Western short music movies of 70-th - very rare category. We know total 12 this movies.
These are the most popular ones but just because a lot of people have watched them doesn't mean you should watch them.
If you want to choose movies,
which you won't be disappointed,
fill out a short form
and/or rate several films,
and filmAdviser will pick you up
western short music movies of 70-th
according to your taste
among those
12 ,
which we know.
We will not only help you choose movie,
but we’ll also tell you where it is watch online for free
Shot by movie maestro Peter Whitehead, this film features rare full length performances from the classic late 60's Pink Floyd line-up at Sound Techniques more
Shot by movie maestro Peter Whitehead, this film features rare full length performances from the classic late 60's Pink Floyd line-up at Sound Techniques London & material from the legendary '14 hour Technicolor Dream' extravaganza in April '67 at Alexandra Palace. close
The Beatles present their 1970 chart-topping album "Let It Be" in sweeping new Special Editions, as you’ve never heard it before, with New Mixes in Stereo, more
The Beatles present their 1970 chart-topping album "Let It Be" in sweeping new Special Editions, as you’ve never heard it before, with New Mixes in Stereo, 5.1 Surround, and Dolby Atmos by producer Giles Martin and engineer Sam Okell. Expanded with Never Before Released Session Recordings, Demos, Rehearsals & Studio Jams, and the Previously Unreleased 1969 Get Back LP Mix by Glyn Johns. close
The Beatles hired Michael Lindsay-Hogg to shoot a promotional clip for "Hey Jude" after he had previously directed a clip for "Paperback Writer" in 1966. more
The Beatles hired Michael Lindsay-Hogg to shoot a promotional clip for "Hey Jude" after he had previously directed a clip for "Paperback Writer" in 1966. They settled on the idea of shooting with a live, albeit controlled, audience. In the clip, the Beatles are first seen by themselves, performing the initial chorus and verses, and then are joined by the audience who appear as the last chorus concludes and coda begins; the audience sings and claps along with the Beatles through the song's conclusion. Hogg shot the clip at Twickenham Film Studios on 4 September 1968, with McCartney himself designing the set. close
Eagle Rock are delighted to announce the release of two films by John and Yoko, Imagine and Gimme Some Truth. Both films, which focus on the Imagine era, more
Eagle Rock are delighted to announce the release of two films by John and Yoko, Imagine and Gimme Some Truth. Both films, which focus on the Imagine era, have been hand restored frame-by-frame from the original film reels into HD, and their soundtracks have been remixed in glorious 5.1 surround sound, and remastered. Includes exclusive, never-before-seen bonus content on DVD and blu-ray. This is the first time both films have been commercially available at the same time. IMAGINE 1. Imagine 2. Crippled Inside 3. Good Morning 4. Jealous Guy 5. Don't Count The Waves 6. It's So Hard 7. Mrs Lennon 8. In Bag 9. I Don't Wanna Be A Soldier Mama I Don't Wanna Die 10. Mind Train 11. Whisper Piece 12. What's That In The Sky? 13. Power To The People 14. Gimme Some Truth 15. Midsummer New York 16. Oh My Love 17. How Do You Sleep? 18. How? 19. Oh Yoko! 20. Beach / End Credits close
Short film utilizing quick cuts and multiple angles of a one-man-band musical performance by Sid Lavarents (who served as both film-maker and musician). more
Short film utilizing quick cuts and multiple angles of a one-man-band musical performance by Sid Lavarents (who served as both film-maker and musician). Added to the National Film Registry, Library of Congress for 2000. close
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s more
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s the Frequency, Kenneth?” and “Drive” (both for REM), Conner’s movie is an experiment in the visual language of film. But no matter how powerful a formal analysis of his filmmaking process may be in suggesting how Conner’s rhythms affect us, there is much in Breakaway – in Basilotta’s brash and unbridled self-assertiveness, in Conner’s feverish camera style, and even in the uncomplicated honesty of Cobb’s catchy lyrics and tune – that defies verbalisation… and must simply be loved! -- Senses of Cinema close
A cinematic look at The Doors on the road during their summer '68 tour. Concert performances are intercut with fly-on-the-wall footage of the group in their natural habitat.
A cinematic look at The Doors on the road during their summer '68 tour. Concert performances are intercut with fly-on-the-wall footage of the group in their natural habitat. close
The film is made up of one single take. The camera pans to the left, focusing on a dilapidated fence in a rural field, as Ella Fitzgerald's "All My Life" more
The film is made up of one single take. The camera pans to the left, focusing on a dilapidated fence in a rural field, as Ella Fitzgerald's "All My Life" plays on the soundtrack. At the end of the 3 minute film, the camera tilts up to the blue sky just as the song ends. close
