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Barry Lyndon, 1975
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8.01 83848 10
IMDb8.1 

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Barry Lyndon

1975 18+ 3 hours 5 min.
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At long last Redmond Barry became a gentleman—and that was his tragedy.
An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
oscar
oscar
Oscar
1976
Best cameraman performance
The best scenery
Best costumes
Best musical adaptation
bafta
bafta
British Film Academy
1976
Best cameraman performance
Best director
Stanley Kubrick
About movie show more Hide
Countries:  UK USA
Genres:  Drama History Adventure War
Properties:
complex dramatic slow cruel realistic ambiguous
Director:  Stanley Kubrick
Rating:  1000 Greatest Movies #43
additional information Show Hide
Writers:  Stanley Kubrick William Makepeace Thackeray
Producers:  Stanley Kubrick Jan Harlan Bernard Williams
Camerman:  John Alcott
Studios:  Warner Bros. Pictures Hawk Films Peregrine
Premiere: 11 December 1975
Budget:$11 000 000
Competitions: Golden Globes
Golden Globes
1976
NOMINATIONS
Best film (drama)
Best director
Stanley Kubrick
Cesar
Cesar
1977
NOMINATIONS
Best foreign language film
Oscar
Oscar
1976
Best cameraman performance
The best scenery
Best costumes
Best musical adaptation
NOMINATIONS
Best movie
Best adapted screenplay
Best director
Stanley Kubrick
British Film Academy
British Film Academy
1976
Best cameraman performance
Best director
Stanley Kubrick
NOMINATIONS
Best movie
Best costumes
Best artist's work
Tags:  barry lindon Ireland British Army Fire from weapons military officer duel killed in battle light from the candle tragedy gay treason hunter of wealth (dowry) French army Irish grief spy duel on guns homosexual boxing family relationships England magician espionage musician homosexual widow spanking maid debt castle nobility Female nudity uncle impostor infidelity wedding ship birth stepfather Berlin Germany uniform cuckold game 18th century armed forces jealousy gambling horse love triangle ambitious desertion soldier Belgium countryside Same-sex kiss well-being 1700s hotel battle cruelty film about art sword fight suicide attempt rider palace epic Female breasts adultery Shot in the leg relationship between stepfather and stepson wanderer funeral disguise painting irony Countess class differences bath recognition antihero arrest regiment misanthropy slap rescue Fire bafta award British Academy 1976 Oscars 1976 suspicion tape drunkenness vomiting nihilism Kiss prussia fencing flatulence libertine focus dancing honor opportunist rapier deserter mentor cowardice crying love stepson amputation pessimism barn dysfunctional marriage estate (estate) marriage of convenience Fully nude woman gambler class of society unhappy marriage external communication family conflict gunshot wound death of a child wheelchair military service gay love separate accommodation 1780s difficult production Fist Fight soldier - gay violent stepfather flint gun presumed dead fake death Voiceover crying man coin toss rowboat card fraud playing cards deathbed 1770s robbery armed robbery ups and downs military desertion sailing ship beaten with a cane loss of son music concert death of a friend horse riding eye patch division into chapters 1760s grudge against stepfather corporal punishment 1750s relationship between brothers neglect of attention to wife impersonating another person father-son relationship rivalry between relatives child abuse Female nudity (front view) mother-son relationship British Armed Forces thug from the big road cheating while playing cards drink thrown in the face passing through the system Voice-over commentary in the epilogue exclusion (from club school) melodrama famous melody in the film quarrel between husband and wife Based on the novel birthday party Narrative Literary adaptation horseback riding accident
Wiki
Cast:  Ryan O'Neal Marisa Berenson Leon Vitali Marie Kean Patrick Magee Hardy Krüger Steven Berkoff Gay Hamilton Diana Körner Murray Melvin Leonard Rossiter Pat Roach Anthony Sharp Andre Morell Ferdy Mayne Jonathan Cecil Wolf Kahler Peter Cellier Michael Hordern Bernard Hepton Godfrey Quigley John Sharp Philip Stone Hans Meyer Barry Jackson Billy Boyle Frank Middlemass Liam Redmond Pat Laffan Dominic Savage Arthur O'Sullivan George Sewell Roger Booth Geoffrey Chater Harry Towb John Bindon Frederick Schiller Anthony Herrick
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Reviews (4) Show Hide
20 October 2023
8
Long postponed, as I often do, watching the very famous film Stanley Kubrick “Barry Lyndon”, shot by him in 1975, primarily because of the timing – the film lasts 3 hours 05 minutes. I watched this movie, which was definitely worth watching. Kubrick is said to have filmed William Thackeray’s not-so-famous rogue novel, The Luck of more
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Long postponed, as I often do, watching the very famous film Stanley Kubrick “Barry Lyndon”, shot by him in 1975, primarily because of the timing – the film lasts 3 hours 05 minutes. I watched this movie, which was definitely worth watching.
Kubrick is said to have filmed William Thackeray’s not-so-famous rogue novel, The Luck of Barry Lyndon, which I met under the title Barry Lyndon’s Career, because “profound novels cannot be transformed into a two- or three-hour film without significant losses.” He treated the film adaptation very scrupulously and tried to preserve the historicity of the background and image, which he, according to experts, perfectly succeeded, although he slightly “edited” the novel.
The young Irish guy Redmond Barry, who grew up after the murder of his father in a duel in an impoverished family, looks at first quite unspoiled, in love with his rather windy cousin, who, although flirting with him, is not going to marry him, since he is poor, and she herself is a privat. And when a potential suitor looms on the horizon, and Barry does not want to back down, he is simply simply deceived by staging the death of an opponent in a duel, after which he is escorted out under the pretext of salvation. This is where his misadventures begin. Having got from the hopelessness of the situation first in one army, and then in another, the army is depicted extremely negatively, and the battles look just like the shooting of soldiers, he eventually escapes from there and from the police, where he was taken to perform a special assignment, and begins to play professionally. Barry tries to cheat in life, but he is not always good at it. He strives all the time to become a real gentleman, in the end he even successfully marries, but in this field he eventually falls into ruin, and to a large extent through his own fault, as well as tragedy - he loses the only person he blindly loves - his own son. In the end, he returns to almost the same state from which he began. At long last Redmond Barry became a gentleman -- and that was his tragedy. In the end, Redmond Barry became a gentleman and that was his tragedy.
Starring actor Ryan O’Neill, whom I remember well from Peter Bogdanovich’s great film Paper Moon, where he played a crook, the role of Barry Lyndon is certainly more significant, but in that role, frankly, I even liked him more.
Thackeray, and behind him and Kubrick portray the reality of that time not in complementary tones, but in very unsightly, which deprives the film of all sorts of embellishment and sentimentality, so that it does not look like a lot of tapes on historical themes.

