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Touch of Evil, 1958
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7.48 45643 10
IMDb7.9 

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Touch of Evil

1958 1 hour 35 min.
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The strangest vengeance ever planned!
When a car bomb explodes on the American side of the U.S./Mexico border, Mexican drug enforcement agent Miguel Vargas begins his investigation, along with American police captain Hank Quinlan. When Vargas begins to suspect that Quinlan and his shady partner, Menzies, are planting evidence to frame an innocent man, his investigations into their possible corruption quickly put himself and his new bride, Susie, in jeopardy.
About movie show more Hide
Country:  USA
Genres:  Film-Noir Thriller Drama Crime
Properties:
complex dramatic cruel brutal slow ambiguous realistic
Director:  Orson Welles
Rating:  1000 Greatest Movies #45
additional information Show Hide
Writers:  Orson Welles Franklin Coen Paul Monash Whit Masterson
Producers:  Albert Zugsmith Albert Zugsmith
Camerman:  Russell Metty
Music:  Mancini Henry
Studios:  Universal Pictures Universal International Pictures
Premiere: 30 March 1958
Budget:$829 000
Collections:  Foreign cinema
Tags:  mexico police drugs border between mexico and usa evil Director-actor crime Drug Enforcement Agent prison stripper border town gang member repression border corrupt cop relationship between an older man and a young woman relationship between husband and wife border crossing Drug Enforcement Department family relationships murder prostitution rape cabaret gangster time bomb revenge blackmail racism suicide friendship interracial relationships friend transport police officer cult film corruption singer investigation gang prostitute deception lawyer retribution ranch dove song henchman criminal family conspiracy good vs evil seal Mexican drug cartel Mexican shadow marriage marriage alcoholic extortion gypsy law death Prison cell cruelty phone call kidnapping attorney widower grief car black and white fortune teller police procedure betrayal hotel gang leader drink Fire from weapons justice crime boss falling into water drug use drug dealer dynamite radio Fight Mexican American brothel blood nightclub racial stereotype police car former prisoner photographer obsession fidelity evidence Kiss District Attorney goat heroin insomnia shootout honeymoon Mexico explosion police officer Spaniard prejudice wig cover flashlight motel microphone money acid pervert photography lameness eavesdropping fanaticism cry for help light bulb chase cane trap hostility anger tape recorder vendetta perversity house in the forest drunkenness drug dealership shoe police detective xenophobia morals police strangulation phone interrogation newlyweds setup marijuana shooting accusation intuition construction site limping switch tarot dancer whiskey camera bridge truth serum radio transmitter idealist racist alliance persecution clunker wiretapping matador letter elevator echo reversible corrupt police officer bar strip club Chief of Police intimidation femme fatale Firearms gang rape relationship between brothers long shot slap Los Angeles California keep at gunpoint wrongful arrest love letter modern western performance of music bathroom recording to tape neo-western bloody hand pop music soundtrack street life psychological manipulation quarrel in a bar smoking cigar fire escape hero worship oil well mixed marriage construction crew Woman in danger wearing a listening device police corruption Shoe box wading hotel lobby injured leg leather gloves old friends interracial marriage lesbian underwear planted evidence fake evidence strangled to death oil rig conditionally released explosive substance secret wedding dripping blood blind woman defamation campaign speaking Spanish chili pepper framed photograph jukebox oilfield racial prejudice exploding car chocolate bar relations between men and women cop nuts police brutality severed foot lesbian subtext leather jacket father-son relationship father-daughter relationship manipulation of facts / false accusation false accusation of murder car stuffed with explosives curtain of bead threads mechanical piano (pianola) drinking alcohol Detective from Homicide Venice Beach California Firearm theft falsely accused of crime lining of artificial hair uncle-nephew relationship shooting from the hero's point of view animal head on the wall under the influence of drugs famous melody in the film Based on the novel Director's script Actor writer and director in one person Shooting with your feet up Actor Director Screenwriter - in one person appliance for listening to telephone conversations accompanying survey dead body floating on river has become famous appearance on the screen of the hero sexual harassment Police recording
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Cast:  Charlton Heston Janet Leigh Orson Welles Joseph Calleia Akim Tamiroff Joanne Moore Ray Collins Dennis Weaver Valentin de Vargas Mort Mills Zsa Zsa Gabor Marlene Dietrich Joi Lansing Harry Shannon Victor Millan Lalo Rios
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23 January 2025
4
Noir, who is trying to raise social issues. The film features police breaking the law; an incorruptible handsome hero; friendship and duty; racism and love. If you look at it in general, the movie is very old. It is hard to say how the painting looked at the time, but today it looks like an archaic. And I watched the restored version, more
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Noir, who is trying to raise social issues. The film features police breaking the law; an incorruptible handsome hero; friendship and duty; racism and love. If you look at it in general, the movie is very old. It is hard to say how the painting looked at the time, but today it looks like an archaic. And I watched the restored version, not the hour and a half.

The story that "Print" tells is completely uninteresting. Character conflicts don't touch. The film is based on Wells' play. If his character had been played by someone else, the film would have seriously sunk. It's about filling the frame. It is noticeable that each angle is built with love and attention to detail. In other films of the same genre, the characters would communicate against the background of bare walls, windows, doors. But such a study does not really save.

In general, it will be interesting to fans of Wells and those who are fond of film history. There is no catchy drama, no strong morality, no fascinating story in the film.

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