There are fights, but there is no point. The latter, it seems, should be present in unsaid phrases, half hints, and the main character appears before the viewer as a kind of Charles Bronson, observing his code of silence. The lawlessness of the nineties comes to life in the picture with a new force. Screenwriters are clearly cheating.
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There are fights, but there is no point. The latter, it seems, should be present in unsaid phrases, half hints, and the main character appears before the viewer as a kind of Charles Bronson, observing his code of silence. The lawlessness of the nineties comes to life in the picture with a new force. Screenwriters are clearly cheating. As a result: action scenes for five plus. But in terms of at least some sense hardly three.
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