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An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space more
An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on. close
A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the "model ghetto", designed to mislead the world and Jewish people more
A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the "model ghetto", designed to mislead the world and Jewish people regarding its real nature, to be the last step before the gas chamber. A man: Benjamin Murmelstein, last president of the Theresienstadt Jewish Council, a fallen hero condemned to exile, who was forced to negotiate day after day from 1938 until the end of the war with Eichmann, to whose trial Murmelstein wasn't even called to testify. Even though he was without a doubt the one who knew the Nazi executioner best. More than twenty-five years after Shoah, Claude Lanzmann's new film reveals a little-known yet fundamental aspect of the Holocaust, and sheds light on the origins of the "Final Solution" like never before. close
For his final film, Jacques Tati takes his camera to the circus, where the director himself serves as master of ceremonies. Though it features many spectacles, more
For his final film, Jacques Tati takes his camera to the circus, where the director himself serves as master of ceremonies. Though it features many spectacles, including clowns, jugglers, acrobats, contortionists, and more, Parade also focuses on the spectators, making this stripped-down work a testament to the communion between audience and entertainment. close
A politically oriented film in which images suggestive of a mock western are accompanied by an attack on all cinematic conventions to date and a debate more
A politically oriented film in which images suggestive of a mock western are accompanied by an attack on all cinematic conventions to date and a debate on the nature and possibility of revolutionary cinema. close
When a director sets out to make a film about popular French singer Barbara, both he and the actress who is to play her are overwhelmed by the project.
When a director sets out to make a film about popular French singer Barbara, both he and the actress who is to play her are overwhelmed by the project. close
In which Scheherazade tells of how desolation invaded men : “It hath reached me, O auspicious King, that a Judge will cry instead of giving out her sentence. more
In which Scheherazade tells of how desolation invaded men : “It hath reached me, O auspicious King, that a Judge will cry instead of giving out her sentence. A runaway murderer will wander through the land for over forty days and will teletransport himself to escape the Guard while dreaming of prostitutes and partridges. A wounded cow will reminisce about a thousand-year-old olive tree while saying what she must say, which will sound none less than sad ! The residents of a tower block in the suburbs will save parrots and piss inside lifts while surrounded by dead people and ghosts; including in fact a dog that…”. And seeing the morning break, Scheherazade fell silent. close
A silent short film by Segundo de Chaumont. It premiered in France on October 31, 1908. A couple arrives at a hotel where only one person works. The building more
A silent short film by Segundo de Chaumont. It premiered in France on October 31, 1908.
A couple arrives at a hotel where only one person works. The building is fully automated: the suitcases carry themselves, the comb combs the heroine, the razor shaves the hero herself. In order to achieve this effect, Chaumont used not magic, but the method of frame-by-frame shooting. The object is removed while the handle of the camera produces a quarter of a revolution, then it is slightly moved, removed by another quarter of a revolution and repeat the operation the desired number of times. When viewed at normal speed, the crest appears to be moving on its own. close
A self-centered man (Gérard Depardieu) with many diversions occasionally visits his 4-year-old son (Antoine Pialat) and the boy's mother (Géraldine Pailhas).
A self-centered man (Gérard Depardieu) with many diversions occasionally visits his 4-year-old son (Antoine Pialat) and the boy's mother (Géraldine Pailhas). close
At a festival, a chorus of women sing and dance as two stories unfold. In a village, a young women with a jealous husband gives him something to be jealous more
At a festival, a chorus of women sing and dance as two stories unfold. In a village, a young women with a jealous husband gives him something to be jealous about when his younger brother visits from the city. close
Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions more
Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shifts Alix’s narration out of sync with what we see. close
Mademoiselle de Maupin escapes from her uncle's castle, invaded by Hungarian troops, under the guise of a clergyman named Theodore. An army recruiter more
Mademoiselle de Maupin escapes from her uncle's castle, invaded by Hungarian troops, under the guise of a clergyman named Theodore. An army recruiter forces Theodore to enlist in the King's army, and not even the religious robe is an insurance against it. Theodore is assigned to be aide-de-camp to Alcibiade, a man as virile in combat, as he seems troubled for the figure of his aid. D'Albert, an aristocrat, will expose Theodore's true sex, and after a number of confusing, comedy situations, Alcibiade will appease his troubled feelings. close
Diane is a sophisticated trainee on the New York Stock Exchange who is suddenly kidnapped and held captive in a North African desert hideaway by Selim, an Arab mogul.
