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A policeman has breakfast with his wife and children, and then prepares for the day's work. While on his beat, he finds and helps a lost child. Later, more
A policeman has breakfast with his wife and children, and then prepares for the day's work. While on his beat, he finds and helps a lost child. Later, several officers try to save a woman who has attempted to drown herself. And there are some even more hazardous situations yet to come. close
A romance between a railroad engineer and the switchman's daughter is nearly ruined by train wreckers who knock out the girl and leave her on the tracks more
A romance between a railroad engineer and the switchman's daughter is nearly ruined by train wreckers who knock out the girl and leave her on the tracks to be run over. The engineer perches on the engine's cow catcher and rescues the girl. close
A panorama of Coney Island, taken at night: the camera sweeps across the scene from a vantage point well above the area. It then moves in for closer views of Dreamland and Luna Park.
A panorama of Coney Island, taken at night: the camera sweeps across the scene from a vantage point well above the area. It then moves in for closer views of Dreamland and Luna Park. close
The camera platform was on the front of a New York subway train following another train on the same track. Lighting is provided by a specially constructed more
The camera platform was on the front of a New York subway train following another train on the same track. Lighting is provided by a specially constructed work car on a parallel track. At the time of filming, the subway was only seven months old, having opened on October 27, 1904. The ride begins at 14th Street (Union Square) following the route of today's east side IRT, and ends at the old Grand Central Station, built by Cornelius Vanderbuilt in 1869. The Grand Central Station in use today was not completed until 1913. close
Billy Bitzer filmed 21 short actualities inside the Pittsburgh Westinghouse Works in April and May of 1904. Audiences of the day would have been treated more
Billy Bitzer filmed 21 short actualities inside the Pittsburgh Westinghouse Works in April and May of 1904. Audiences of the day would have been treated to footage of factory panoramas, women winding armatures and turbines being assembled. These industrial films were produced for the American Mutoscope & Biograph Company. close
This short, otherwise unremarkable feature is of some interest because of the way that it unabashedly caters to the tastes that it perceived in its audiences. more
This short, otherwise unremarkable feature is of some interest because of the way that it unabashedly caters to the tastes that it perceived in its audiences. Besides combining the elements of the risqué 'blue' movies of the era with the popularity of movies about fires, it also attempted to use the combination to get extra mileage out of it. The movie's title summarises the setup, and most of the footage shows firefighters using ladders to rescue stage girls, clad in portions of their costumes, from an upper level. Although it all seems pretty tame by today's standards, it no doubt provided its male viewers with some brief moments of excitement as the various women hurried down the ladders with their costumes in disarray. (IMDb) close
Scene IV of the Buster Brown Series. Shows a kitchen and Bridget busy making crullers. Buster enters and begs Bridget to give him one. Bridget refuses more
Scene IV of the Buster Brown Series. Shows a kitchen and Bridget busy making crullers. Buster enters and begs Bridget to give him one. Bridget refuses and places all the crullers in a basket on the top pantry shelf. She warns Buster not to touch them, and leaves the room. Buster secures a stepladder and proceeds to climb to the top. As he is about to secure the coveted prize his mamma enters, chastises him severely, and ties Buster fast to the table, and leaves the room. close
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits. close
The fakir with his trick monkey is seated on the pavement in a street in Cairo. He plays a tom-tom, while the monkey dances the couchee-couchee. The movements more
The fakir with his trick monkey is seated on the pavement in a street in Cairo. He plays a tom-tom, while the monkey dances the couchee-couchee. The movements of the monkey are very comical. (Taken on the winter cruise of the S. S. "Auguste Victoria" of the Hamburg-American Line, leaving New York on 03 Feb 1903.) close
Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their more
Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the scene, and effect the safe rescue of a woman from the burning house. But wait, she tells them of her child yet asleep in the burning bedroom... close
A beautiful panoramic view of lower New York from Barclay Street to Battery Park, showing a beautiful stereoscopic effect of the sky-scrapers in the business section of the city.
