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Western european arthouse short movies - very rare category. We know total 26 this movies.
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A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic more
A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier. close
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery more
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.) close
An elegant and humorous film—in the guise of a serious anthropological treatise—spotlights "The Perfect Human," a model of the modern Dane created by our wishful thinking.
An elegant and humorous film—in the guise of a serious anthropological treatise—spotlights "The Perfect Human," a model of the modern Dane created by our wishful thinking. close
A sculptor is traumatized by the death of his wife in a car accident. He builds a sculpture in her memory. As the lifelike sculpture begins to bleed through more
A sculptor is traumatized by the death of his wife in a car accident. He builds a sculpture in her memory. As the lifelike sculpture begins to bleed through the cracks of clay, the sculptor's flesh mutates and crumbles away... close
An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby more
An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail. close
Virgile and Blanche, both aged 17, correspond by e-mail. Virgile loves Blanche, but Blanche loves a boy named Eustache. Nobody knows the other's thoughts. more
Virgile and Blanche, both aged 17, correspond by e-mail. Virgile loves Blanche, but Blanche loves a boy named Eustache. Nobody knows the other's thoughts. Virgile talks about life and death and Blanche listens acceptingly. Eustache enters the room in a blue cap. He sees Virgile first, then Blanche. Then Blanche remembers having danced with Virgile and leves the room to join him. close
Herr Hoffman parks his late-model car in a lot across from his corner office on the top floor. Each day, he puts a coin in the cup of a beggar who stands more
Herr Hoffman parks his late-model car in a lot across from his corner office on the top floor. Each day, he puts a coin in the cup of a beggar who stands in front of the building. One day, Hoffman looks out his window and notices the beggar washing his car - no one else's in the lot, just Hoffmann's. That evening, when he gives the beggar a coin, Hoffmann tells him not the wash it. But the next day, it happens again. On the third morning, Hoffman drives his car back and forth in a mud puddle; the beggar washes it carefully. That evening, Hoffman has no change and no small bills, only 100 DM. He tries to evade the beggar, who gives chase, cane and all. More than wills collide. close
Wordless story about a man who awakes in his bed wearing his clothes (including a check vest). He rises, washes his face, combs his hair, and heads for more
Wordless story about a man who awakes in his bed wearing his clothes (including a check vest). He rises, washes his face, combs his hair, and heads for work across the street at a copy shop. He inadvertently makes a photocopy of his hand, and then the machine beings turning out copies of photographs of himself, the street outside, and his apartment. He unplugs the copier and heads home. He repeats the scene we saw earlier. Copies of himself emerge from bed; baffled, he watches them go to work. Soon, it seems, he's part of a society in which everyone looks like him and wears check vest. Can he get things back to normal? close
A department store security guard is secretly in love with a clerk in the store's bookshop. When he witnesses a seeming rival being attacked in the train, more
A department store security guard is secretly in love with a clerk in the store's bookshop. When he witnesses a seeming rival being attacked in the train, he gets off instead of helping him. Not being able to deal with his bad conscience, his formerly controlled life breaks down. close
A premonition of a horror film, lurking danger: A house - at night, slightly tilted in the camera's view, eerily lit - surfaces from the pitch black, more
A premonition of a horror film, lurking danger: A house - at night, slightly tilted in the camera's view, eerily lit - surfaces from the pitch black, then sinks back into it again. A young woman begins to move slowly towards the building. She enters it. The film cuts crackle, the sound track grates, suppressed, smothered. Found footage from Hollywood forms the basis for the film. The figure who creeps through the images, who is thrown around by them and who attacks them is Barbara Hershey. Tscherkassky's dramatic frame by frame re-cycling, re-copying and new exposure of the material, folds the images and the rooms into each other. It removes the ground from under the viewer's feet and splits faces, like in a bad dream. From the off, from outer space, foreign bodies penetrate the images and cause the montage to become panic stricken. The outer edges of the film image, the empty perforations and the skeletons of the optical sound track rehearse an invasion... close
