I liked those films of Juliusz Makhulsky, which I once watched (Va-Bank and Va-Bank -2, Sexmission, Deja Vu), so I downloaded a couple more films and one of them watched, this is Kingsize / Kingsajz, 1987. I think if I had seen this film 15-20 years ago, I would have liked it more, but I had watched it with some effort, stopped it
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I liked those films of Juliusz Makhulsky, which I once watched (Va-Bank and Va-Bank -2, Sexmission, Deja Vu), so I downloaded a couple more films and one of them watched, this is Kingsize / Kingsajz, 1987. I think if I had seen this film 15-20 years ago, I would have liked it more, but I had watched it with some effort, stopped it several times. By genre, the film is interesting, it is a satirical comedy-fantasy. The main characters of the film are gnomes, with the help of a special substance, who became people of normal size. So these gnomes live in their country of the wardrobe, where everything is controlled by a bastard type (he is played by Jerzy Stur), the substance is given only to the chosen ones, its formula is kept in a big secret, but living among people, they certainly need to consume Polo-Cola (there was such a drink related to Coca-Cola in its time). And now one of these people, Adas (Grzegorz Cherominski), a chemist by profession, invents this formula himself and now the dream of many dwarves can come true, now everyone can choose for himself whether to become a full-sized person or continue to live as a dwarve. But the ruler of the wardrobe does not intend to allow this to happen at all, he kidnaps Adas, he is taken to Lockeland, there he is tortured and even prepared to be quartered with an egg cutter. But Adas’s friend Olgerd (Jacek Khmelnik) and two others go to his aid. And now we see all these vicissitudes, however, everything will end more or less well, however, these two friends who went with Olgerd will die. But Adas will be saved. And so we see a group of friends laughing cheerfully on the train, but suddenly it turns out that the train is a toy and even that the whole world, i.e. all of us, is kind of watching through the keyhole. In principle, I love satire, but in this case it seemed to me somewhat heavy (or, of course, somewhat outdated techniques, but still the film can be seen). Good ending.
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