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Starting with the words: “Fred was not lucky in love”, this horror comedy tells how even in the seemingly most hopeless situation, fate can present an more
Starting with the words: “Fred was not lucky in love”, this horror comedy tells how even in the seemingly most hopeless situation, fate can present an unexpected surprise, and the loser can turn into a superhero. close
Paris, France, 1963. A couple have an argument in a bar. A young man sitting nearby takes the opportunity to talk to the girl and tells her what their more
Paris, France, 1963. A couple have an argument in a bar. A young man sitting nearby takes the opportunity to talk to the girl and tells her what their life together could be if she accepts to run away with him, now. close
A brilliant business lawyer finds that an old Rumanian homeless woman looks a lot like his grandmother. One night, he makes a cardboard sigh for her "I more
A brilliant business lawyer finds that an old Rumanian homeless woman looks a lot like his grandmother. One night, he makes a cardboard sigh for her "I could be your grandmother". Passers by become much more generous. Other homeless people request signs from him. Their demands are soon too much for him. close
When Thomas Overby mistakenly believes Aya is his assigned driver, she spontaneously decides to go along with the charade and drives him to Jerusalem. more
When Thomas Overby mistakenly believes Aya is his assigned driver, she spontaneously decides to go along with the charade and drives him to Jerusalem. A stiff and guarded pianist, Overby is intrigued by the impulsive though melancholy Aya. As they slowly begin to connect, the film takes us on a journey we hope will never end. close
At the royal court, a prince is presenting the princess whom he is pledged to marry when a witch suddenly appears. Though driven off, the witch soon returns, more
At the royal court, a prince is presenting the princess whom he is pledged to marry when a witch suddenly appears. Though driven off, the witch soon returns, summons some of her servants, and carries off the princess. A rescue party is quickly organized, but the unfortunate captive has been taken to a strange, forbidding realm, from where it will be impossible to rescue her without some special help. close
The girl wanders through the forest, on the way stumbling upon a bush with interesting berries decides to try them, after which she picks up two dry branches and begins to portray a deer.
The girl wanders through the forest, on the way stumbling upon a bush with interesting berries decides to try them, after which she picks up two dry branches and begins to portray a deer. close
Vincent, a young Parisian uncomfortable with his appearance, installs a brain chip named Reality+ which allows users to see themselves and fellow users more
Vincent, a young Parisian uncomfortable with his appearance, installs a brain chip named Reality+ which allows users to see themselves and fellow users with their dream body. However, Reality+ only works over 12-hour intervals, proving infuriating for Vincent as he falls for Stella, another user. close
This is October 1955. The place is a village in Loire-Atlantique, La Chapelle-Basse-Mer, where an old clog-maker works and lives with his wife and their more
This is October 1955. The place is a village in Loire-Atlantique, La Chapelle-Basse-Mer, where an old clog-maker works and lives with his wife and their adopted son. The clog-maker's meticulous craft is described with love and close attention to detail. On the other hand, forthcoming death pervades the quiet everyday life of the elderly couple. close
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 more
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds. close
No matter the cost, Yacine and his two pals want to see Fast & Furious 8 at the multiplex in the high rise suburb where they live. Unfortunately for them, more
No matter the cost, Yacine and his two pals want to see Fast & Furious 8 at the multiplex in the high rise suburb where they live. Unfortunately for them, they can only afford to see the cine-club session. For Yacine, what was meant to be a strategy transforms into an amazing experience. close
In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications more
In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications of their relationship emerge in bits and pieces. Will they make love? Is their relationship over? (A prequel to The Darjeeling Limited, 2007.) close
Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the more
Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues. close
While the city of Orleans (France) gets ready to welcome its yearly marathon, Jackie, an athletic young American woman is in the starting blocks. 3,2,1... more
While the city of Orleans (France) gets ready to welcome its yearly marathon, Jackie, an athletic young American woman is in the starting blocks. 3,2,1... Go ! Jackie rushes on, focused on her goal : make a baby with Jerome, today or never. close
In the men's boudoir, in other words, in the smoking room of a fancy gambling house, four men drank and smoked cigars. They were neither young, nor old, more
In the men's boudoir, in other words, in the smoking room of a fancy gambling house, four men drank and smoked cigars. They were neither young, nor old, nor beautiful, nor ugly; but they all had one difference, which gave them veterans of love battles, that almost indescribable expression of cold and mocking sadness, which clearly says: “We have lived long enough for our pleasure and are now looking for something that we can love and honor.”
One of them turned the conversation on women. It would be wiser not to talk about them at all; but many intelligent people over a glass of wine are not averse to banal themes. Then the narrator is usually listened to as they would listen to music coming from the ballroom. close
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage more
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage and book covers, rephotographed photographs, views of Paris and its neighborhoods, and a catalogue of disabused, seemingly offhand footage of him and his friends in the porous zone comprising the cafe and the street. close
He hears the 'click'. Lowers his head. Damn. He is standing on a mine. If he moves, it will explode. How will he get through this ? He doesn't have much more
He hears the 'click'. Lowers his head. Damn. He is standing on a mine. If he moves, it will explode. How will he get through this ? He doesn't have much time left... He hesitates. Waits. He's exhausted. It's time for the last call. He dials a number into his mobile phone, hoping to hear a little voice. That voice, at this precise moment in time, seems to be the most precious thing. His daughter. One last time. One last wish. No response. The repetition of the dial tone. When suddenly... A hostile voice answers him. His ultimate battle begins. close
Early new wave effort from Rohmer, which was the first of his six moral tales. It concerns a young man who approaches a girl in the street, but after more
Early new wave effort from Rohmer, which was the first of his six moral tales. It concerns a young man who approaches a girl in the street, but after several days without seeing her again, he becomes involved with the girl in the local bakery. Eventually, he has to choose between them when he arranges dates with them on the same day. close
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first more
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames. close
Alessandra is walking in the city when she is hailed by a man she doesn't recognize. even though he keeps telling her about important moments of her life, his face remains totally unknown to her.
Alessandra is walking in the city when she is hailed by a man she doesn't recognize. even though he keeps telling her about important moments of her life, his face remains totally unknown to her. close
