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“A marvelously clear picture taken from the top of the elevator of the Eiffel Tower during going up and coming down of the car. This wonderful tower is more
“A marvelously clear picture taken from the top of the elevator of the Eiffel Tower during going up and coming down of the car. This wonderful tower is 1,000 feet in height, and the picture produces a most sensational effect. As the camera leaves the ground and rises to the top of the tower, the enormous white city opens out to the view of the astonished spectator. Arriving at the top of the tower, a bird's eye view of the Exposition looking toward the Trocadero, and also toward the Palace of Electricity, is made, and the camera begins its descent. The entire trip is shown on a 200-foot film. 30.00. We furnish the ascent in 125 foot film.” (Edison film catalog) close
The camera platform was on the front of a New York subway train following another train on the same track. Lighting is provided by a specially constructed more
The camera platform was on the front of a New York subway train following another train on the same track. Lighting is provided by a specially constructed work car on a parallel track. At the time of filming, the subway was only seven months old, having opened on October 27, 1904. The ride begins at 14th Street (Union Square) following the route of today's east side IRT, and ends at the old Grand Central Station, built by Cornelius Vanderbuilt in 1869. The Grand Central Station in use today was not completed until 1913. close
Herbert Ponting travelled to Antarctica as part of Captain Scott's ill-fated South pole expedition and shot the footage that makes up this extraordinary documentary.
Herbert Ponting travelled to Antarctica as part of Captain Scott's ill-fated South pole expedition and shot the footage that makes up this extraordinary documentary. close
An impression of the state of the world in 1929, contrasting similarities and differences in religion, customs, art and entertainment from all over the more
An impression of the state of the world in 1929, contrasting similarities and differences in religion, customs, art and entertainment from all over the world. The film is constructed like a symphony. close
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery more
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.) close
A documentary on the life of the people of the Aran Islands, who were believed to contain the essence of the ancient Irish life, represented by a pure more
A documentary on the life of the people of the Aran Islands, who were believed to contain the essence of the ancient Irish life, represented by a pure uncorrupted peasant existence centred around the struggle between man and his hostile but magnificent surroundings. A blend of documentary and fictional narrative, the film captures the everyday trials of life on Ireland's unforgiving Aran Islands. close
A prescient documentary about city planning, which presents idyllic suburbs and nuclear families as a solution to the chaos, poverty and social decay of industrialized inner cities.
A prescient documentary about city planning, which presents idyllic suburbs and nuclear families as a solution to the chaos, poverty and social decay of industrialized inner cities. close
The collapse of the bridge was recorded on film by Barney Elliott, owner of a local camera shop. The film shows Leonard Coatsworth leaving the bridge more
The collapse of the bridge was recorded on film by Barney Elliott, owner of a local camera shop. The film shows Leonard Coatsworth leaving the bridge after exiting his car. In 1998, The Tacoma Narrows Bridge Collapse was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant. This footage is still shown to engineering, architecture, and physics students as a cautionary tale. Elliott's original film of the construction and collapse of the bridge was shot at 16 frames a second, on 16mm Kodachrome film, but most copies in circulation are in black and white because newsreels of the day copied the film onto 35 mm black-and-white stock (not to mention, often showed the film at the wrong speed). close
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made more
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states. close
This iconic and Academy Award-winning newsreel shot by Damien Parer contains some of the most recognised images of Australian troops in the Second World War.
This iconic and Academy Award-winning newsreel shot by Damien Parer contains some of the most recognised images of Australian troops in the Second World War. close
A featureless land fit only for war, as the narrator, J. L. Hodson stated in the early scenes: "If war was to be fought then let it begin here". In endless more
A featureless land fit only for war, as the narrator, J. L. Hodson stated in the early scenes: "If war was to be fought then let it begin here". In endless miles of rock-strewn scrub desert, where civilians hardly existed. Desert Victory tells the story of the Allied campaign to drive Germany and Italy from North Africa is analysed, with the major portion of the film examining the battles at El Alamein, including some re-enactment. Won "Best Documentary Feature" at the 16th Academy Awards in 1944. close
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, more
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans. close
The seventh and final film of Frank Capra's Why We Fight World War II propaganda film series. This entry attempts to describe the factors leading up to America's entry into the Second World War.
