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Nora (2013) (Hole) is a hand-crafted black and white animation in which landscapes become an arena for the subtle play of light and shadow. Nora (2013) more
Nora (2013) (Hole) is a hand-crafted black and white animation in which landscapes become an arena for the subtle play of light and shadow.
Nora (2013) Vouter Venema presents a short animated story in which nature is a layer for creating an artificial world. And the sound of water is suppressed by the soundtrack, which creates a new space.
The title of the cartoon Nora (2013) refers to the camera obscura (translated from the Latin “camera obscura” this optical device is called “dark room”) and underground landscapes. close
The movie "Twice Over" - a short film Simon Payne Twelve minutes of creative experimentation. The picture "Twice" consists of layers of filmed video, more
The movie "Twice Over" - a short film Simon Payne Twelve minutes of creative experimentation.
The picture "Twice" consists of layers of filmed video, in which a similar follower is formed from colored rectangles. The re-shot layer is superimposed in such a way that a third element is formed: a multicolored thin rectangle, fluttering between the main color blocks. close
Quickly replace each other beautiful images, sometimes strange, and counter-punk music. The travel report takes on the features of life-affirming poetry.
Quickly replace each other beautiful images, sometimes strange, and counter-punk music. The travel report takes on the features of life-affirming poetry. close
In NavelFable Mara Mattuschka subjects herself to a second birth through endless pairs of tights. Her body struggles so hard and in such a deformed manner more
In NavelFable Mara Mattuschka subjects herself to a second birth through endless pairs of tights. Her body struggles so hard and in such a deformed manner from out of the layers of nylon that the sheer struggle for survival becomes visible. close
Free Cinema was a movement in British cinema in the 1950s and early 1960s that brought together aspiring filmmakers working outside the "big" film industry more
Free Cinema was a movement in British cinema in the 1950s and early 1960s that brought together aspiring filmmakers working outside the "big" film industry with minimal budgets and non-professional actors who focused on social issues and the daily life of the working class and proclaimed as their main principles "trust in reality" and "poetic response to the subject of the image." The Free Cinema movement, which was initially a response to Italian neorealism and French "poetic realism", later transformed into the British New Wave and became the basis for the construction of the new English cinema.
The Singing Street (Norton Park Group & Nigel McIsaac, 1952, 14 min)
"Singing Street" - children's games on the streets.
Wakefield Express (Lindsay Anderson, 1952, 32 min)
"Wakefield Express" - preparation and publication of the next issue of the provincial newspaper.
O Dreamland (Lindsay Anderson, 1953, 12 min)
Oh Wonderful Country is an impressionistic portrait of an amusement park in Margita, Kent.
Thursday's Children (Lindsay Anderson, 1954, 22 min)
"Children of Thursday" - a story about the students of the school for deaf children
Momma Don't Allow (Karel Reisz & Tony Richardson, 1956, 21 min)
“Mommy won’t let you” is a lyrical sketch about young people who came after work to dance in one of the jazz clubs in North London.
Together (Lorenza Mazzetti, 1956, 48 min)
"Together" is an exploration of the insular lives of two deaf-mute dockers in the East End of the 1950s.
Everyday Except Christmas (Lindsay Anderson, 1957, 38 min)
Every Day Except Christmas is an inside look at the London market in Covent Garden.
Nice Time (Alain Tanner & Claude Goretta, 1957, 17 min)
"Fun Time" - Piccadilly Square Saturday night
One Potato Two Potato (Leslie Daiken, 1957, 20 mins)
"One Potato, Two Potatoes" - traditional and new games for children in the London suburbs
Enginemen (Michael Grigsby, 1959, 17 min)
Railroad workers are one working day of a locomotive depot in Manchester.
We Are the Lambeth Boys (Karel Reisz, 1959, 48 min)
"We're the Lambeth Boys" is the daily life of teenagers and the activities of a youth club in South London.
Food for a Blush (Elizabeth Russell, UK, 1959, 28 min)
A surreal journey through the bohemian area of Chelsea
Refuge England (Robert Vas, 1959, 25 min)
"Asylum in England" - the first day in London of a Hungarian immigrant
March to Aldermaston (Karel Reisz & Lindsay Anderson, 1959, 29 min)
The March on Aldermaston was a mass anti-war demonstration demanding a ban on atomic weapons in the spring of 1958.
Terminus (John Schlesinger, 1961, 33 min)
The 24 Hours of London Waterloo Station
Tomorrow's Saturday (Michael Grigsby, 1962, 16 min)
Tomorrow Saturday is a typical weekend in Blackburn.
The Vanishing Street (Robert Vas, 1962, 18 min)
Disappearing Street: The Life of the East End Jewish Quarter
The Saturday Men (John Fletcher, 1962, 26 min)
Saturday People is a preparation for an amateur football team match.
Gala Day (John Irvin, 1963, 24 min)
"Holiday Day" - a city holiday in the mining Durham
Bonus: Documentary "The Story of Free Cinema Told by Its Creators"
Small Is Beautiful: The Story of the Free Cinema Films Told by Their Makers (2006, 43 min) close
Johnny Boy goes on a routine job, things go awry when he meets a vulnerable young girl. His boss George sees her as a money making opportunity. Neither more
Johnny Boy goes on a routine job, things go awry when he meets a vulnerable young girl. His boss George sees her as a money making opportunity. Neither one has a clue of the deep dark secret that lays within the girl. Once revealed it will change the lives of these thugs forever close
Petr Cherkasski is an Austrian avant-garde filmmaker who works exclusively with select cadres. All his works are made by hand with the help of film, painstakingly more
Petr Cherkasski is an Austrian avant-garde filmmaker who works exclusively with select cadres. All his works are made by hand with the help of film, painstakingly processed in the developing room, and not with the help of technological tricks. Cherkassky not only displays beautiful and haunting images, but also forces the audience to rethink the traditional concept of film and plot.