Diane is a sophisticated trainee on the New York Stock Exchange who is suddenly kidnapped and held captive in a North African desert hideaway by Selim, an Arab mogul. close
Algerian filmmaker Tariq Teguia wrote and directed this impressionistic look at a man whose life takes an unexpected turn far away from home. Malek (Abdelkader more
Algerian filmmaker Tariq Teguia wrote and directed this impressionistic look at a man whose life takes an unexpected turn far away from home. Malek (Abdelkader Affak) is a surveyor from Algeria who is semi-retired, but at the urging of a friend he takes an assignment in Oran. The region in question was the site of frequent battles during Oran's civil war, and an earlier survey that would make it possible to bring electrical utilities to the area was cut short by the fighting. While the zone is still unstable, Malek sets out to complete charting the area, and finds the locals regard him with suspicion and hostility. However, not everyone is disrespectful, and he discovers a young woman (Ines Rose Djakou) who is attracted to him, which leads him to consider abandoning his old life to run away with her. Inland was an official selection at the 2008 Venice Film Festival. close
A film director and her muse who was a student activist in the 1970s, a waitress who keeps changing jobs, an actor and an actress, all live loosely connected more
A film director and her muse who was a student activist in the 1970s, a waitress who keeps changing jobs, an actor and an actress, all live loosely connected to each other by almost invisible threads. The narrative sheds its skin several times to reveal layer upon layer of the complexities that make up the characters’ lives. close
Follow a small group of elderly “Peeping Toms” through the shadows and margins of an unfamiliar world. Crudely documented by the participants themselves, more
Follow a small group of elderly “Peeping Toms” through the shadows and margins of an unfamiliar world. Crudely documented by the participants themselves, we follow the debased and shocking actions of a group of true sociopaths the likes of which have never been seen before. Inhabiting a world of broken dreams and beyond the limits of morality, they crash against a torn and frayed America. close
The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished more
The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished by placing the camera on a moving transport, such as a boat or train. close
The 8-year-old Aida lives in an apartment in the Parisian suburb. The daily life of Aida and the whole family is overwhelmed when her father comes back more
The 8-year-old Aida lives in an apartment in the Parisian suburb. The daily life of Aida and the whole family is overwhelmed when her father comes back from Senegal, their country of origin. Actually, he did not come back alone. He returned with the young Senegalese Rama whom he introduced as his second wife. Aida is very sensitive to her mother's distress. She decides then to get rid of the new visitor. close
Macário spends an entire train journey to the Algarve talking to a woman he does not know about the trials and tribulations of his love life: straight more
Macário spends an entire train journey to the Algarve talking to a woman he does not know about the trials and tribulations of his love life: straight after starting his first job as a book keeper at his Uncle Francisco's shop in Lisbon he falls madly in love with a young blonde, who lives across the road. No sooner does he meet her than he straightaway wants to marry her. His uncle, totally opposed to the match, fires him and kicks him out of the house. Macário departs for Cape Verde where he makes his fortune. When he finally wins his uncle’s approval to marry his beloved, he discovers the “singularity” of his fiancée’s character. close
Working primarily in the arena of nonfiction, Marker rejected conventional narrative techniques, instead staking out a deeply political terrain defined more
Working primarily in the arena of nonfiction, Marker rejected conventional narrative techniques, instead staking out a deeply political terrain defined by the use of still images, atmospheric soundtracks, and literate commentary. In Description d’un Combat, Marker’s idiosyncratic style, combining location footage with archival material, builds a complex and personal portrayal. Israel’s demography is explored, from the kibbutzim to the Arab minorities, the orthodox Jews, and the tourists. The “battle” of the title does not refer to the tank-and-artillery variety, but to the inner struggle of Israeli citizens to adapt to a new view of themselves, in a new country. close
Félicité, a strong and proud woman, sings in bars in Kinshasa. She drifts away from reality when her 14-year-old son gets into an accident. In electric more
Félicité, a strong and proud woman, sings in bars in Kinshasa. She drifts away from reality when her 14-year-old son gets into an accident. In electric Kinshasa, she wanders in a world of music & dreams... until love unexpectedly brings her back to life. close
Camille was only sixteen and still in high school when she fell in love with Eric, another student. They later married and a child and were happy for more
Camille was only sixteen and still in high school when she fell in love with Eric, another student. They later married and a child and were happy for a while. But now twenty-five years have passed and Eric leaves her for a younger woman. Bitter and desperate Camille drinks so much liquor at a New Year Eve's party that she falls into an ethylic coma and she finds herself... propelled into her own past! Camille is sixteen again when she wakes up this morning, her parents are not dead anymore and she must go to school, where she will meet her schoolmates and, of course, Eric. Is she going to fall for him again and... be miserable twenty-five years later? Or will she avoid him with the result never having her beloved daughter? Who ever said that time traveling was fun? close
Pio Amato, a 14 year-old member of a small Romani community in southern Italian town of Gioia Tauro in Calabria, is in a hurry to grow up. Pio follows more
Pio Amato, a 14 year-old member of a small Romani community in southern Italian town of Gioia Tauro in Calabria, is in a hurry to grow up. Pio follows his older brother Cosimo everywhere and from him he learns how to hustle and how to navigate the streets of his hometown. One night Pio sets out to prove to his brother that he is as good or better than him but, when things go wrong, a series of events will forever change the way he sees the world. close
A brief fantasy tale involving a strange fairy who can produce and deliver babies coming out of cabbages. This film is lost or never existed. Copies of it online are actually the 1900 remake.
A brief fantasy tale involving a strange fairy who can produce and deliver babies coming out of cabbages. This film is lost or never existed. Copies of it online are actually the 1900 remake. close
King Androcles of Thebes commands a ship in search of a threat to Greece, predicted by an atmospheric oracle. Hercules is part of the crew, but the strongman more
King Androcles of Thebes commands a ship in search of a threat to Greece, predicted by an atmospheric oracle. Hercules is part of the crew, but the strongman falls overboard in a thick fog. Washed ashore, he saves a young Ismene from Proteus, an evil, shape-shifting creature. Ismene takes Hercules to Atlantis, where he discovers that her mother, Queen Antinea, has captured Androcles. Hercules schemes to rescue him and thwart Antinea's dream of world conquest. close
Debord directed his first film, "Hurlements en faveur de Sade" in 1952 with the voices of Michele Bernstein and Gil Holman. The film has no actual images; more
Debord directed his first film, "Hurlements en faveur de Sade" in 1952 with the voices of Michele Bernstein and Gil Holman. The film has no actual images; instead, it shows bright white when there is speaking and black when there is not. Long silences separate speaking parts. The film ends with 24 minutes of black silence. close
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