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A 1943 Soviet documentary war film by Ukrainian director Alexander Dovzhenko and Yuliya Solntseva. It is Dovzhenko's second World War II documentary, more
A 1943 Soviet documentary war film by Ukrainian director Alexander Dovzhenko and Yuliya Solntseva. It is Dovzhenko's second World War II documentary, and dealt with the Battle of Kharkov. The film incorporates German footage of the invasion of Ukraine, which was later captured by the Soviets. close
This is the second installment of a three-part series of autobiographical films about the director's life. The first, which won various awards for its more
This is the second installment of a three-part series of autobiographical films about the director's life. The first, which won various awards for its maker, was entitled Zamri Oumi Voskresni and was later retitled Zari, Umri, Vokresni ("Freeze-Die-Come to Life"). At the end of that film, set at the conclusion of World War II, the young Valerka was striving hard to overcome the inertia of just getting by, along with his sometime friend Galiya. In this one, he is adjusting to Galiya's death and is back in school and is living with his mother, a prostitute. After a girl at the school is found to have been gang-raped, the headmaster chooses Valerka to be one of the scapegoats, though he had nothing to do with the deed. The punishment seems mild enough, he was simply expelled from school. However, after quarrelling with his mother about the incident, he takes to the road, and discovers a society so bleak, degraded and hopeless that it is a wonder he remained alive. close
Pilot Losev, who lost his family during the war, learns that his daughter Aurika was saved during the bombing, and sets off in search of her. The former more
Pilot Losev, who lost his family during the war, learns that his daughter Aurika was saved during the bombing, and sets off in search of her. The former pilot will survive many fates and stories before a familiar chorus of a lullaby helps him to recognize his daughter in a random fellow traveler. close
Prima-ballerina Elena Knyazeva prepares for her performance on the anniversary jubilee for the theater Swan Lake on the eve of her fiftieth birthday and more
Prima-ballerina Elena Knyazeva prepares for her performance on the anniversary jubilee for the theater Swan Lake on the eve of her fiftieth birthday and simultaneously participates in the production of the innovative ballet Master and Margarita. Suddenly, the choreographer gives the role of a young ballerina, with whom he begins an affair. Overcoming jealousy and desperation, Knyazeva begins to work with the student over the image of Margarita close
The Confession (1990) survives in Parajanov: The Last Spring (1992) in its original camera negative. It remained unfinished due to the death of Sergei more
The Confession (1990) survives in Parajanov: The Last Spring (1992) in its original camera negative. It remained unfinished due to the death of Sergei Parajanov. The Confession (1990) was his favorite screenplay, which was written in the 1960s and was his film-memory of the childhood, student years, marriage, imprisonment and more as the fantasist Parajanov perceived it. Parajanov gifted the screenplay to Mikhail Vartanov, made a drawing on the cover and wrote: "The Confession will only be made by a director born in 1924 in Tiflis, Georgia." He predicted that he would not finish it. close
Filmic insert to Eisenstein's modernized, free adaptation of Ostrovskiy's 19th-century Russian stage play, "The Wise Man" ("Na vsyakogo mudretsa dovolno more
Filmic insert to Eisenstein's modernized, free adaptation of Ostrovskiy's 19th-century Russian stage play, "The Wise Man" ("Na vsyakogo mudretsa dovolno prostoty"). The anti-hero Glumov tries to escape exposure in the midst of acrobatics, derring-do, and farcical clowning. Several members of Eisenstein's troupe at the legendary "Proletkult" stage theatre in Moscow briefly appear in this little film. close
Katya and her 6-year-old son Sanya, who, in 1952, meet a veteran Soviet officer named Tolyan. Katya falls in love with Tolyan, who turns out to be a small more
Katya and her 6-year-old son Sanya, who, in 1952, meet a veteran Soviet officer named Tolyan. Katya falls in love with Tolyan, who turns out to be a small time criminal, but who also becomes a father figure to Sanya ... close
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