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Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the more
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”. close
Mimmi is a very lonely girl, not knowing what to do with her life. On the search for friends and boyfriends, she wanders around alone in different cities.
Mimmi is a very lonely girl, not knowing what to do with her life. On the search for friends and boyfriends, she wanders around alone in different cities. close
Mr. and Mrs. Noblet run a boarding house on the French Riviera. One day, they are led by circumstances to welcome a little boy Pierre, whose father is more
Mr. and Mrs. Noblet run a boarding house on the French Riviera. One day, they are led by circumstances to welcome a little boy Pierre, whose father is in jail, into their home. Which makes Louise Noblet all the happier as she can't have children herself. But, after a while, Pierre's father is released from prison and reclaims his son... Time passes and Pierre, now a young adult, lives in Paris more or less on the wrong side of the law. He has a mistress, Nelly, who does not say no to other men's money... Louise, who still loves Pierre as her own son, wants only one thing - to help him get by. close
The emotion and feelings should not be confused with sentimentality. Emotion is ancient and more powerful than any artistic expression. The film observes more
The emotion and feelings should not be confused with sentimentality. Emotion is ancient and more powerful than any artistic expression. The film observes young couples face difficulties while trying to move their love experiences clear decision making. A film full of ideas, details and associations, fictional scenes, documentary footage, archival materials and opera music. close
A down-and-out crook on the lam befriends a young street urchin, in an Italian port city. At first amused that the boy is a sneak thief, he tries to deflects more
A down-and-out crook on the lam befriends a young street urchin, in an Italian port city. At first amused that the boy is a sneak thief, he tries to deflects the kid from a life of crime. Tipped off by a woman anxious to collect the reward for him (who is wanted for murder), the police pursue the two lost souls. close
Elisabeth, a 11 year old girl, visits Marcel, a mute gardener every morning with whom she shares a very particular friendship. During three years, their more
Elisabeth, a 11 year old girl, visits Marcel, a mute gardener every morning with whom she shares a very particular friendship. During three years, their bond grows stronger, as Marcel seems to be the only person she can connect to. close
Nastassia Philippovna finds herself juggling the affections of four men over the course of a single evening. One is her benefactor, the bourgeois Totsky. more
Nastassia Philippovna finds herself juggling the affections of four men over the course of a single evening. One is her benefactor, the bourgeois Totsky. Another is the opportunistic Ganya, whom Totsky has promised 75,000 rubles if he will marry Nastassia. Rogozhin offers Nastassia 100,000 rubles for her hand. And the “idiot,” Prince Myshkin, loves Nastassia madly and vows to “save” her. close
One day, a bad fall forces Edmond to accept Rose's help. Eventually, the two grow closer. The young woman finds relief in confiding painful memories to more
One day, a bad fall forces Edmond to accept Rose's help. Eventually, the two grow closer. The young woman finds relief in confiding painful memories to the older man; things she cannot even bring herself to tell her husband. Meanwhile, Edmond, too, opens up, sharing recollections of his beloved wife. close
La Vie d'un honnête homme English: The Virtuous Scoundrel, is a French comedy drama film from 1953, directed by Sacha Guitry, written by Sacha Guitry, starring Michel Simon and Louis de Funès.
La Vie d'un honnête homme English: The Virtuous Scoundrel, is a French comedy drama film from 1953, directed by Sacha Guitry, written by Sacha Guitry, starring Michel Simon and Louis de Funès. close
Set in the immediate and random background of today’s London. THE COMEDIAN is a fresh, dramatic and funny debut feature about choices and how not to make them.
