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Germany's economic movers and shakers get a thorough going-over in Friedl's docu-fiction hybrid, which doesn't hesitate to point fingers at those partially responsible for Europe's financial woe.
Germany's economic movers and shakers get a thorough going-over in Friedl's docu-fiction hybrid, which doesn't hesitate to point fingers at those partially responsible for Europe's financial woe. close
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), more
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him. close
In Comparison revisits issues explored in the director's 2007 two channel installation Comparison Via a Third. Spanning continents and cultures, the film more
In Comparison revisits issues explored in the director's 2007 two channel installation Comparison Via a Third. Spanning continents and cultures, the film focuses on the brick in its many contexts, from the collective efforts of a community building a clinic in Burkina Faso, through semi industrialized moldings in India, to industrial production lines in Germany, France, Austria and Switzerland. Through its notable structure and its captivating rhythms, In Comparison presents various methods of labor production, allowing for an assessment that changes with every layer and goes well beyond a simple binary divide. close
It’s a black-and-white record of European cities in the dark (2-5am), from Basle to Belfast. Quiet, and meditative, what emerges most strongly is an eerie more
It’s a black-and-white record of European cities in the dark (2-5am), from Basle to Belfast. Quiet, and meditative, what emerges most strongly is an eerie sense of city landscapes as deserted film sets, in which the desolate architecture overwhelms any sense of reality. The only reassurance that we are not in some endless machine-Metropolis is the shadow of daytime activity: a juggernaut plunging through a darkened village, a plague of small birds in the predawn light. The whole thing is underscored by a beautiful ‘composed’ soundtrack, from quietly humming streetlights to reggae and the rumble of armoured cars in Belfast. A strange and remarkable combination of dream, documentary and science-fiction. close
Romuald Karmakar directs the actor Manfred Zapatka in performing the three-and-a-half hour speech originally declaimed before ninety-two SS generals by more
Romuald Karmakar directs the actor Manfred Zapatka in performing the three-and-a-half hour speech originally declaimed before ninety-two SS generals by Heinrich Himmler on the 4th of October, 1943 in the Golden Hall of the Posen Palace. close
The epic story of a village turned concentration camp, turned a city, turned nuclear power plant and of its population. A world instantly transformed more
The epic story of a village turned concentration camp, turned a city, turned nuclear power plant and of its population. A world instantly transformed by ideologies, regimes and dreams of economic prosperity. The tales of characters whose lives intersect in a sinister past, nuclear future and the stinging mosquitoes flying through time, sealing their fate together. close
Theatre of War is an essay on how to represent war, performed by former enemies. British and Argentinian veterans of the Falklands war come together to more
Theatre of War is an essay on how to represent war, performed by former enemies. British and Argentinian veterans of the Falklands war come together to discuss, rehearse and re-enact their memories 35 years after the conflict. close
In his experimental short film "Brutalität in Stein" (Brutality in Stone), Alexander Kluge demonstrates how Nazi architecture used dimensions of inhuman more
In his experimental short film "Brutalität in Stein" (Brutality in Stone), Alexander Kluge demonstrates how Nazi architecture used dimensions of inhuman and super-human scale to bolster the regime's politics of the same kind. Shots of huge neo-classical architectural structures from the Nazi period are confronted with equally anti-human national-socialist language as a voice-over. close
Filmed clandestinely in Czechoslovakia on 16mm. It's one of the films Godard made with the Groupe Dziga Vertov - a Marxist film about the political situation after the '68 revolution.
Filmed clandestinely in Czechoslovakia on 16mm. It's one of the films Godard made with the Groupe Dziga Vertov - a Marxist film about the political situation after the '68 revolution. close
Posing as West German journalists, East German documentary filmmakers Heynowski and Scheumann pay a visit to the notorious Nazi-turned-mercenary Siegfried more
Posing as West German journalists, East German documentary filmmakers Heynowski and Scheumann pay a visit to the notorious Nazi-turned-mercenary Siegfried “Kongo” Müller, pump him with booze, and get him to talk about his life and war campaigns in Africa. close
Farocki’s intriguing and troubling film explores the processes of visual perception and how they affect our understanding of history and society. In a more
Farocki’s intriguing and troubling film explores the processes of visual perception and how they affect our understanding of history and society. In a work reminiscent of the writings of Paul Virilio and Michel Foucault, Farocki examines a range of phenomena including aerial reconnaissance photos of the Auschwitz concentration camp. close
Computer programmer/beekeeper Jacob gets a "television" implanted in his brain by a race of telekinetic bees, which causes him to experience severe hallucinations.