If any single piece can act as a key to Ruiz, it may be the 1997 short Le Film à Venir (The Film to Come). The titular film is a holy fragment of celluloid more
If any single piece can act as a key to Ruiz, it may be the 1997 short Le Film à Venir (The Film to Come). The titular film is a holy fragment of celluloid that can only be seen by a secret society known as the Philokinetes. They watch it on a loop, somnambulating through a life that is unreal by comparison. It is the belief of the Philokinetes that film has an existence “independent from humans. Cinema, they said, is the primeval soup of a new life form. There from were to emerge pure screening creatures. Which is to say, non-topical beings.” - n+1 close
Nocturnal Butterflies is Servais' serene and melancholic homage to Belgian surrealist Paul Delvaux (1897-1994), whose architectural paintings serve as more
Nocturnal Butterflies is Servais' serene and melancholic homage to Belgian surrealist Paul Delvaux (1897-1994), whose architectural paintings serve as the basis for the mise-en-scène for the film, and whose opaquely gazed women represent the enigmatic, silent witnesses who guard the secrets of the eccentric artist's curious world of precisely rendered, hermetic construction. close
A businessman goes home during the working day to change his trousers having spilled coffee on himself. When he arrives in the underground garage below more
A businessman goes home during the working day to change his trousers having spilled coffee on himself. When he arrives in the underground garage below his apartment block he finds a car on fire with a dead man inside. He also finds himself being filmed. He takes the video upstairs to his home and watches a man do ordinary things like shave etc before covering himself in petrol and setting himself and his car alight. Procter becomes a driven man as he tries to unearth what drove this person to kill himself in such an unusual manner. By Joachim Trier. close
This is October 1955. The place is a village in Loire-Atlantique, La Chapelle-Basse-Mer, where an old clog-maker works and lives with his wife and their more
This is October 1955. The place is a village in Loire-Atlantique, La Chapelle-Basse-Mer, where an old clog-maker works and lives with his wife and their adopted son. The clog-maker's meticulous craft is described with love and close attention to detail. On the other hand, forthcoming death pervades the quiet everyday life of the elderly couple. close
Cindy, the doll is mine is a short film by French director Bertrand Bonello. It stars Italian actress Asia Argento in the double role of photographer more
Cindy, the doll is mine is a short film by French director Bertrand Bonello. It stars Italian actress Asia Argento in the double role of photographer Cindy Sherman, a brunette, and her model, a blonde who strangely resemble one another. The film was screened out of competition at the 2005 Cannes Film Festival. close
Why do mothers abandon their children? In his second short film, Jaime Belagüero continues to explore the dark sides of the human psyche and shows the more
Why do mothers abandon their children? In his second short film, Jaime Belagüero continues to explore the dark sides of the human psyche and shows the tragic story of the boy with his early adult eyes – pain, loneliness, fear, bacteriological warfare, memories that a child would like to forget after losing his parents to a pair of sadomasochistic female hands.
Award: Audience Award Sweden Fantastic Film Festival 1998 for Best Short Film close
A witty and eye-opening tour through Borowczyk's own collection of vintage erotica. Originally intended as part of his 'Contes immoraux', it was released more
A witty and eye-opening tour through Borowczyk's own collection of vintage erotica. Originally intended as part of his 'Contes immoraux', it was released first as a separate short, and is therefore marks the turning-point between Borowczyk's career as a highly-regarded animator and surrealist filmmaker, and his subsequent career in the sexploitation field. close
On Top - Iceland, a lighthouse, a cold winter evening. Her thoughts drift back to that summer ... to bathing in the hot springs ... to when they first more
On Top - Iceland, a lighthouse, a cold winter evening. Her thoughts drift back to that summer ... to bathing in the hot springs ... to when they first met ... and embraced. Down Under - Australia, the desert, a blistering heat wave. His pickup stops at an icehouse ... he lays the blocks neatly on the buckboard ... and drives off haunted by a aching memory. Without dialogue or comment, save for verses from a sonnet by John Keats, Fridrik Thor Fridriksson links the thoughts, the emotions, the sensual longing of young lovers at opposite ends of the world. A tone poem, a collage of sight and sound. close
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