The seventh and final film of Frank Capra's Why We Fight World War II propaganda film series. This entry attempts to describe the factors leading up to America's entry into the Second World War. close
This documentary, filmed entirely by military photographers, recounts the U.S. Navy's 1946-47 expedition to Antarctica, known as Operation High Jump. more
This documentary, filmed entirely by military photographers, recounts the U.S. Navy's 1946-47 expedition to Antarctica, known as Operation High Jump. The expedition was under the overall command of Admiral Richard E. Byrd, no stranger to the Antarctic. This was a large undertaking involving 13 ships and over 4000 thousand men. The fleet departed from Norfolk, Virginia traveling through the Panama canal and then southward to their final destination. The trip through the ice pack was fraught with danger and forced the submarine that was part of the fleet to withdraw. The trip was a success meeting all of its scientific goals. close
An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby more
An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail. close
Person to Person is a popular television program in the United States that originally ran from 1953 to 1961. Edward R. Murrow hosted it until 1959, interviewing more
Person to Person is a popular television program in the United States that originally ran from 1953 to 1961. Edward R. Murrow hosted it until 1959, interviewing celebrities in their homes from a comfortable chair in his New York studio. In the last two years of its original run, the host was Charles Collingwood.
Although Murrow is best remembered as a reporter on programs such as Hear It Now and See It Now and for publicly confronting Senator Joseph McCarthy, on Person to Person he was a pioneer of the celebrity interview.
The program was well planned but not strictly scripted, with as many as six cameras and TV lighting installed to cover the guest's moves through his home, and a microwave link to transmit the signals back to the network. The guests wore wireless microphones to pick up their voices as they moved around the home or its grounds. The interviews were done live. The two 15-minute interviews in each program were typically with very different types of people, such as a movie star and a scientist. Guests often used the appearance to promote their latest project or book. close
A mix of documentary and scripted footage on the Bowery, New York City's skid row. Against a backdrop of men (and a few women) drinking in bars, talking more
A mix of documentary and scripted footage on the Bowery, New York City's skid row. Against a backdrop of men (and a few women) drinking in bars, talking and arguing, and sleeping on sidewalks, we have the story of Ray. close
This biographical docudrama traces the life of Dr. Albert Schweitzer, from his birth in Alsace, up to the age of 30 when he made the decision to go to more
This biographical docudrama traces the life of Dr. Albert Schweitzer, from his birth in Alsace, up to the age of 30 when he made the decision to go to French Equatorial Africa and build his jungle hospital. The latter half of the film encompasses a full day in the hospital-village, following the octogenarian Samaritan in his daily rounds. close
Just a couple of months before his death, in August 1963, he made one last film: a 25-minute short entitled Jean Cocteau s’adresse à l’an 2000 (Cocteau more
Just a couple of months before his death, in August 1963, he made one last film: a 25-minute short entitled Jean Cocteau s’adresse à l’an 2000 (Cocteau addresses the year 2000). The film comprises one still and highly sober shot of Cocteau facing the camera head-on to address the youth of the future. Once recorded, this spoken message for the 21st century was wrapped up, sealed and posted on the understanding that it would be opened only in the year 2000 (as it turned out, it was discovered and exhumed a few years shy of that date). If in The Testament Cocteau portrays himself as a living anachronism, a lonesome classical modernist loitering in space-time in the same buckskin jacket and tie while lost in the spectral light of his memories, here he acknowledges explicitly the irony of his phantom-like state: by the time the viewer sees this image, he, J. C., our saviour Poet, will long be dead. close