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Richard Bohringer
Birth at
16 January 1941
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Richard Bohringer (Richard Bohringer, 16.01. 1941) is talented in three directions at once - he is an actor, writer and singer. His writing talent was first noticed by Gerard Brache (later screenwriter) and actor Roger Dumas. Had they both been less compassionate and visionary, the world would not have known of such a talented young man. In practice, Boringe was attracted to writing scripts by his "godfather" in the cinema - Michel Odiard. But before he came to his senses, our gifted Frenchman spent
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Richard Bohringer (Richard Bohringer, 16.01. 1941) is talented in three directions at once - he is an actor, writer and singer. His writing talent was first noticed by Gerard Brache (later screenwriter) and actor Roger Dumas. Had they both been less compassionate and visionary, the world would not have known of such a talented young man. In practice, Boringe was attracted to writing scripts by his "godfather" in the cinema - Michel Odiard.
But before he came to his senses, our gifted Frenchman spent several years in New York. As Boringe herself later admitted, he did nothing worthwhile in America: he got drunk, tried drugs, made bets on runs and drowned in women’s caresses. Nevertheless, what nature gave him, Richard did not lose - returning to his homeland, he became a famous chansonnier.
Probably, in those years he could be called a pamper of fate - in the eighties Richard began to play in movies. It all started with a small role in the film “The Last Subway”, then there were “Parties” (1980 and 1982) and a rather noticeable character in the film “Diva”.
The Cesar Award went to Richard Boringer for his role as a warden in the film Payback (directed by Denis Amar). Richard's characteristic appearance doomed him to the roles of negative heroes, murderers and rapists, with whom he coped very convincingly. Such was Commissioner Innocenti in the film The Investigator, and the blackmailer in the film I Married the Shadow.
In the late eighties and early nineties, Mr. Boringer supplemented the gallery of images created by him with the roles of a doctor in M. Deville’s painting “Nothing” (1986), a cook in the film by the Englishman P. Greenway.
"Chef, thief, his wife and her lover" (1989), a businessman in Claude Miller's "Accompanist" (1992), an eccentric misogynist pilot in "Tango". The results of the new time, as well as the acting career itself, are too early to sum up. But maybe the first decades of the 21st century will allow Richard Boringer to play positive characters. We'll see. /