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A haunting documentary on the pains of growing up male. It explores the inner and outer cruelties that boys perpetrate and endure. The film provokes the more
A haunting documentary on the pains of growing up male. It explores the inner and outer cruelties that boys perpetrate and endure. The film provokes the viewer to reflect on how our society can deprive boys of wholeness. close
CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension more
CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore ... close
Four superimposed rolls of hand-painted and bi-packed television negative imagery are edited so as to approximate the hypnagogic process whereby the optic more
Four superimposed rolls of hand-painted and bi-packed television negative imagery are edited so as to approximate the hypnagogic process whereby the optic nerves resist grotesque infusions of luminescent light. close
Oddballs dancing, leering at camera, guy shaving a nontraditional part of his body and man ripping his own throat out, woman stabbing herself to death.
Oddballs dancing, leering at camera, guy shaving a nontraditional part of his body and man ripping his own throat out, woman stabbing herself to death. close
One of Richard Kern’s most ambitious works is Fingered (1986), whose sarcastic disclaimer says “although it is not our sole intention to shock, insult, more
One of Richard Kern’s most ambitious works is Fingered (1986), whose sarcastic disclaimer says “although it is not our sole intention to shock, insult, or irritate, you have been warned that we are catering only to our own preferences as members of the sexual minority.” close
Hardware Wars (1978) is a short film parody of the classic science fiction film Star Wars. The thirteen-minute film, which premiered in theatres only more
Hardware Wars (1978) is a short film parody of the classic science fiction film Star Wars. The thirteen-minute film, which premiered in theatres only seven months after Star Wars, consisted of little more than inside jokes and visual puns that heavily depended upon audience familiarity with the original. The theme song is Richard Wagner's famous "Ride of the Valkyries". The tagline was "You'll laugh, you'll cry, you'll kiss three bucks goodbye." close
We move back and forth between scenes of a family at home and thoughts about the stars and creation. Children hold chickens while an adult clips their more
We move back and forth between scenes of a family at home and thoughts about the stars and creation. Children hold chickens while an adult clips their wings; we see a forest; a narrator talks about stars and light and eternity. A dog joins the hens and the family, while the narrator explains the heavens. We see a bee up close. The narrator suggests metaphors for heavenly bodies. Scenes fade into a black screen or dim purple; close-ups of family life may be blurry. The words about the heavens, such as "The stars are a flock of hummingbirds," contrast with images and sounds of real children. close
An ailing elderly woman is paid a perfunctory visit by her family while she sits despondently in a nursing home. Nobody can get through to her except more
An ailing elderly woman is paid a perfunctory visit by her family while she sits despondently in a nursing home. Nobody can get through to her except for her young grandson, who talks to her about the happy times they shared between the two of them when she was well. close
A young filmmaking student turns his camera on a female friend as she gets ready to go out for the night. She confides in him something he struggles to come to grips with.
A young filmmaking student turns his camera on a female friend as she gets ready to go out for the night. She confides in him something he struggles to come to grips with. close
Furniture and clutter of one small apartment room become the subject of a moving still life—with Akerman herself staring back. This breakthrough formal more
Furniture and clutter of one small apartment room become the subject of a moving still life—with Akerman herself staring back. This breakthrough formal experiment is Akerman's first film made in New York. close
In which the off-screen voice of Michael Snow narrates a series of Frampton's photographs (speaking as Frampton, in the first person)—as each picture catches fire on a hot plate.
