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A documentary television series of the Nazi-Soviet War, edited from over 3.5 million feet of film taken by Soviet camera crews from the first day of the more
A documentary television series of the Nazi-Soviet War, edited from over 3.5 million feet of film taken by Soviet camera crews from the first day of the war, 22 June 1941, to the Soviet entry into Berlin in May 1945. close
Director Claude Lanzmann spent 11 years on this sprawling documentary about the Holocaust, conducting his own interviews and refusing to use a single more
Director Claude Lanzmann spent 11 years on this sprawling documentary about the Holocaust, conducting his own interviews and refusing to use a single frame of archival footage. Dividing Holocaust witnesses into three categories – survivors, bystanders, and perpetrators – Lanzmann presents testimonies from survivors of the Chelmno concentration camp, an Auschwitz escapee, and witnesses of the Warsaw Ghetto Uprising, as well as a chilling report of gas chambers from an SS officer at Treblinka. close
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing more
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey". close
The fifth film of Frank Capra's Why We Fight propaganda film series, revealing the nature and process of the fight between the Soviet Union and Germany in the Second World War.
The fifth film of Frank Capra's Why We Fight propaganda film series, revealing the nature and process of the fight between the Soviet Union and Germany in the Second World War. close
Shot in documentary style from the perspective of an almost alien observer, the film is an exploration of the ravaged oil fields of post-Gulf War Kuwait. more
Shot in documentary style from the perspective of an almost alien observer, the film is an exploration of the ravaged oil fields of post-Gulf War Kuwait. An effective companion to his earlier film Fata Morgana, Herzog again perceives the desert as a landscape with its own voice, as he glides over seas of oil, geyser-like infernos, monstrous smoke plumes and ashen roadways. With musical accompaniment by Wagner, Prokofiev and Pärt to boot, he observes the soot-covered creatures allured by the blaze. close
Using highly advanced colourisation techniques, critical moments from World War II, from Stalingrad to The Battle of Britain, are shown in a whole new light.
Using highly advanced colourisation techniques, critical moments from World War II, from Stalingrad to The Battle of Britain, are shown in a whole new light. close
The Age of Stupid is the new movie from Director Franny Armstrong (McLibel) and producer John Battsek (One Day In September). Pete Postlethwaite stars more
The Age of Stupid is the new movie from Director Franny Armstrong (McLibel) and producer John Battsek (One Day In September). Pete Postlethwaite stars as a man living alone in the devastated future world of 2055, looking at old footage from 2008 and asking: why didn’t we stop climate change when we had the chance? close
Chronological look at the fiasco in Iraq, especially decisions made in the spring of 2003 - and the backgrounds of those making decisions - immediately more
Chronological look at the fiasco in Iraq, especially decisions made in the spring of 2003 - and the backgrounds of those making decisions - immediately following the overthrow of Saddam: no occupation plan, an inadequate team to run the country, insufficient troops to keep order, and three edicts from the White House announced by Bremmer when he took over. close
XX century Never before has the world changed so much, never seen so devastating wars, under the cover of which even more terrible crimes were committed. more
XX century Never before has the world changed so much, never seen so devastating wars, under the cover of which even more terrible crimes were committed. A new word appears in the dictionary – “Genocide”. The term was coined in 1944 by Polish lawyer Rafael Lemkin. The real basis for this definition was the extermination of the Armenian population in the Ottoman Empire. From 1877 to 1923, according to various estimates, from 1 to 1.5 million Armenians became victims of genocide. What's next? No conclusions have been drawn from this... And where did all this lead? close
The extraordinary story of how Hollywood changed World War II – and how World War II changed Hollywood, through the interwoven experiences of five legendary more
The extraordinary story of how Hollywood changed World War II – and how World War II changed Hollywood, through the interwoven experiences of five legendary filmmakers who went to war to serve their country and bring the truth to the American people: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens. Based on Mark Harris’ best-selling book, “Five Came Back: A Story of Hollywood and the Second World War.” close
Investigative journalist, Jeremy Scahill is pulled into an unexpected journey as he chases down the hidden truth behind America's expanding covert wars, more
Investigative journalist, Jeremy Scahill is pulled into an unexpected journey as he chases down the hidden truth behind America's expanding covert wars, and examines how the US government has responded to international terrorist threats in ways that seem to go against the established laws of the land. close
Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, more
Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements. close