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Already a famous painter, Rembrandt van Rijn is commissioned to paint the Amsterdam Archers' Guild. But upon completion of the picture, the men of the more
Already a famous painter, Rembrandt van Rijn is commissioned to paint the Amsterdam Archers' Guild. But upon completion of the picture, the men of the guild feel duped, because they don't consider themselves flatteringly depicted in the painting. They therefore decline to pay for the work. During this dispute, the painter finds out his wife is close to death. He finds himself terribly lonely after her passing and suffers from depression until he decides once more to marry. close
In late nineteenth century Alfred Dreyfus, a French army officer of Jewish heritage, is falsely accused of espionage. Found guilty of treason he is drummed more
In late nineteenth century Alfred Dreyfus, a French army officer of Jewish heritage, is falsely accused of espionage. Found guilty of treason he is drummed out of the army and sent to prison on Devil's Island. close
Returned from exile where he accompanied his mother Caterina Sforza, Giovanni de 'Medici (1498-1526), becomes, under the name of Giovanni delle Bande more
Returned from exile where he accompanied his mother Caterina Sforza, Giovanni de 'Medici (1498-1526), becomes, under the name of Giovanni delle Bande Nere, captain of fortune at the service of the idea of a united Italy. close
Germany's economic movers and shakers get a thorough going-over in Friedl's docu-fiction hybrid, which doesn't hesitate to point fingers at those partially responsible for Europe's financial woe.
Germany's economic movers and shakers get a thorough going-over in Friedl's docu-fiction hybrid, which doesn't hesitate to point fingers at those partially responsible for Europe's financial woe. close
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), more
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him. close
During a house concert, the Bach family gets a visit by their son Wilhelm Friedemann, who has just given up his position in Dresden because he no longer more
During a house concert, the Bach family gets a visit by their son Wilhelm Friedemann, who has just given up his position in Dresden because he no longer could endure the reprisals of his superiors. close
Jenny, a cleaner, is seduced by a local playboy, Edouard. Jenny's parents reject her after she spends the night with him. She finds a job as a vaudeville more
Jenny, a cleaner, is seduced by a local playboy, Edouard. Jenny's parents reject her after she spends the night with him. She finds a job as a vaudeville dancer, but ultimately winds up in the gutter. close
Borrowing its title from an experimental text by Walter Benjamin.
Many years ago, the cities by the river were gripped by a contagion. Things started more
Borrowing its title from an experimental text by Walter Benjamin.
Many years ago, the cities by the river were gripped by a contagion. Things started to change and everything slowly became something else. It was not clear if transformation was a symptom of the disease or a way to escape it. The contagion touched everything and everyone: animals and plants, stones and soil, men, women and children, their thoughts, their dreams, their memories. An old woman once told me how all memories turn into trees, I could hardly make out what she was saying. She said she could hear the trees singing: To be a body, to be any body. After the years of contagion ended, the cities appeared untouched. One had to look hard to see the traces of the previous time. If one could listen to the trees, what would they say? A way out, a way out? close
A scientist, Professor Jakob ten Brinken, interested in the laws of heredity, impregnates a prostitute in a laboratory with the semen of a hanged murderer. more
A scientist, Professor Jakob ten Brinken, interested in the laws of heredity, impregnates a prostitute in a laboratory with the semen of a hanged murderer. The prostitute conceives a female child who has no concept of love, whom the professor adopts. The girl, Alraune, suffers from obsessive sexuality and perverse relationships throughout her life. She learns of her unnatural origins and she avenges herself against the professor. close
Auguste is an aging prostitute who falls in love with Felix, a younger student. While Felix has strayed away from his parents, Auguste starts taking care more
Auguste is an aging prostitute who falls in love with Felix, a younger student. While Felix has strayed away from his parents, Auguste starts taking care of him and spends her life savings into a cake shop to move further away from prostitution, but trouble comes when another woman enters the picture. close
In Comparison revisits issues explored in the director's 2007 two channel installation Comparison Via a Third. Spanning continents and cultures, the film more
In Comparison revisits issues explored in the director's 2007 two channel installation Comparison Via a Third. Spanning continents and cultures, the film focuses on the brick in its many contexts, from the collective efforts of a community building a clinic in Burkina Faso, through semi industrialized moldings in India, to industrial production lines in Germany, France, Austria and Switzerland. Through its notable structure and its captivating rhythms, In Comparison presents various methods of labor production, allowing for an assessment that changes with every layer and goes well beyond a simple binary divide. close
A nightclub waiter and a manicurist share the same room, he sleeps there by night and she by day. They've never meet , but they can't stand each other. more
A nightclub waiter and a manicurist share the same room, he sleeps there by night and she by day. They've never meet , but they can't stand each other. Then they meet by chance, not knowing who's who and fall in love. close
The epic story of a village turned concentration camp, turned a city, turned nuclear power plant and of its population. A world instantly transformed more
The epic story of a village turned concentration camp, turned a city, turned nuclear power plant and of its population. A world instantly transformed by ideologies, regimes and dreams of economic prosperity. The tales of characters whose lives intersect in a sinister past, nuclear future and the stinging mosquitoes flying through time, sealing their fate together. close
