The film was decorated with two wonderful lyrical songs by the duo Eugene Golovin and Galina Lushina with an excellent video sequence. And the names forgotten, and the secrets of the ability to make a movie, too, seem to be lost. Pity. In the lyrical episodes (with one of the best shots of Soviet cinema) Tatiana Lebedkova and Irina Yurevich, also forgotten actresses, are brilliant. The spectacular conclusion of the film is a masterpiece of VIA music of the 70s, which went well in those relaxed years, not burdened by the complexity of life, property, market competition and excessive awareness.
Among the characters there is not a single morally flawed, which, as it is now clear, a lot in itself.
Demonstration of children’s choreographic talents in the film is clothed in the form of magical-Soviet “pioneerlager”. Realism is limping, and a fairy tale: not reflected the characteristic features of the discipline in the Soviet pioneer camps, which paid much more attention to walking in the system, the pioneers somehow in free-home clothes – from the form laid for the pioneer camp, uniformly disciplined (and does not allow to become invisible on the ground in AWOL behind the fence), there were only sometimes worn pioneer ties ...
A vivid example of cinema in an amazing genre of Soviet pastoral.