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The sequel of feature-publicistic film «You Can’t Live Like That». Showing the countrymen charmless and sometimes scaring life picture of once great power more
The sequel of feature-publicistic film «You Can’t Live Like That». Showing the countrymen charmless and sometimes scaring life picture of once great power with pain and anger, the author tries to uncover the reason of the country’s and nation’s tragedy. close
Gain an inside look into the Soviet Union under Josef Stalin's reign of terror through eyewitness testimonies, archival photographs and rare film footage, more
Gain an inside look into the Soviet Union under Josef Stalin's reign of terror through eyewitness testimonies, archival photographs and rare film footage, which reveal the real-life backstabbing and power plays among Stalin's inner circle. This documentary follows the stories of such high-ranking officials as Andrei Zhdanov, Nikita Khrushchev and Georgy Malenkov as they battled to secure their place in history by becoming Stalin's successor. close
The first film made following the nuclear meltdown accident at the Chornobyl Nuclear Power Plant, reactor 4, near Pripyat, Ukrainian SSR, Soviet Union, more
The first film made following the nuclear meltdown accident at the Chornobyl Nuclear Power Plant, reactor 4, near Pripyat, Ukrainian SSR, Soviet Union, on the 26 April 1986, focuses on the immediate aftermath of the disaster and the cleanup effort. close
The portrait of the creator of the Kino group, consisting of the thoughts and memories of people who loved him, appears before the audience as a musical more
The portrait of the creator of the Kino group, consisting of the thoughts and memories of people who loved him, appears before the audience as a musical prophecy of a talented artist about his own life. close
These images and sounds are poetic metaphors that transform “Elegy from Russia” into a document that provides a emotional–historical “memory bank” for all.
These images and sounds are poetic metaphors that transform “Elegy from Russia” into a document that provides a emotional–historical “memory bank” for all. close
At the center of the film is a man in a monkey mask inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes more
At the center of the film is a man in a monkey mask inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes inherent in human life (work, marriage, military service, leisure) do not release him from an animal form. close
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is more
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is a cut-off of the era, watching our life, and those around us. Thinking about where the line between reality and insanity lies. close
A television series dedicated to the Second World War, involving 60 states with a population of one billion seven hundred million people - 4/5 of all more
A television series dedicated to the Second World War, involving 60 states with a population of one billion seven hundred million people - 4/5 of all mankind. The screen recreates the most important events of 1941-1945, all the great battles of the Second World War. close
This controversial documentary created a storm in Russia by taking the cloak off a violent, repressive period of Soviet history. Filmmaker Semyon Aranovich more
This controversial documentary created a storm in Russia by taking the cloak off a violent, repressive period of Soviet history. Filmmaker Semyon Aranovich found the last surviving personal bodyguard of Joseph Stalin, Alexey Robin, who began working for the dictator in the 1930s. close
The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system, it explores intermediate state between a human and more
The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system, it explores intermediate state between a human and a non-human: a subhuman deprived of a divine spark. close
This film was shot in 1988. The main action takes place in a rock group's studio during the visit of a few acolytes from Theatre Theatre. It is all served more
This film was shot in 1988. The main action takes place in a rock group's studio during the visit of a few acolytes from Theatre Theatre. It is all served up in connection with Fassbinder «s notion of Antitheatre. The theme of the “mad prince” in actors» improvisations intertwines with the fate of the director and of directing in general. The adventures of the spirit form the true tale of this film. We use only the single interior, the studio room where nothing happens aside from the pulsations of spirit. It comes to life here, and it rests, as if gaining new strength. The Mad Prince Fassbinder is, indeed, spirit. Only a free camera is capable of capturing this freedom. close
It focuses on how youngsters in capitalist Russia turn to crime. Either they thrive at their game or they get locked up. In any case they're trapped. more
It focuses on how youngsters in capitalist Russia turn to crime. Either they thrive at their game or they get locked up. In any case they're trapped. The portrayed kids are old men, acting wise and tough while in fact they're victims. close
The picture is about the anti-Hitler coalition of the USSR, England and America, which developed as a counterweight to the aggressive policy of Nazi Germany more
The picture is about the anti-Hitler coalition of the USSR, England and America, which developed as a counterweight to the aggressive policy of Nazi Germany during the Second World War. The unique newsreel footage of these years, shot by operators of different warring countries, is connected with today's thoughts of the author about the fate of the post-war world, about the humanitarian losses of both sides and about gaining unstable hopes for the unity of the world in countering evil. close
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with more
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with loud and exultant noise. Such sounds accompany the restless walk of a woman and her child across a dusty street, while Bartas’ gaze wanders through many different perspectives. close
Artists Ilya Kabakov, Erik Bulatov, Anatoly Zverev, Vadim Sidur, Vladimir Yakovlev are already classics of modern art today. At the same time, in the more
Artists Ilya Kabakov, Erik Bulatov, Anatoly Zverev, Vadim Sidur, Vladimir Yakovlev are already classics of modern art today. At the same time, in the Khrushchev thaw, they were only entering the arena of underground artistic life. The film covers the period of unofficial Russian art from 1957 to the high-profile premiere of the cult film Assa, telling, among other things, about the Bulldozer Exhibition of 1974 with its "formalistic twists." close
The television series "The Tragedy of the Century" was filmed by a magnificent duo of directors - Yuri Ozerov and Anatoly Rasskazov. The film tells about more
The television series "The Tragedy of the Century" was filmed by a magnificent duo of directors - Yuri Ozerov and Anatoly Rasskazov. The film tells about the most significant events of the Second World War, based on real events and documentary facts. Each series recreates one of the great battles of this bloody and unforgettable war. With the help of art cinema, as well as with the involvement of unique documentary footage shot by both Soviet operators and cameramen of other countries, including America, England, France, Japan and, of course, German film archives, scenes of battles were recreated in great detail. This film is considered the best of all films about the war. close
A group portrait of Soviet people in the interior of the post-Soviet timelessness. Soviet Jews intoxicated with freedom, who did not want to leave the more
A group portrait of Soviet people in the interior of the post-Soviet timelessness. Soviet Jews intoxicated with freedom, who did not want to leave the new Russia, and Soviet officers broken by freedom, who did not want to return to the new Russia. Ruddy first-year soldiers, singing obscene songs, and old men, "are terrible with their blind gazes into the lens, as into the abyss of time." People who died, long before they died. And people experiencing their rebirth. And there are cracked tombstones, ruined cemeteries, abandoned towns, an empty autumn sky and a chronicle of several wars that merged in the memory of an old soldier into one endless massacre that began in 1914 and continues to this day with a premonition of civil war. close
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date more
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes. close
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