Despite the fact that I am completely alien to the worldview of metalworkers, drug addicts, bikers and other rabble living evil, I was able to catch what kind of attraction the authors put into this cartoon. In most of the plots shown, a technological civilization is presented, but living according to absolutely primitive laws: kill or die, beat the enemy with a club in the face, capture a female and have her in the lap of nature, etc. Immersion in this barbarism lulls the viewer with ancient repressed instincts. I can’t say that this is bad, in psychology there is a term for this “socially acceptable channel of sublimation”, i.e. without harm to others, you can experience in a work that is not allowed in life, and it works as an antidepressant. We figured it out, it's weird, but it's not bad.
The visual side is almost entirely magnificent and is able to compete with masterpieces from the 80-90s of the type "Akira" and "Eon Flax"... however, the authors for some reason deliberately spoiled it in some moments, making the whole story about the court at the station and part of the story about the secretary and the robot in a completely children's drawing. Why? Take and perfect scenes at the level of "Luny Tunes", turning the cartoon from an icon of metalworkers into a parody of them.
But the unique idea was ruined by a simple thing – the plot, or rather its absence. In the stories shown, the style is so bulging that the plot and meaning simply have no place left. Some observations about the plot:
The logic of the villainous ball: "She can destroy me, so let me spend an hour telling her awesome stories."
- In most stories, the action takes place on Earth, but each time it is a different Earth.
- The bandits offer a woman 300,000 for a Green Ball, she runs away from them with a taxi driver, and he eventually helps her... sell them this ball for 300,000? Really?? She could have done it right away.
The defendant runs around the station from the werewolf and ends up draining it. That's it? The whole story?
- The pilots were eaten by zombies. That's it?
- The robot persuaded the woman to the wedding, the allyens crooked the ship. All? ?
The last story is generally puzzling. The ball tells this story as something from the future, but in the end it turns into a hello from the past. How does chronology even work?
Thus, it could be just a chic thing, but in fact it turned out to be just a large clip from which it is suggested not to ask for any content.