Tony Gutleaf's film "Jam," 2017. At one time I liked his film "Transylvania", so I always wanted to see something else from his films, came here, especially since my friends-filmmakers appreciated it highly. This film, too, is essentially a road movie, like the one with a lot of Greek-Turkish rebetiko music, also almost timeless, to
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Tony Gutleaf's film "Jam," 2017. At one time I liked his film "Transylvania", so I always wanted to see something else from his films, came here, especially since my friends-filmmakers appreciated it highly. This film, too, is essentially a road movie, like the one with a lot of Greek-Turkish rebetiko music, also almost timeless, to our time only shows the large number of wrecked boats and life jackets on the shore, indicating refugees trying to get there by sea. The film is not story rich. Jam is such a strange girl that her uncle (and essentially her stepfather) sends to Istanbul for a spare part for his boat. She, passing through several incidents and meetings with different people, as well as picking up a French girl lost in an unfamiliar country, who worked in a charitable organization, which was abandoned by her boyfriend, gets the necessary detail and returns. As a result, after being confiscated for debts of property literally without everything, they sail on a renovated boat, hopefully, in the light distance.
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