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The director tells the story of Boris Grebenshchikov through the image of Leo Tolstoy. According to Viktor Tikhomirov, both heroes are similar "in their more
The director tells the story of Boris Grebenshchikov through the image of Leo Tolstoy. According to Viktor Tikhomirov, both heroes are similar "in their delusions and achievements". The film has a lot of chronicles and, of course, Grebenshchikov's songs sound, and George Gunitsky described the tape after its premiere at Pushkinskaya 10: "A completely untethered and insanely surreal film in a good way. And it is gratifying that all this postmodern film improvisation is involved on a cool aquarium basis. We need to look at the picture again once or twice, get a better understanding of it. And savor it. A very worthy work." close
Valentina Karavayeva had her career ruined when her face was injured in a car crash. Weaving scenes from Russian war classics, Valentina’s personal soliloquies more
Valentina Karavayeva had her career ruined when her face was injured in a car crash. Weaving scenes from Russian war classics, Valentina’s personal soliloquies and contemporary footage, director Paradzhanov has created a wonderfully stylish portrait of a quintessential romantic artist. close
“Like the right and left hand Your soul is close to my soul We are sealed shut, blissfully and warmly, Like the right and left wing…” The life and art more
“Like the right and left hand Your soul is close to my soul We are sealed shut, blissfully and warmly, Like the right and left wing…” The life and art of Pavel Kogan and Lyudmila Stanukinas, two famous Leningrad documentary filmmakers, can best be expressed by the Tsvetaeva stanza cited above. They are the main characters of this film, which their student Viktor Kossakovsky shot during Pavel Kogan’s final months. For Lyudmila Stanukinas, Lyalya, as those close to her called her, her husband was her only reason for existence. She was with him until the end and held onto his extinguishing life as much as she could. close
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with more
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with her life, important peasant secrets of working in the field have gone. Transferred to her at one time by inheritance techniques of agricultural engineering in her family to pick up no one. The son tragically died, the daughter will not work in the field, most likely she will completely leave the village.
The film consists of two chapters. The first is a color summer impression of Maria Semyonovna. Haymaking, bathing in the river, work on linen fields, vacation to the Crimea, which happens in the life of a peasant (especially in summer) is extremely rare - the very first impressions of a city man, who was the author of the film. The task is to create an impression, to immerse the viewer in pastoral emotion. The second part is a sad “gift” of fate. It's been nine years. These years have brought change. There were not some, there were others. The second chapter is a black and white image with a story about how the fate of Maria Semyonovna ended. It's a sad, elegiac narrative. The director intended to give a panorama of the fate of a particular person in specific circumstances.”
Alexander Sokurov (from the author's abstract) close
The provincial Russian town of Nerekhta is celebrating its 775th anniversary. The basis of the holiday is the legend about the local craftsman Krikutny, more
The provincial Russian town of Nerekhta is celebrating its 775th anniversary. The basis of the holiday is the legend about the local craftsman Krikutny, who was the first in the world in 1731 to fly in a balloon. Was there really the balloonist Krikutny, or was this story invented by the provincial official Sulukadzev? Whom to believe? To the text of the charter for the first ballooning or to historians who refute the reality of this event? close
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage more
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage taken by Balabanov in 1985-1990. In addition to the main characters, the documentary footage captured many prominent figures of Sverdlovsk rock club, in particular Vyacheslav Butusov, Leonid Porokhnyu, and local actors. close
The candy factory. Gray, exhausting life, and a guest lecturer talks about beautiful feelings, love and courtship. He doesn't know what it costs to make more
The candy factory. Gray, exhausting life, and a guest lecturer talks about beautiful feelings, love and courtship. He doesn't know what it costs to make a box of candy that someone will bring to his beloved woman on March 8. It's snowing, sweeping the streets. Then comes spring, then summer, but still in the smoking room workers candy factory in rare moments of rest will talk about their lives, which passes. close
Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter.
Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter. close
About the best discos in the USSR - in Moscow, Riga, Novosibirsk, Dubna, etc., with comments by the Deputy Minister of Culture of the USSR Golubtsova more
About the best discos in the USSR - in Moscow, Riga, Novosibirsk, Dubna, etc., with comments by the Deputy Minister of Culture of the USSR Golubtsova G.V., Doctor of Historical Sciences I.V. Bestuzhev-Lada. close
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and more
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons. close
A documentary film about the agricultural development in the region of Gorky: the everyday life in a sovkhoz, the building of a reservoir and of a greenhouse.
A documentary film about the agricultural development in the region of Gorky: the everyday life in a sovkhoz, the building of a reservoir and of a greenhouse. close
Film-drama in three parts about the entrance exams for the acting faculty of the Leningrad Institute of Music, Theatre and Cinematography. Prologue: Graduate more
Film-drama in three parts about the entrance exams for the acting faculty of the Leningrad Institute of Music, Theatre and Cinematography. Prologue: Graduate students gather around a course leader. This is the last picture I've ever had. And in the summer, everything begins again: those obsessed with the theater again come to the mansion on Mokhovaya - to enter the theater school. close
The film observes and records the people travelling, adding to this very simple but effective visual set a pure (and magic) pot pourri of designed and more
The film observes and records the people travelling, adding to this very simple but effective visual set a pure (and magic) pot pourri of designed and recorded voices and sounds. Hereby not only the people become human beings alive, but also the city awakens. close
A physicist, a director of popular-science films, and a sports fan talk about the structure of the atom between periods of a hockey game they watch on TV.
A physicist, a director of popular-science films, and a sports fan talk about the structure of the atom between periods of a hockey game they watch on TV. close
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). more
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.” close
One of the highest achievements of the new wave of Kirghiz cinema, which emerged in the mid-1960s. This story of a boy building sandcastles on the shores more
One of the highest achievements of the new wave of Kirghiz cinema, which emerged in the mid-1960s. This story of a boy building sandcastles on the shores of the Issyk-Kul Lake becomes a documentary parable on the tensions between an artist and society. close
The war prevented Marina Kupriyanova from fulfilling her dream of becoming an actress. She works as a waitress in the youth cafe "Rovesnik" and today more
The war prevented Marina Kupriyanova from fulfilling her dream of becoming an actress. She works as a waitress in the youth cafe "Rovesnik" and today recalls the days of the heroic defense of Leningrad, which she participated in. close
This is the subject of ongoing discovery of the beauty of the world, that man makes in his life and in his work, which is being developed as part of a more
This is the subject of ongoing discovery of the beauty of the world, that man makes in his life and in his work, which is being developed as part of a big city, presented during a day's work. This film starts and ends with the rotating image of the sculpture of Rodin the Thinker; this famous sculpture has long since become the symbol of the unchanging expression of human thought. close
In a compartment of the Moscow-Novosibirsk train, a young physicist meets famous film actors. The conversation accidentally comes to Einstein, and the more
In a compartment of the Moscow-Novosibirsk train, a young physicist meets famous film actors. The conversation accidentally comes to Einstein, and the woman begins to explain to her fellow travelers what the theory of relativity is. The actors are incidentally on their way to the shooting of a film about physicists, but they do not understand the subject at all. close
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