Set in the immediate and random background of today’s London. THE COMEDIAN is a fresh, dramatic and funny debut feature about choices and how not to make them. close
A 1917 Swedish drama film directed by Victor Sjöström, based on a 1913 novel by Selma Lagerlöf. It was the first in a series of successful Lagerlöf adaptions more
A 1917 Swedish drama film directed by Victor Sjöström, based on a 1913 novel by Selma Lagerlöf. It was the first in a series of successful Lagerlöf adaptions by Sjöström, made possible by a deal between Lagerlöf and A-B Svenska Biografteatern (later AB Svensk Filmindustri) to adapt at least one Lagerlöf novel each year. Lagerlöf had for many years denied any proposal to let her novels be adapted for film, but after seeing Sjöström's Terje Vigen she finally decided to give her allowance. close
The tragic story of Don Jose, a Spanish cavalryman, who falls under the spell of a gypsy girl, Carmen, who treats him with both love and contempt and leads him into temptation and thus damnation.
The tragic story of Don Jose, a Spanish cavalryman, who falls under the spell of a gypsy girl, Carmen, who treats him with both love and contempt and leads him into temptation and thus damnation. close
In France, in 1930, a supervisor of a boarding school for young offenders seeks to awaken the music by forming a choir, despite the skepticism of his boarding school director.
In France, in 1930, a supervisor of a boarding school for young offenders seeks to awaken the music by forming a choir, despite the skepticism of his boarding school director. close
A lonely nightwatchman at a department store develops a fixation on one of the store's mannequins. He soon steals her and takes her to his home, where more
A lonely nightwatchman at a department store develops a fixation on one of the store's mannequins. He soon steals her and takes her to his home, where he can be with her all the time. One day, she comes to life... close
Roswitha runs an illegal abortion clinic in Frankfurt to support her student husband and children. When she is forced to close her practice she delves into political and social activism.
Roswitha runs an illegal abortion clinic in Frankfurt to support her student husband and children. When she is forced to close her practice she delves into political and social activism. close
In the Sicily of the late 1940s, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream, and set up a Sicilian more
In the Sicily of the late 1940s, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream, and set up a Sicilian production company, thanks to the help of a local bishop. They start producing one box-office failure Z-movie after the other, all with terribly bad local non-pros as actors. Covered in debts, they finally have their great chance, when a local nobleman obsessed by magic decides to invest all his wealth in the making of a movie about Cagliostro, just one year after Orson Welles' Black Magic (1949). They hire a famous American actor (Robert Englund) and start shooting "The Return of Cagliostro". close
Marcel Pagnol's adaptation of his own novel Manon des sources, the story of a shepherdess who exacts her revenge on the townsfolk she blames for killing more
Marcel Pagnol's adaptation of his own novel Manon des sources, the story of a shepherdess who exacts her revenge on the townsfolk she blames for killing her father, in two parts: Manon des sources and Ugolin. close
As World War II is going on in Europe, a conflict arises between the French and the Diola-speaking tribe of Africa, prompting the village women to organize more
As World War II is going on in Europe, a conflict arises between the French and the Diola-speaking tribe of Africa, prompting the village women to organize their men to sit beneath a tree to pray. close
In a small village in the Danube Delta, where traditions are confronted with new material purposes, a teenage girl is becoming a woman. This is the story more
In a small village in the Danube Delta, where traditions are confronted with new material purposes, a teenage girl is becoming a woman. This is the story of Ryna, a 16 year old girl, working as an motor mechanic in Sulina, who strives to find her identity next to a father who is firmly denying her femininity. close
In this experimental film, Isidore Isou, the leader of the lettrist movement, lashes out at conventional cinema and offers a revolutionary form of movie-making: more
In this experimental film, Isidore Isou, the leader of the lettrist movement, lashes out at conventional cinema and offers a revolutionary form of movie-making: through scratching and bleaching the film, through desynchronizing the soundtrack and the visual track, through deconstructing the story, he aims to renew the seventh art the same way he tried to revolutionize the literary world. close
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution more
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival. close
A young writer descends into madness. Alienated, neurotic, and plagued by guilt, Michele retreats from reality, loses interest in work, and comes to the more
A young writer descends into madness. Alienated, neurotic, and plagued by guilt, Michele retreats from reality, loses interest in work, and comes to the brink of suicide before being sent to an asylum for shock therapy. Escaping from the asylum, Michele returns to his boyhood home, where he learns the reasons for his present mental state. close
A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. more
A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by close
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