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Ludmila Ternikova
1
2
27 July 2022
8
Barry Lyndon is a controversial film. On the one hand, Kubrick accomplished almost a feat, literally reconstructing the world of the aristocracy of the XVIII century. That’s how you make historical films. Most historical films regarding the atmosphere and realities of the chosen time are fakes. In addition, the director further complicated more
close
Barry Lyndon is a controversial film. On the one hand, Kubrick accomplished almost a feat, literally reconstructing the world of the aristocracy of the XVIII century. That’s how you make historical films. Most historical films regarding the atmosphere and realities of the chosen time are fakes. In addition, the director further complicated his life, using only natural light and candlelight, thereby achieving the effect of presence. Immersion in context in this film at high altitude.
On the other hand, the film is not a catchy story at all. Neither Barry's adventures nor his tragedies evoke strong feelings, whether sympathy or antipathy. Overall, the idea is clear. The director shows a frozen, almost dead society. It works like a machine, almost like a clock. It is emphatically exquisite in appearance, but ugly from the inside. Barry seeks happiness in him, and finds only grief, his actions determined his fall. Also in the film there are many secondary characters who convey the irony of life. But the lack of plot almost makes you feel like you're wandering around in some museum halls.

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openspaceman
2
26 July 2020
7
The plot of the film did not interest me. Historical events are slurred, even the people around Barry are not to say bright. Like Barry himself, though. But! The aesthetic enjoyment of the species was worth those three hours. It seems that the cameraman thought through each scene so that any frame was the completed beautiful picture. more
close
The plot of the film did not interest me. Historical events are slurred, even the people around Barry are not to say bright. Like Barry himself, though.
But! The aesthetic enjoyment of the species was worth those three hours. It seems that the cameraman thought through each scene so that any frame was the completed beautiful picture. These landscapes! These candle rooms! Interiors and views from the windows... It’s like walking for 3 hours on an exhibition with paintings by great artists. . .

close
nata...
18 May 2020
10
Everything is beautiful in this movie.
marianictebarcelona
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