Computer programmer/beekeeper Jacob gets a "television" implanted in his brain by a race of telekinetic bees, which causes him to experience severe hallucinations. close
Pascal, 53, and Carole, 28, are shepherds. In the month of November 2010, they embark on their long winter transhumance: four months during which they more
Pascal, 53, and Carole, 28, are shepherds. In the month of November 2010, they embark on their long winter transhumance: four months during which they will have to cover 600 km in the Swiss-French region, accompanied by three donkeys, four dogs and eight hundred sheep. An exceptional adventure is about to begin: they brave the cold and the bad weather day in day out, with a canvas cover and animal skins as their only shelter at night. This saga reveals a tough and exacting profession, requiring constant improvisation and unflinching attention to nature, the animals and the cosmos. An eventful journey with surprise encounters, moving reunions with farmer friends, nostalgic figures of country life that is shrinking away fast. Αn adventure film, a contemporary road movie, a reflection of our current world, which takes us back to our roots and our inner questions. close
In a quiet village in southern China, Fang Xiuying is sixty-seven years old. Having suffered from Alzheimer's for several years, with advanced symptoms more
In a quiet village in southern China, Fang Xiuying is sixty-seven years old. Having suffered from Alzheimer's for several years, with advanced symptoms and ineffective treatment, she was sent back home. Now, bedridden, she is surrounded by her relatives and neighbors, as they witness and accompany her through her last days. close
An impression of the state of the world in 1929, contrasting similarities and differences in religion, customs, art and entertainment from all over the more
An impression of the state of the world in 1929, contrasting similarities and differences in religion, customs, art and entertainment from all over the world. The film is constructed like a symphony. close
Composed entirely of still photographs shot by Marker himself over the course of his restless travel through twenty-six countries, If I Had Four Dromedaries more
Composed entirely of still photographs shot by Marker himself over the course of his restless travel through twenty-six countries, If I Had Four Dromedaries stages a probing, at times agitated, search for the meanings of the photographic image, in the form of an extended voiceover conversation and debate between the "amateur photographer" credited with the images and two of his colleagues. Anticipating later writings by Roland Barthes and Susan Sontag (who professed her admiration for the film) If I Had Four Dromedaries reveals Marker's instinctual understanding of the secret rapport between still and moving image. close
Winter. A bus stop in a small village. People are waiting for a bus. They talk. Listening to their conversations, the viewer can imagine the world they more
Winter. A bus stop in a small village. People are waiting for a bus. They talk. Listening to their conversations, the viewer can imagine the world they live in. United by the movement of the camera, the place and the people blend together. close
At the end of the 1960s the post-war generation began to revolt against their parents. This was a generation disillusioned by anti-communist capitalism more
At the end of the 1960s the post-war generation began to revolt against their parents. This was a generation disillusioned by anti-communist capitalism and a state apparatus in which they believed they saw fascist tendencies. This generation included journalist Ulrike Meinhof, lawyer Horst Mahler, filmmaker Holger Meins as well as students Gudrun Ensslin and Andreas Baader. close
Filmed over 3 years in Homs, accompanying 2 outstanding young men from the time they were only dreaming of freedom to the time when they are forced to more
Filmed over 3 years in Homs, accompanying 2 outstanding young men from the time they were only dreaming of freedom to the time when they are forced to change course. Basset, the 19yo national football team goalkeeper, who became an outspoken demonstration leader in the city, then an icon revolution singer, till he becomes a fighter... a militia leader. Ossama, his 24yo friend, renowned citizen journalist, cynical pacifist... as his views are forced to change, until he is detained by army secret service. It is the story of a city, of which the world have heard a lot, but never really got closer than news, never really had the chance to experience how a war erupted. a modern times epic of youth in war time. close
An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years.
An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years. close
Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany more
Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two month time period during 1977 when a businessman was kidnapped, and later murdered, by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the orginal leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state. close
The new film from Sergei Loznitsa (Maidan, The Event) is a stark yet rich and complex portrait of tourists visiting the grounds of former Nazi extermination more
The new film from Sergei Loznitsa (Maidan, The Event) is a stark yet rich and complex portrait of tourists visiting the grounds of former Nazi extermination camps, and a sometimes sardonic study of the relationship (or the clash) between contemporary culture and the sanctity of the site. close
Going beyond the occasional news clip from Burma, the acclaimed filmmaker, Anders Østergaard, brings us close to the video journalists who deliver the more
Going beyond the occasional news clip from Burma, the acclaimed filmmaker, Anders Østergaard, brings us close to the video journalists who deliver the footage. Though risking torture and life in jail, courageous young citizens of Burma live the essence of journalism as they insist on keeping up the flow of news from their closed country. close
What would be the shortest route between Entre Rios in Argentina and the Chinese metropolis Shanghai? Simply a straight line through the center of the more
What would be the shortest route between Entre Rios in Argentina and the Chinese metropolis Shanghai? Simply a straight line through the center of the earth, since the two places are antipodes: they are located diametrically opposite to each other on the earth's surface. During his visits to four such antipodal pairs, the award-winning documentary filmmaker Victor Kossakovsky captured images that turn our view of the world upside down. close
J'accuse is an 'essay-istic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of more
J'accuse is an 'essay-istic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the background, the context, the conspiracy, the murder and the motives of all its 34 painted characters who have conspired to kill for their combined self-advantage. Greenaway leads us through Rembrandt's paintings into 17th century Amsterdam. He paints a world that is democratic in principle, but is almost entirely ruled by twelve families. The notion exists of these regents as charitable and compassionate beings. However, reality was different. close
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