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Light highrated western short movies of 60-th - very rare category. We know total 44 this movies.
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In a small village in Provence, on the first day of school, a young boy throws his bag into the river on a bet, and the retrieval of it leads to a thrilling adventure.
In a small village in Provence, on the first day of school, a young boy throws his bag into the river on a bet, and the retrieval of it leads to a thrilling adventure. close
The painter António Cruz wanders around the city of Porto painting what he sees: old and modern buildings, people arriving and leaving work in the factories, more
The painter António Cruz wanders around the city of Porto painting what he sees: old and modern buildings, people arriving and leaving work in the factories, children playing. The impressionist realism of Cruz’s drawings dissolves into Oliveira’s vision of Porto, which at the same time portrays the painter and his work. close
A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan.
A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan. close
Little heroine, a music school student, wanders through the backstreets of Warsaw's Old Town and discovers a world to which others have no access. It more
Little heroine, a music school student, wanders through the backstreets of Warsaw's Old Town and discovers a world to which others have no access. It is a world of extraordinariness and beauty of sounds. And these are sounds that are the most important thing for the girl – the hubbub of children, the sounds of the street, the puffing of a tractor, the tuning of an organ, the sweeping of a broom and the sound of jets flying overhead. close
Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third more
Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration. close
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage more
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage and book covers, rephotographed photographs, views of Paris and its neighborhoods, and a catalogue of disabused, seemingly offhand footage of him and his friends in the porous zone comprising the cafe and the street. close
A man receives a breakup letter from his sweetheart, who sends him back his photo, in pieces. The pained lover decides to reply. Fountain pen, penholder, more
A man receives a breakup letter from his sweetheart, who sends him back his photo, in pieces. The pained lover decides to reply. Fountain pen, penholder, desk, stamps, paper and inkwell all contrive diabolically to thwart him. close
Early new wave effort from Rohmer, which was the first of his six moral tales. It concerns a young man who approaches a girl in the street, but after more
Early new wave effort from Rohmer, which was the first of his six moral tales. It concerns a young man who approaches a girl in the street, but after several days without seeing her again, he becomes involved with the girl in the local bakery. Eventually, he has to choose between them when he arranges dates with them on the same day. close
Experimental short uses Ray Charles' “What'd I Say” as accompaniment to constantly shifting collage of female nude, cartoons, and newsreels of atomic bomb explosions.
Experimental short uses Ray Charles' “What'd I Say” as accompaniment to constantly shifting collage of female nude, cartoons, and newsreels of atomic bomb explosions. close
The themes of anarchy and individualism that run through Věra Chytilová’s work begin here, in an almost docu-realist look at women finding freedom and more
The themes of anarchy and individualism that run through Věra Chytilová’s work begin here, in an almost docu-realist look at women finding freedom and joy amid the rigid conformity of life in a communal factory dormitory. close
Heureux Anniversaire is a 1962 French short comedy film directed by Pierre Étaix. While his wife impatiently waits and gets drunk, a husband tries to more
Heureux Anniversaire is a 1962 French short comedy film directed by Pierre Étaix. While his wife impatiently waits and gets drunk, a husband tries to get the appropriate anniversary gifts and fight his way home through traffic in time for their celebratory lunch. It won an Oscar in 1963 for Best Short Subject. close
John, Paul, George and Ringo goof around and share intimate life stories in this documentary, which focuses on the 1960s and features candid footage, more
John, Paul, George and Ringo goof around and share intimate life stories in this documentary, which focuses on the 1960s and features candid footage, interviews, press conferences, a clip from George's wedding and more. Archival film footage and insightful interviews chronicle the Fab Four's early days in Liverpool, their meteoric rise to superstardom, the throngs of screaming fans and much more. close
Pathe News technicolor short showing The Beatles in concert at the ABC Cinema in Manchester, Lancashire on 11/20/63. This footage was incorporated into the 1965 Pathe feature "Pop Gear.”
Pathe News technicolor short showing The Beatles in concert at the ABC Cinema in Manchester, Lancashire on 11/20/63. This footage was incorporated into the 1965 Pathe feature "Pop Gear.” close
"21-87 is a 1963 Canadian abstract film created by Arthur Lipsett that lasts 9 minutes and 33 seconds. The short film, produced by the National Film more
"21-87 is a 1963 Canadian abstract film created by Arthur Lipsett that lasts 9 minutes and 33 seconds. The short film, produced by the National Film Board of Canada, is a collage of snippets from discarded footage found by Lipsett in the editing room of the National Film Board (where he was employed as an animator), combined with his own black and white 16mm footage which he shot on the streets of Montreal and New York City, among other locations." close