In which the off-screen voice of Michael Snow narrates a series of Frampton's photographs (speaking as Frampton, in the first person)—as each picture catches fire on a hot plate. close
Short film utilizing quick cuts and multiple angles of a one-man-band musical performance by Sid Lavarents (who served as both film-maker and musician). more
Short film utilizing quick cuts and multiple angles of a one-man-band musical performance by Sid Lavarents (who served as both film-maker and musician). Added to the National Film Registry, Library of Congress for 2000. close
A man walks into a meticulously clean and sterile bathroom and proceeds to shave. When his face is clean, however, he only continues to shave until he more
A man walks into a meticulously clean and sterile bathroom and proceeds to shave. When his face is clean, however, he only continues to shave until he pierces through his skin. Blood covers him and falls around him, the red contrasting the perfect spotlessness of the bathroom. close
Bruce Conner’s most celebrated film for a reason: it takes historical moments that were replayed over and over on television—chilling repetition of Kennedy more
Bruce Conner’s most celebrated film for a reason: it takes historical moments that were replayed over and over on television—chilling repetition of Kennedy assassination coverage—and repurposes them into a meditation on how the media tries to exert authority and apply a sense of order to the anarchic. And though it may sound perverse to say so, the film is also—not incidentally—a thrill to watch. -- The A.V. Club close
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns more
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film. close
A man fondles objects, looks at himself in the mirror, poses in different clothes, smiles and makes faces at the camera while his voice on the soundtrack more
A man fondles objects, looks at himself in the mirror, poses in different clothes, smiles and makes faces at the camera while his voice on the soundtrack speaks of his despair, makes impressionistic statements and little songs, quotes Greta Garbo and Maria Montez, tells the story of a lonely little boy and tells the story of a woman named Madame Nescience who dreams of herself as the Mother Superior of a convent of sexual perversion. close
Allures is a spectacular sequence of moving figures and points, a film which reaches out to the cosmic and the spiritual, where the spatial dimension becomes transcendental.
Allures is a spectacular sequence of moving figures and points, a film which reaches out to the cosmic and the spiritual, where the spatial dimension becomes transcendental. close
Four young men and a young woman sit in boredom. She smokes while one strums a lute, one looks at a magazine, and two fiddle with string. The door opens more
Four young men and a young woman sit in boredom. She smokes while one strums a lute, one looks at a magazine, and two fiddle with string. The door opens and in comes a young man, cigarette between his lips, a swagger on his face. The young woman laughs. As the four young men continue disconnected activities, the other two become a couple. When the four realize something has changed, first they stare at the couple who have kissed and now are dancing slowly. The four run from the house in a kind of frenzy and return to stare. The power of sex has unnerved them. close
Occult magicians who gather gods and idols around them perform rituals calling them. Appeared deities of various dark beliefs from all pagan religions more
Occult magicians who gather gods and idols around them perform rituals calling them. Appeared deities of various dark beliefs from all pagan religions perform actions designed to curse the souls worshipping them. Among those who came to the ceremony are Olympic deities, representatives of the celestial Indian pantheon, ancient Lilith (Renata Druks), Cesare somnambula (Curtis Harrington). All these characters gathered in the wild Dionysian fun and take various alcoholic, narcotic and other harmful substances.
Kenneth Anger’s short film “The Grand Opening of the Temple of Pleasure” is one of the first psychedelic experiments in cinema, mixed with the director’s passion for the occult sciences and experiments in drug use. close
Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film describes in a single continuous movement three degrees more
Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film describes in a single continuous movement three degrees of traditional Chinese boxing, Wu-tang, Shao-lin, and Shao-lin with a sword. A long sequence of the ballet-like, sinuous Wu-tang becomes the more erratic Shao-lin; in the middle, there is an abrupt change to leaping sword movements, in the center of which, at the apogee of the leap, there is a long held freeze-frame. close
Fireworks revolves around a young man (played by Anger himself) associating with various navy sailors, who eventually turn on him, stripping him naked more
Fireworks revolves around a young man (played by Anger himself) associating with various navy sailors, who eventually turn on him, stripping him naked and beating him to death, ripping open his chest to find a clock ticking inside. Several fireworks then explode, accompanied by a burning Christmas tree and the final shot shows the young man lying in bed next to another topless man. close
Moe discovers Curley's unknown boxing talent when he knocks out the Champ at a restaurant when Larry plays "Pop Goes the Weasal" on the violin. Moe becomes more
Moe discovers Curley's unknown boxing talent when he knocks out the Champ at a restaurant when Larry plays "Pop Goes the Weasal" on the violin. Moe becomes Curly's manager, and they win every fight, with the help of Larry. At the championship game, though, Larry's violin breaks. Curly is getting beat down bad when Larry makes his unexpected entrance and helps Curly prevail. close
Scott Nixon, a traveling salesman based in Augusta, Ga., was an avid member of the Amateur Cinema League who enjoyed recording his travels on film. In more
Scott Nixon, a traveling salesman based in Augusta, Ga., was an avid member of the Amateur Cinema League who enjoyed recording his travels on film. In this 16-minute silent film, Nixon documents some 38 streets, storefronts and cities named Augusta in such far-flung locales as Montana and Maine. close
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