A beautiful panoramic view of lower New York from Barclay Street to Battery Park, showing a beautiful stereoscopic effect of the sky-scrapers in the business section of the city. close
An engaged couple, dressed in white, meet each other at a train station. When the train arrives, they get on board, and they enjoy the sights from the more
An engaged couple, dressed in white, meet each other at a train station. When the train arrives, they get on board, and they enjoy the sights from the platform on the last car. The workers on the train are eager to help, and they make some special arrangements for the couple. close
Porter's sequential continuity editing links several shots to form a narrative of the famous fairy tale story of Jack and his magic beanstalk. Borrowing more
Porter's sequential continuity editing links several shots to form a narrative of the famous fairy tale story of Jack and his magic beanstalk. Borrowing on cinematographic methods reminiscent of 'Georges Melies' , Porter uses animation, double exposure, and trick photography to illustrate the fairy's apparitions, Jack's dream, and the fast growing beanstalk. close
A despondent-looking man sits behind a table that holds a drink and a gun. He hesitates, thinks things over, starts to take a drink, and then puts down more
A despondent-looking man sits behind a table that holds a drink and a gun. He hesitates, thinks things over, starts to take a drink, and then puts down the glass. Then he picks up the gun and raises it to his temple. close
A baker's assistant throws a handful of dough at a rat. The dough sticks to the side of a barrel and the assistant proceeds to sculpt the dough into various more
A baker's assistant throws a handful of dough at a rat. The dough sticks to the side of a barrel and the assistant proceeds to sculpt the dough into various faces and shapes. There is some experimental use of stop motion. close
The scene opens in an artist's studio, the artist asleep in his chair. A large old fashioned clock opens and a young lady comes out and awaking the artist, more
The scene opens in an artist's studio, the artist asleep in his chair. A large old fashioned clock opens and a young lady comes out and awaking the artist, requests him to paint her picture. While the artist is executing the work a clown comes from the clock, takes in the situation and begins to make love to the lady. The artist detects him and compels him to desist his love making. He continues to paint. The clown becomes interested and asks the artist to allow him to paint the picture, and begins smearing a whitewash brush over the canvas, when lo, a most perfect image of the young lady appears. The image then steps down from the frame, joins the young lady in the studio, and the figures, each a perfect counterpart of the other begin to dance to the great astonishment of the artist. The clown the by waving his hand causes the figures of the two girls to merge into one. The artist then assumes his seat and awakens from his dream with a great shock. close
The stage of a vaudeville theatre. A lady in evening costume is performing on a trapeze. Two Rubes are seated in a box. The lady begins to disrobe, and more
The stage of a vaudeville theatre. A lady in evening costume is performing on a trapeze. Two Rubes are seated in a box. The lady begins to disrobe, and here the fun commences. As she removes her garments one by one and throws them at our rural friends, they begin going through antics, which to say the least, are highly amusing. When the stockings come off, the climax takes place. The Rubes jump from their seats and make things lively for a short time in the theatre. close
A great feature of the Pan-American Exposition, as unanimously conceded by all visitors, was the electric illumination of the Exposition grounds at night. more
A great feature of the Pan-American Exposition, as unanimously conceded by all visitors, was the electric illumination of the Exposition grounds at night. After a great deal of experimenting and patience, we succeeded in securing an excellent picture of the buildings at the Pan-American as they appeared when lighted up at night. close
The champion lady boxers of the world. Shows two female pugilists who are really clever. They engage in a hot one-round sparring bout. A park, with marble more
The champion lady boxers of the world. Shows two female pugilists who are really clever. They engage in a hot one-round sparring bout. A park, with marble entrance and walk, and beautiful trees and shrubbery, make a very pleasing background. The exhibition is very lively from start to finish; the blows fall thick and fast, and some very clever pugilistic generalship is shown. Sold complete or in separate lengths. close
