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Chelsea on the Rocks celebrates the personalities and artistic voices that have emerged from New York’s legendary Chelsea Hotel. Once considered an untouchable, more
Chelsea on the Rocks celebrates the personalities and artistic voices that have emerged from New York’s legendary Chelsea Hotel. Once considered an untouchable, impenetrable tower for writers, artists, musicians and mavericks, it has been recently claimed as a boutique hotel venture for a management company that shows disregard for its formidable history. –Cannes Film Festival close
A young, jobless woman stays in bed, reads, talks on the phone, smokes cigarettes, makes fresh coffee, and tries on some clothes from a large wardrobe.
A young, jobless woman stays in bed, reads, talks on the phone, smokes cigarettes, makes fresh coffee, and tries on some clothes from a large wardrobe. close
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, more
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life. close
In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through more
In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet's regime. close
Director Nikita Mikhalkov documents the history of Russia from 1980 to 1991 by annually asking his daughter Anna such questions as "What do you love the more
Director Nikita Mikhalkov documents the history of Russia from 1980 to 1991 by annually asking his daughter Anna such questions as "What do you love the most?", "What scares you the most?", "What do you want above anything" and "What do you hate the most?" close
A Latin palindrome is the title of Guy Debord's last film, in which he, as narrator, explains that he will make neither concessions to the tastes of his more
A Latin palindrome is the title of Guy Debord's last film, in which he, as narrator, explains that he will make neither concessions to the tastes of his viewers nor to the dominant ideas of his day. After extensively insulting the audience that goes to the cinema to forget its heteronomous life, the film becomes autobiographical, using images from the world of spectacle: advertising brochures, clips from feature films (Les enfants du paradis), comics, aerial footage of Paris, tracking shots through Venice, photographs of friends – all commented on by Debord, with an at times melancholy undertone: "This Paris no longer exists." His assessment is that one of the great pleasures of his life has been the sensation of the passage of time, and as a witness to the disintegration of social order, he has loved his epoch. close
At the age of 97 Riefenstahl returns to Sudan for one final farewell to the Nuba that she lived with for 8 months and photographed and filmed extensively. more
At the age of 97 Riefenstahl returns to Sudan for one final farewell to the Nuba that she lived with for 8 months and photographed and filmed extensively. Müller documents her return after 23 years away and her reaction to the collapsing culture that she once celebrated so avidly in her photographs. close
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). more
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.” close
A substantial part of life is claimed by boredom. Beauty, love, work.. sometimes it just isn't worth getting out of bed. A girl in a strawberry pie factory, more
A substantial part of life is claimed by boredom. Beauty, love, work.. sometimes it just isn't worth getting out of bed. A girl in a strawberry pie factory, a stressed desert nomad, a Wall street stockbroker, the last living WW2 female spy, a painter who paints Time for 42 years, the first school shooter in history who wounded eleven children and killed two adults because: 'I don't like Mondays', are the characters in this film. John Malkovich gives voice to the inner bored human being. He crawls under your skin prompting questions: Howmany people in the world are like me? close
A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances more
A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances is a flight into one's internal world. This flight and this drama are revealed in this philosophical film-poem. close
This is the subject of ongoing discovery of the beauty of the world, that man makes in his life and in his work, which is being developed as part of a more
This is the subject of ongoing discovery of the beauty of the world, that man makes in his life and in his work, which is being developed as part of a big city, presented during a day's work. This film starts and ends with the rotating image of the sculpture of Rodin the Thinker; this famous sculpture has long since become the symbol of the unchanging expression of human thought. close
Peleshian transforms footage from a train ride into a metaphor for the shape of a life. Early images of faces on the train give way to landscape, a journey more
Peleshian transforms footage from a train ride into a metaphor for the shape of a life. Early images of faces on the train give way to landscape, a journey through a black tunnel, and a final emergence into pure white light. close
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and more
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons. close
Director Jonas Mekas provides an intimate glimpse of his personal life by constructing a feature length narrative from over 30 years of private home movie footage.
Director Jonas Mekas provides an intimate glimpse of his personal life by constructing a feature length narrative from over 30 years of private home movie footage. close
A vibrant chronicle of one of today's most notorious and revered live bands, Gogol Bordello Non-Stop follows Eugene Hütz s gypsy-punk brigade around the more
A vibrant chronicle of one of today's most notorious and revered live bands, Gogol Bordello Non-Stop follows Eugene Hütz s gypsy-punk brigade around the world as they spread their liberating libertine musical gospel. Filmmaker Margarita Jimeno tracks their raucous gigs from 2001 to 2006, from NYC to Italy, as the band rises from dingy basements to festival main-stages. The cast is a rotating circus of polyglot personalities from Israel, Russia and America, who dish on their music, their heritage, and their favored vices. Hütz, a sardonic mustachioed Ukrainian immigrant and the group ringleader, fuses his gypsy heritage with a love of punk rock and burlesque. Part carnival barker, social organizer, and poet, he s a mesmerizing presence on-stage and off. Gogol Bordello Non-Stop is an artful documentary that mixes flamboyant costumes, intricate dance choreography, a relentless beat and an explosive energy not seen since the dawn of rock n roll. close
The director films the street where he lives in St. Petersburg, for a whole year, documenting the changes caused by the celebration of its 300th anniversary.
The director films the street where he lives in St. Petersburg, for a whole year, documenting the changes caused by the celebration of its 300th anniversary. close
An Icelandic documentary about the people that work, and hang around Hlemmur, the iconic Reykjavik bus stop.
The film follows homeless people, people more
An Icelandic documentary about the people that work, and hang around Hlemmur, the iconic Reykjavik bus stop.
The film follows homeless people, people with disabilities, and a bus driver.
A unique view in to their lives, and the view they have on the world. Soundtrack by Sigur Rós. close
From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classical instrument hijacking (Sakamoto Hiromichi), Tokyo's avant-garde more
From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classical instrument hijacking (Sakamoto Hiromichi), Tokyo's avant-garde music scene is internationally known for its boldness. While introducing some of the greatest musicians of this scene, "We Don't Care About Music Anyway..." offers a kaleidoscopic view of Tokyo, confronting music and noise, sound and image, reality and representation, documentary and fiction. close
Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute more
Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them. close
Walks with Brodsky is a documentary based on filming in Venice. The authors spent several autumn days of 1993 with the poet, walking around the city reminiscent more
Walks with Brodsky is a documentary based on filming in Venice. The authors spent several autumn days of 1993 with the poet, walking around the city reminiscent of St. Petersburg.
The second part of the picture was created as a film about the film, after “Walks with Brodsky” received the Russian TEFI award, and Joseph Brodsky died: on the night of January 28, 1996, the poet died in New York from a heart attack. close