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The film is divided into two large segments. The first is made up of a couple of fixed shots of the pianist, Carles Santos, playing the Prelude Op.45 more
The film is divided into two large segments. The first is made up of a couple of fixed shots of the pianist, Carles Santos, playing the Prelude Op.45 in C sharp minor by Frederick Chopin. The second segment shows him listening to this own recording from a loudspeaker until he dons the headphones, therefore letting silence take over the film and consequently also over the audience in the movie theatre. The lenght of the silent shot is for the duration of the prelude. close
Nancy Bernard, the 1966 Maid of Cotton, is shown walking through various sets and sound stages at the MGM Studios. Her various cotton outfits are described more
Nancy Bernard, the 1966 Maid of Cotton, is shown walking through various sets and sound stages at the MGM Studios. Her various cotton outfits are described by the narrator. She also attends the "screen test" of the costumes designed by Ray Aghayan for The Glass Bottom Boat (1966). The clothing is modeled by the film's stars, Doris Day and Rod Taylor. close
Part of the "Through Navajo Eyes" series of seven short documentaries, along with Intrepid Shadows (1966), A Navajo Weaver (1966), Old Antelope Lake (1966), more
Part of the "Through Navajo Eyes" series of seven short documentaries, along with Intrepid Shadows (1966), A Navajo Weaver (1966), Old Antelope Lake (1966), Second Weaver (1966), The Shallow Well Project (1966), and The Spirit of the Navajos (1966) close