The hero of "Guidelines to the Light and Sound Mechanism" is easy to identify. Unconsciously descending the street, he suddenly realizes that he is not only an object for taking out aggression from several opponents, but also under the patronage of the director. He defends himself heroically, but at the same time is sentenced to the gallows, where he dies, while the film frantically breaks into collages.
Then our hero descends into Hades, the realm of shadows. Here, in the subfield of cinematography, he is confronted with countless printed instructions by which any cinematic image is made possible.
In other words, our hero discovers that his true essence is a cinematic shadow.
A Guide to the Light and Sound Mechanism is an attempt to transform a Roman western into an ancient Greek tragedy.
Constructed on the basis of 'Good, Bad and Evil' close
The main character - sound operator Monet - records on film the ceremony of changing the guard at Buckingham Palace and accidentally, instead of recording, more
The main character - sound operator Monet - records on film the ceremony of changing the guard at Buckingham Palace and accidentally, instead of recording, presses the play button. The old song of Bulgarian reapers, which Monet heard many times as a child, evokes memories of his childhood, a distant village and its customs, of his dead relatives and himself - in those days a trembling boy whose soul, living in a world of fantasies, did not accept and resisted manifestations of evil and violence.
In this very personal and partly autobiographical film, the director tries to find and express the relationship between the spiritual foundations of the Bulgarian people and the historical events that affected its character in the images of memory - the war that took place in the Balkans, the life of peasants, the birth and death of relatives, wedding and murder in his native village. close
Contemplation of transience combined with the depiction of landscapes, portraits and texts by the Dutch author Remko Kampert. The short, four-minute film more
Contemplation of transience combined with the depiction of landscapes, portraits and texts by the Dutch author Remko Kampert. The short, four-minute film Hier Nu is a poetic work directed by Barbara Mether.
Love, like everything else in life, is fleeting, it comes and goes. We have to live here and now. Remco Campert's texts complement the atmospheric picture of nature and man. close
Since the late 1960s, the almost annual productions of Richard Foreman’s Ontological-Hysteric Theater have been among New York’s artistic highlights. more
Since the late 1960s, the almost annual productions of Richard Foreman’s Ontological-Hysteric Theater have been among New York’s artistic highlights. A legend of the avant-garde theater, Foreman is also a passionate film fan, whose taste ranges from American avant-garde to Manoel de Oliveira. ONCE EVERY DAY marks his first foray into feature filmmaking in 35 years. Highly visual, complexly edited and without a traditional narrative, the film zeroes in on a group of 25 people acting out a series of semi-ritualistic behavior patterns. But their eccentric impulses are aborted in unpredictable ways with each attempt at action or development. According to the director, “The film slowly evolves a time-mosaic of reformatted consciousness.” Longtime admirers of Foreman’s work will see an intriguing adaptation of his unique theatrical style to the cinema. And for everyone else: Welcome to the extraordinary world of Richard Foreman. close
In the film "Loneliness" Adele Anel appears as herself in various strange situations of "loneliness", where there is no one else but her. Each time she more
In the film "Loneliness" Adele Anel appears as herself in various strange situations of "loneliness", where there is no one else but her. Each time she reflects on herself and her position in them. close
This work is comprised of rhythmic assemblings of sounds and images extracted from various sources, including the internet and DVDs, as well as diaristic more
This work is comprised of rhythmic assemblings of sounds and images extracted from various sources, including the internet and DVDs, as well as diaristic material gathered by the artist and his friends. Various light distortions created with a small portable video camera add further texture to the work. close
Author of the documentary “The Dubai in Me” (Germany) director Christian von Borris It opens up its vision of the city of Dubai. Dubai is a city created more
Author of the documentary “The Dubai in Me” (Germany) director Christian von Borris It opens up its vision of the city of Dubai.
Dubai is a city created out of nothing, a city that has risen above the sands for several crazy decades. What drove and drove his development? It is no secret that the ruling family and the sheikh himself invest a lot of money in the development of Dubai. Dubai has become a demonstration of the power of capital – everything should be the most modern and expensive. Along with the changing views of glittering skyscrapers and huge construction projects, commercials of Dubai itself, its numerous presentations and conferences, the film “Dubai in Me” shows the other side of Dubai, the one that is not shown to tourists – a string of wagons with builders from Southeast Asia and India, from whom documents are taken on arrival and with whose hands all the fabulous splendor of the city is erected.
Dubai is not what it seems, says the authors of the painting “Dubai in me”. The city has many secrets, and the purpose of the film is to lift the veil over at least some of them. close
In I'm Too Sad to Tell You (1971), he cries in front of the camera. The sea, the land, the artist has with great sadness known they too will be no more. more
In I'm Too Sad to Tell You (1971), he cries in front of the camera. The sea, the land, the artist has with great sadness known they too will be no more. “The artist realized with great sadness that in this world even the sea and the earth are not eternal.” And he himself is not eternal. close
Frig — a film in three parts (Love, Shit and Sperm) — is an experimental drama beginning with the end of a love affair. Love and the resulting experience more
Frig — a film in three parts (Love, Shit and Sperm) — is an experimental drama beginning with the end of a love affair. Love and the resulting experience are presented as a metaphor that goes beyond the personal and into a deeper consideration of life’s cycles, ultimately becoming a reflection on life, death and rebirth. Opening with a personal poem and accompanied by fragmented images, the film plunge into Sade’s universe in “120 Days of Sodom” and charts the descent into one’s own, personal hell, revealing the hidden face of society. close
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