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Two young people, Walter and Charlotte, are walking through a small village in Switzerland a snowy winter day. Walter introduces Charlotte to Clara, hoping more
Two young people, Walter and Charlotte, are walking through a small village in Switzerland a snowy winter day. Walter introduces Charlotte to Clara, hoping to make Charlotte jealous. After saying good-bye to Clara, Walter accompanies Charlotte into her house, although she doesn't want him to. Charlotte is hungry and cooks a steak. She asks Walter if he wants a piece of it. He says no, but she gives him a small piece anyway. He wants a kiss, and she says no. She starts to compare herself with Clara, who Walter agrees is more beautiful. In spite of this, Walter says he likes Charlotte much more, but she thinks he is lying. She notices that he is cold and shivering. She hugs him, he kisses her, and she starts kissing him. After leaving the house he accompanies her to the train. close
With ghostly eyes looking through the winter landscapes of the plains and villages of Ain, where the sanctified priest the Curé of Ars once lived, Jacques more
With ghostly eyes looking through the winter landscapes of the plains and villages of Ain, where the sanctified priest the Curé of Ars once lived, Jacques Demy tried to understand this fighter for communal spirituality and his daily torments of mysticism. close
The Panic Movement performed theatrical events designed to be shocking, as a response to surrealism becoming petite bourgeoisie and to release destructive more
The Panic Movement performed theatrical events designed to be shocking, as a response to surrealism becoming petite bourgeoisie and to release destructive energies in search of peace and beauty. One four-hour performance known as Melodrama Sacramentral was staged in May 1965 at the Paris Festival of Free Expression. The "happening" starred Jodorowsky dressed in motorcyclist leather and featured him slitting the throats of two geese, taping two snakes to his chest and having himself stripped and whipped. Other scenes included a staged murder of a rabbi, a crucified chicken, a giant vagina giving birth to Jodorowsky, naked women covered in honey and the throwing of live turtles into the audience. close
Eric Rohmer directs this short documentary that narrates the presence of women in French universities as of the time of its release -- 1966. During the more
Eric Rohmer directs this short documentary that narrates the presence of women in French universities as of the time of its release -- 1966. During the film's short run, the narrator continues to point out that during the advent of World War II, only 21,000 women attended college and made only a 30 % of the student body, a number that by the 1964-1965 school year had passed the 120,000 mark. Instead of opting to live according to what was expected of them, now they were joining the work force, trading in aprons for lab jackets and becoming professionals even after getting married. close
In just a few simple lines, a picture of the French countryside in the 1960s: the last moments of a disappearing, changing world. The simplest documentary more
In just a few simple lines, a picture of the French countryside in the 1960s: the last moments of a disappearing, changing world. The simplest documentary images are there to make us aware of the raison d’être of agriculture, harvesting the fruits of a cyclical and repetitive nature. close
All the researchers of the IMPS laboratory are males - with one exception : Mademoiselle Clara, Antoine, the cleaner, desperately yearns for. Night after more
All the researchers of the IMPS laboratory are males - with one exception : Mademoiselle Clara, Antoine, the cleaner, desperately yearns for. Night after night, when Clara is alone, going on with her experiments, the young man awkwardly manoeuvres with a view to declaring his flame. But the cold scientist remains unconcerned. In his trouble, Antoine regularly drops and breaks phials and other test tubes full of dangerous chemical products. He doesn't care when his skin gets into contact with acid. His heart burns too much for him to be able to feel the burning of his skin. And if he can't GIVE his hand to Clara will he really mind to... LOSE it ? close
A witty and eye-opening tour through Borowczyk's own collection of vintage erotica. Originally intended as part of his 'Contes immoraux', it was released more
A witty and eye-opening tour through Borowczyk's own collection of vintage erotica. Originally intended as part of his 'Contes immoraux', it was released first as a separate short, and is therefore marks the turning-point between Borowczyk's career as a highly-regarded animator and surrealist filmmaker, and his subsequent career in the sexploitation field. close
