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After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits. close
"This funny individual will make you laugh until your sides ache. He is funny in all his actions, yet when he puts on his shoes you can imagine the noise more
"This funny individual will make you laugh until your sides ache. He is funny in all his actions, yet when he puts on his shoes you can imagine the noise he can make when he dances an ordinary clog. The shoes referred to are made of some elastic material which enables Little Tich to bow almost to the floor without bending his legs, the spring in the shoes carrying him down and up again. He places his hat on the floor and, leaning over on the toes of his wonderful shoes, dips his head into the hat and comes up without having to move from the spot or to bend his legs. He is a comical looking sight at best, being made up to suit the part, and he will make you laugh whether you want to or not." close
Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their more
Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the scene, and effect the safe rescue of a woman from the burning house. But wait, she tells them of her child yet asleep in the burning bedroom... close
A beautiful panoramic view of lower New York from Barclay Street to Battery Park, showing a beautiful stereoscopic effect of the sky-scrapers in the business section of the city.
A beautiful panoramic view of lower New York from Barclay Street to Battery Park, showing a beautiful stereoscopic effect of the sky-scrapers in the business section of the city. close
A baker's assistant throws a handful of dough at a rat. The dough sticks to the side of a barrel and the assistant proceeds to sculpt the dough into various more
A baker's assistant throws a handful of dough at a rat. The dough sticks to the side of a barrel and the assistant proceeds to sculpt the dough into various faces and shapes. There is some experimental use of stop motion. close
In this picture there is a limited amount of action in the pose. As the curtains are drawn aside the shell appears shut. It gradually opens, disclosing more
In this picture there is a limited amount of action in the pose. As the curtains are drawn aside the shell appears shut. It gradually opens, disclosing the model curled up in a recumbent position. She slowly arises as if awakening, and gracefully assumes the final position of the pose. close
Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.
Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish. close
A romance between a railroad engineer and the switchman's daughter is nearly ruined by train wreckers who knock out the girl and leave her on the tracks more
A romance between a railroad engineer and the switchman's daughter is nearly ruined by train wreckers who knock out the girl and leave her on the tracks to be run over. The engineer perches on the engine's cow catcher and rescues the girl. close
“A marvelously clear picture taken from the top of the elevator of the Eiffel Tower during going up and coming down of the car. This wonderful tower is more
“A marvelously clear picture taken from the top of the elevator of the Eiffel Tower during going up and coming down of the car. This wonderful tower is 1,000 feet in height, and the picture produces a most sensational effect. As the camera leaves the ground and rises to the top of the tower, the enormous white city opens out to the view of the astonished spectator. Arriving at the top of the tower, a bird's eye view of the Exposition looking toward the Trocadero, and also toward the Palace of Electricity, is made, and the camera begins its descent. The entire trip is shown on a 200-foot film. 30.00. We furnish the ascent in 125 foot film.” (Edison film catalog) close
The stage of a vaudeville theatre. A lady in evening costume is performing on a trapeze. Two Rubes are seated in a box. The lady begins to disrobe, and more
The stage of a vaudeville theatre. A lady in evening costume is performing on a trapeze. Two Rubes are seated in a box. The lady begins to disrobe, and here the fun commences. As she removes her garments one by one and throws them at our rural friends, they begin going through antics, which to say the least, are highly amusing. When the stockings come off, the climax takes place. The Rubes jump from their seats and make things lively for a short time in the theatre. close
Porter's sequential continuity editing links several shots to form a narrative of the famous fairy tale story of Jack and his magic beanstalk. Borrowing more
Porter's sequential continuity editing links several shots to form a narrative of the famous fairy tale story of Jack and his magic beanstalk. Borrowing on cinematographic methods reminiscent of 'Georges Melies' , Porter uses animation, double exposure, and trick photography to illustrate the fairy's apparitions, Jack's dream, and the fast growing beanstalk. close
From Maguire & Baucus catalogue: A most amusing and life-like scene, in which a number of young ladies clad in their night robes, are seen engaged in a midnight frolic.
From Maguire & Baucus catalogue: A most amusing and life-like scene, in which a number of young ladies clad in their night robes, are seen engaged in a midnight frolic. close
Scene IV of the Buster Brown Series. Shows a kitchen and Bridget busy making crullers. Buster enters and begs Bridget to give him one. Bridget refuses more
Scene IV of the Buster Brown Series. Shows a kitchen and Bridget busy making crullers. Buster enters and begs Bridget to give him one. Bridget refuses and places all the crullers in a basket on the top pantry shelf. She warns Buster not to touch them, and leaves the room. Buster secures a stepladder and proceeds to climb to the top. As he is about to secure the coveted prize his mamma enters, chastises him severely, and ties Buster fast to the table, and leaves the room. close
“Showing the entire height of this wonderful structure from the base of the dome and return, with the great Paris Exposition in the background, looking more
“Showing the entire height of this wonderful structure from the base of the dome and return, with the great Paris Exposition in the background, looking down Champs de Mars. A most realistic picture.” According to Edison film historian Charles Musser, this film features the first camera tilt among the company's surviving oeuvre. close
A policeman has breakfast with his wife and children, and then prepares for the day's work. While on his beat, he finds and helps a lost child. Later, more
A policeman has breakfast with his wife and children, and then prepares for the day's work. While on his beat, he finds and helps a lost child. Later, several officers try to save a woman who has attempted to drown herself. And there are some even more hazardous situations yet to come. close
A great feature of the Pan-American Exposition, as unanimously conceded by all visitors, was the electric illumination of the Exposition grounds at night. more
A great feature of the Pan-American Exposition, as unanimously conceded by all visitors, was the electric illumination of the Exposition grounds at night. After a great deal of experimenting and patience, we succeeded in securing an excellent picture of the buildings at the Pan-American as they appeared when lighted up at night. close
The scene opens in an artist's studio, the artist asleep in his chair. A large old fashioned clock opens and a young lady comes out and awaking the artist, more
The scene opens in an artist's studio, the artist asleep in his chair. A large old fashioned clock opens and a young lady comes out and awaking the artist, requests him to paint her picture. While the artist is executing the work a clown comes from the clock, takes in the situation and begins to make love to the lady. The artist detects him and compels him to desist his love making. He continues to paint. The clown becomes interested and asks the artist to allow him to paint the picture, and begins smearing a whitewash brush over the canvas, when lo, a most perfect image of the young lady appears. The image then steps down from the frame, joins the young lady in the studio, and the figures, each a perfect counterpart of the other begin to dance to the great astonishment of the artist. The clown the by waving his hand causes the figures of the two girls to merge into one. The artist then assumes his seat and awakens from his dream with a great shock. close
Shows a tramp enter and try to ride a wheel, from which he makes some very ludicrous falls and gives up in despair, after which an artist enters and jumps more
Shows a tramp enter and try to ride a wheel, from which he makes some very ludicrous falls and gives up in despair, after which an artist enters and jumps rope on a wheel. A very laughable subject. close
While our photographers were crossing the Atlantic Ocean a most wonderful and sensational picture was secured, showing a storm at sea. The picture was more
While our photographers were crossing the Atlantic Ocean a most wonderful and sensational picture was secured, showing a storm at sea. The picture was secured by lashing the camera to the after bridge of the Kaiserine Maria Theresa, of the North German Lloyd Line, during one of its roughest voyages. The most wonderful storm picture ever photographed. Taken at great risk. (Edison Films, 1901) close
