiliated, mistreated and told that they can expect immediate deportation. Papi enquires of her whereabouts at Arrivals, and is met with disinterested, misleading responses. When Blandine is hurt in a skirmish on the runway as the authorities try and force her out of the country, circumstances and a sympathetic employee of the Ministry of Foreign Affairs save her from expulsion. She is finally reunited with Papi in a communal squat, its inhabitants sharing harrowing stories of their time in France. With work, money and food scarce, and her confidence shaken by her less than warm welcome to the country, Blandine cannot find the enthusiasm to leave her damp mattress. close
Paul has been imprisoned for ten years for passing counterfeit money. He feels victimized enough, both for the prison time and for the crime which led more
Paul has been imprisoned for ten years for passing counterfeit money. He feels victimized enough, both for the prison time and for the crime which led to it; he committed the crime to give his wife the nice things she asked him for. When he discovers that she has remarried a quite wealthy man, he is outraged. However, his ire is not due to her disloyalty to him; he loved their only son to distraction, and now the boy has no knowledge or memory of him. close
In a shock after her mother’s sudden death, warehouse forklift driver Tina seeks out the rich, enigmatic businessman father she has never known and discovers a half-sister, Lise.
In a shock after her mother’s sudden death, warehouse forklift driver Tina seeks out the rich, enigmatic businessman father she has never known and discovers a half-sister, Lise. close
On an Algerian beach, kids splash about, sleep, squabble - and then suddenly go to war. And it’s neither Lord of the Flies nor La Guerre des boutons. more
On an Algerian beach, kids splash about, sleep, squabble - and then suddenly go to war. And it’s neither Lord of the Flies nor La Guerre des boutons. In her first film, full of grace, Narimane Mari films this childish freefor- all closely, at the irregular pace of an imagination inspired by the highest form of reality, national History — actually, nothing less than the Algerian War of Independence. When their make-believe induces a general upheaval, we follow the flock of children as they stamp their feet up the stairs, invade houses, cross village squares, in a whirlwind of shouts and empty words. Time is stretched like in a dream, through a choreography of belligerent shadows or the night-time explosion of the cemetery, as so many warning signs of dangers to come. close
It's the end of summer vacation for Amin. The young photographer spends cozy evenings with Charlotte, the ex-girlfriend of his Casanova cousin. She talks more
It's the end of summer vacation for Amin. The young photographer spends cozy evenings with Charlotte, the ex-girlfriend of his Casanova cousin. She talks to him about literature, he photographs her. Nobody knows that they see each other, especially not Ophélie, his childhood friend, who instead confides her troubles to Amin : her father wants her to take over the family farm, her fiancé Clement will return soon from Iraq for their wedding, she is pregnant with Tony’s baby, and Tony wants to keep their affair secret instead of having a serious relationship. Ophélie constantly contemplates her choices : would it be better to get an abortion in secret and marry Clement or to follow her maternal instinct and keep the child, perhaps seeking refuge with Amin in Paris? close
Françoise returns to her native Brittany to teach at her alma mater to find that the past of this very particular place still exerts an inexorable pull. more
Françoise returns to her native Brittany to teach at her alma mater to find that the past of this very particular place still exerts an inexorable pull. A rapturous ensemble piece about the tricks of time and memory, Suite Armoricaine is a work of grand themes and small, surprising details, bursting with ideas and emotion. close
Liana, an architecture graduate, is about to get married until she is confronted with the fact she is sacrificing the rest of her life for a man she barely more
Liana, an architecture graduate, is about to get married until she is confronted with the fact she is sacrificing the rest of her life for a man she barely knows. So begins a series of romantic encounters in which Liana tries to find her freedom and happiness, but which will ultimately lead her to a tragic fate. close