What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted more
What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera. close
Made at a time when Iran had a seemingly revolving door for incoming European directors and bottomless funding for their projects, Plaisir d'amour en more
Made at a time when Iran had a seemingly revolving door for incoming European directors and bottomless funding for their projects, Plaisir d'amour en Iran is a short, sort of love story between a handsome Iranian (Ali Raffi) and a visiting French woman (Valérie Mairesse). The film was shot at the Shah Masjed in romantic Esfehan. close
Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions more
Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shifts Alix’s narration out of sync with what we see. close
"Before we started work on the film "Les Favoris de la Lune" , I tried to capture on film my first impressions of the city and the people who inhabit more
"Before we started work on the film "Les Favoris de la Lune" , I tried to capture on film my first impressions of the city and the people who inhabit it. This etude of Paris, slightly shortened, was shown on television." -- Otar Ioseliani close
This short film is Godard’s message to the people of Lausanne, specifically journalist and critic Freddy Buache, addressing his reasons why he will not more
This short film is Godard’s message to the people of Lausanne, specifically journalist and critic Freddy Buache, addressing his reasons why he will not make a film about their town’s 500th anniversary. Rather than cynical or defensive, Godard's bemused narration of the footage of Lausanne is imaginative and even playful, a rumination on cinema's possibilities. close
An unusual visit to a large, empty apartment. But is it empty or not? Maybe a family has lived there or is going to live there. Maybe a young girl is more
An unusual visit to a large, empty apartment. But is it empty or not? Maybe a family has lived there or is going to live there. Maybe a young girl is going to escape from there. Maybe some of the old-timers who lived there never left. The walls themselves tell the stories of the time passing by. - Fandor close
After a volcanic eruption, a small village from which no one can escape. The plague spreads, and among the survivors, famine rules. For a piece of bread, more
After a volcanic eruption, a small village from which no one can escape. The plague spreads, and among the survivors, famine rules. For a piece of bread, Charlotte sleeps with the grocer. Night is falling. At the top of a hill, someone is watching. close
Commissioned by French television, this is a short documentary on the neo-classical statues found throughout Paris, predominantly on the walls of buildings, holding up windows, roofs etc.
Commissioned by French television, this is a short documentary on the neo-classical statues found throughout Paris, predominantly on the walls of buildings, holding up windows, roofs etc. close
A young woman wanders through Paris spending most of her time eating all the junk she can: in a fast-food, out of a tin can and so on. She steals some more
A young woman wanders through Paris spending most of her time eating all the junk she can: in a fast-food, out of a tin can and so on. She steals some more food in a supermarket, meets a friend who gently carresses her belly in the street, then goes back home where she makes herself vomit in the toilets. She is then ready for the family dinner. close
A young man shoots hoops in an empty gym. He misses constantly. At the other end of the court, a young woman arrives and starts warming up. She rarely more
A young man shoots hoops in an empty gym. He misses constantly. At the other end of the court, a young woman arrives and starts warming up. She rarely misses. He's white, she's black. From time to time, she glances at him and smiles. He's fully aware of her presence and of his lack of talent. Is there any way he can impress her? His imagination takes over. close
François Ozon takes pictures of his parents who peacefully spend their holidays: they eat deliciously, walk and swim sweetly, communicate nicely and play more
François Ozon takes pictures of his parents who peacefully spend their holidays: they eat deliciously, walk and swim sweetly, communicate nicely and play games. However, it turns out that he has much more than just a home video: behind all the actions of the heroes who play in reality, there is a conflict and even tragedy. close
Three witches worship a bird statue in a postmodern city. When Gisèle Kerozene comes and steals it, the three witches jump on their brooms and initiate a hilarious chase.
Three witches worship a bird statue in a postmodern city. When Gisèle Kerozene comes and steals it, the three witches jump on their brooms and initiate a hilarious chase. close