Two women spend a weekend in the North Sea. One of them will soon return to her family in Argentina, whereas the other one will try to come a step closer more
Two women spend a weekend in the North Sea. One of them will soon return to her family in Argentina, whereas the other one will try to come a step closer to the ocean. She will cross the Atlantic Ocean on a sailing vessel. Time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. When the other one reappears, the wind is still in her hair while the ground beneath her feet is solid. She returns and the other one could ask: “Have you changed?” close
After completing work on the British musical Invitation to the Waltz, Lillian Harvey returned to her adopted country of Germany to star in the comedy-with-music more
After completing work on the British musical Invitation to the Waltz, Lillian Harvey returned to her adopted country of Germany to star in the comedy-with-music Glueckskinder (Children of Fortune). Harvey plays Ann Garden, an unemployed actress who ends up in night court on a loitering charge. Here she meets Gil Taylor (Willy Fritsch), a struggling songwriter temporarily employed as a court reporter. Hoping to keep her out of jail, Gil impulsively tells the judge that he's engaged to Ann -- whereupon the judge, equally impulsively, marries the couple on the spot! After this inauspicious start, Ann and Gil embark upon a rocky (but tuneful) whirlwind romance. close
This ethereal, three-hour biopic is the middle film in Hans-Jürgen Syberberg’s “German Trilogy” on the mythological foundations of the Third Reich. By more
This ethereal, three-hour biopic is the middle film in Hans-Jürgen Syberberg’s “German Trilogy” on the mythological foundations of the Third Reich. By fusing theater, music, and cinema, Syberberg conjures up Karl May (1842-1912), the immensely popular German author, who set many of his adventure novels in an idealized version of the American Wild West. His tales of the cowboy and the Ubermensch alike were beloved by many, including (Our) Hitler, who supposedly ordered his generals to read May works after defeats in the Russian campaign. close
'The Rest Is Silence, a German-made attempt to update Shakespeare, is one of the best and least self-conscious of this minor genre. As indicated by the more
'The Rest Is Silence, a German-made attempt to update Shakespeare, is one of the best and least self-conscious of this minor genre. As indicated by the title, the film's script is a "mufti" version of Hamlet, with young Hardy Krüger trying to prove that his uncle has killed his father. Direct references to the Shakespeare original abound, right down to the re-enactment of the crime for the benefit of the Uncle and the periodic appearances of the ghost of the hero's father.' close
Following World War I, after a long imprisonment, two German prisoner-of-war soldiers escape from a Siberian lead-mine. Karl manages to reach Germany more
Following World War I, after a long imprisonment, two German prisoner-of-war soldiers escape from a Siberian lead-mine. Karl manages to reach Germany before Richard, and is sheltered by Anna, wife of Richard. While Richard is still on his homeward trek, Karl and Anna fall in love. And then Richard comes home. close
A young, impoverished German woman named Hanna gives her infant up for adoption and emigrates to American to live with her husband. When her husband commits more
A young, impoverished German woman named Hanna gives her infant up for adoption and emigrates to American to live with her husband. When her husband commits suicide, Hanna returns to Germany and works her way into becoming the live-in maid and nurse to her child being raised by an orchestra conductor and his wife. close
This first film by choreographer Pina Bausch reflects her method of working as developed with the Wuppertal Theatre of Dance during the 1973/74 season. more
This first film by choreographer Pina Bausch reflects her method of working as developed with the Wuppertal Theatre of Dance during the 1973/74 season. The film does not tell a story, but is made up of various scenes put together as a collage with scenes set in different locations. The futility of human activity and the search for love make up the film's central theme set against the strains of a Silician funeral march. Filmed on location in Wuppertal, Germany, between October 1987 and April 1989. close
In his experimental short film "Brutalität in Stein" (Brutality in Stone), Alexander Kluge demonstrates how Nazi architecture used dimensions of inhuman more
In his experimental short film "Brutalität in Stein" (Brutality in Stone), Alexander Kluge demonstrates how Nazi architecture used dimensions of inhuman and super-human scale to bolster the regime's politics of the same kind. Shots of huge neo-classical architectural structures from the Nazi period are confronted with equally anti-human national-socialist language as a voice-over. close
It's medieval times. Kohlhaas merchants with horses. When going to the local fair to sell his horses, is forced by a noble to leave him part of the merchandise more
It's medieval times. Kohlhaas merchants with horses. When going to the local fair to sell his horses, is forced by a noble to leave him part of the merchandise as payment for traveling through his land, promising to give it back when the fair is over. When he returns, the horses are almost dead, and the man refuse to respond, so Kohlhass begins to fight unsuccesfuly against the injustice. close
A strange case baffles the police and the citizens of a German small town. A two-year old girl has disappeared. There are suspects, innocents, guilty more
A strange case baffles the police and the citizens of a German small town. A two-year old girl has disappeared. There are suspects, innocents, guilty ones and a web of lies. It's saturday afternoon, and Achim's parents are invited for a topping-out ceremony. The neighbour's daughter, Monika (Renate Roland), is the babysitter for Achim (Sascha Urchs) and his little sister Kathrin, but Monika doesn't take the job too serious. She'd rather go for a ride with her boyfriend. Through a unforeseen row of circumstances, Achim becomes the murderer of his sister, and hides the body in a wrecked car on the scrapyard. When the parents return home, a frantic search for the little child begins. Only the father (Sieghardt Rupp) seems to know the truth… close
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