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Hurrah! For Freedom (aka Viva Freedom) is a 1946 Korean film directed by Choi In-kyu. It was the first film made in the country after achieving independence more
Hurrah! For Freedom (aka Viva Freedom) is a 1946 Korean film directed by Choi In-kyu. It was the first film made in the country after achieving independence from Japan. During the country's occupation Choi was only allowed to make Japan-friendly films, but the plot of Hurrah! For Freedom is distinctly different, telling the story of a Korean resistance fighter in 1945. close
On April 29, 1932, Yoon Pongil, an anti-Japanese fighter who fled to China, detonates a bomb at a party where Japanese soldiers stationed in Shanghai more
On April 29, 1932, Yoon Pongil, an anti-Japanese fighter who fled to China, detonates a bomb at a party where Japanese soldiers stationed in Shanghai celebrate the emperor's birthday. Many high-ranking Japanese officials were killed in the incident, including Japanese General Shiragawa, and Japan suffered a major political blow. He went through all sorts of hardships in prison, was executed, but to the end he held steadfastly, not giving up his will for the independence of his native Korea. close
As a 16-year-old girl during the March 1 independence movement in 1919, Yu Gwan-sun stood at the forefront of the march for the freedom of the nation. more
As a 16-year-old girl during the March 1 independence movement in 1919, Yu Gwan-sun stood at the forefront of the march for the freedom of the nation. A biographical film about Yu Gwan-sun's short life and martyrdom. close
A group of communist guerillas encounter jealousy and rivalry among themselves because of the presence of the female compatriot while one of their members plots to desert their band.
A group of communist guerillas encounter jealousy and rivalry among themselves because of the presence of the female compatriot while one of their members plots to desert their band. close
The only film from female director Park Nam Ok, the melodrama The Widow offers a different perspective of the female experience in postwar Korea, and more
The only film from female director Park Nam Ok, the melodrama The Widow offers a different perspective of the female experience in postwar Korea, and a woman's struggle between duty and desire. Raising a daughter alone after the war, widow Shin (Lee Min Ja) is much indebted to her late husband's friend Seong Jin (Shin Dong Hun) but resists his romantic advances. Instead, she falls for Taek (Lee Taek Kyun), who is carrying on an affair with Seong Jin's jealous wife (Park Yeong Suk). Shin is willing to give up everything for Taek, but his heart changes again when his girlfriend returns. close
It is a dramatization about Major Kim Man-il's service during the Korean War. The Korean forces dispatch two military units to defend the Baeti Heights more
It is a dramatization about Major Kim Man-il's service during the Korean War. The Korean forces dispatch two military units to defend the Baeti Heights led by Kim. Although it is hard to do so, Kim and his senior, Kim Mu-cheol (Choe Bong), and other soldiers do their best. Kim even risks his life to save his juniors, but many die as the enemy forces approach. Meanwhile, Lee Kang-no (Yun Il-bong), a communications officer, reads a letter from his wife - missing her and his daughter. Encouraged by it, Lee risks his life to make successful communication between his military unit and the headquarters. His unit wins. Commander Kim Man-su gathers a small number of his subordinates because many had died, and encourages them to do their best toward the enemy off. close
Myeong-ho (Hwang Hae), a middle school teacher who had grown up in poverty, and Bu-nam (Yang Hun), the first son of the president of a trading company, more
Myeong-ho (Hwang Hae), a middle school teacher who had grown up in poverty, and Bu-nam (Yang Hun), the first son of the president of a trading company, attend the same university. A doctor suggests that Bu-nam, who is sick due to overeating, and Myeong-ho, who suffers from malnutrition, should switch life styles for two weeks. While living in each other's house, they fall in love with each other's younger sister and get married at a joint wedding ceremony. close
Oh starts working at a boutique to help her make a living. Professor Jang begins dating the typist Miss Park, but decides to break up with her to protect more
Oh starts working at a boutique to help her make a living. Professor Jang begins dating the typist Miss Park, but decides to break up with her to protect her family. Han's wife anonymously sends a letter to Jang to reveal Oh's affair. close
Jang-hwa and Hong-ryeon, the daughters of Bae the official governor, die of their stepmother's unfair maltreatment. Jang-hwa's ghost appears in front more
Jang-hwa and Hong-ryeon, the daughters of Bae the official governor, die of their stepmother's unfair maltreatment. Jang-hwa's ghost appears in front of a district judge every night begging for clarification of their deaths. The district judge lets the stepmother confess the cause of Jang-hwa's death, and then punishes her. It clears all enmity. close
Master Maeng is very proud that an influential family will soon be his esteemed in-laws when his loving daughter, Mi-yeon, marries their son. A few days more
Master Maeng is very proud that an influential family will soon be his esteemed in-laws when his loving daughter, Mi-yeon, marries their son. A few days before the wedding Maeng hears a rumor that his future son-in-law has a cripple leg. Regretting that he can't give his lovely daughter to a cripple, he decides to marry his maid to him instead. Unexpectedly the future son-in-law shows up at the wedding hall and he is not a cripple, but a healthy and handsome youth. Feeling embarrassed, there is no way but to wed the maid to him. The Wedding Day is a recreation of A Happy Day of Jinsa Maeng, a comical play by Oh Yeong Jin. The first Korean film to win an international film award. close
