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The history and art of ikebana, a centuries old Japanese art of flower arrangement and a look inside the Sogetsu School of Ikebana, where the director's more
The history and art of ikebana, a centuries old Japanese art of flower arrangement and a look inside the Sogetsu School of Ikebana, where the director's father Sofu Teshigahara worked as the grand master of the school. close
This ethereal montage of still images with darkly somber undertones, Yunbogi’s Diary is based on photographs that Oshima took during his two-month research more
This ethereal montage of still images with darkly somber undertones, Yunbogi’s Diary is based on photographs that Oshima took during his two-month research trip to South Korea in 1965 during which he was haunted by his encounters with impoverished street children in Seoul. The voice-over comprises diary entries from a six-year-old Korean boy and Oshima’s own reflections on Japanese-Korean relations, a controversial subject that he revisited in his later films Sing a Song of Sex and Death by Hanging. close
On the border of North and South Vietnam, civilians live underground and cultivate their land in the dead of night, farmers take up arms, and bombs fall more
On the border of North and South Vietnam, civilians live underground and cultivate their land in the dead of night, farmers take up arms, and bombs fall like clockwork. Joris Ivens and Marceline Loridan’s record of daily life in one of the most volatile regions of a war-torn, divided country is both a hazardous piece of first-hand journalism and a shattering work in its own right, simmering with barely repressed anger. close
Postwar Japan as it is described by Etsuko, the manager of a bar catering to foreigners in Yokosuka. The way of life of a woman brimming with vitality, more
Postwar Japan as it is described by Etsuko, the manager of a bar catering to foreigners in Yokosuka. The way of life of a woman brimming with vitality, who skipped the countryside right after the war and, with her womanhood as a weapon, lived through atomic bombings, black markets, prostitution aimed at American soldiers and the Korean War. Inserting newsreels, Shohei Imamura depicts the history of twenty-five years in the Japanese postwar by way of the female body. (doclisboa) close
In 1972, Miyuki tells her ex-lover Kazuo that she's going to Okinawa with their son. Kazuo decides to film her. He narrates his visits to her there: first more
In 1972, Miyuki tells her ex-lover Kazuo that she's going to Okinawa with their son. Kazuo decides to film her. He narrates his visits to her there: first while her flatmate is Sugako, a woman Miyuki is attracted to; then, while she works at a bar and is with Paul, an African-American soldier. Once, Kazuo brings his girlfriend, Sachiko. We see Miyuki with her son, with other bar girls, and with Sachiko. Miyuki, pregnant, returns to Tokyo and delivers a mixed-race child on her own with Kazuo and Sachiko filming. She joins a women's commune, talks about possibilities, enjoys motherhood, and is uninterested in a traditional family. Does the filmmaker have a point of view? close
Documentary on the Japanese boxer Unchain Kaji, who retired from the ring at the age of 30 with an eye injury and a losing record. He then tries to start a new life as a civilian.
Documentary on the Japanese boxer Unchain Kaji, who retired from the ring at the age of 30 with an eye injury and a losing record. He then tries to start a new life as a civilian. close
Apichatpong Weerasethakul brought an appetite for experimentation to Thai cinema with his debut feature, an uncategorizable work that refracts documentary more
Apichatpong Weerasethakul brought an appetite for experimentation to Thai cinema with his debut feature, an uncategorizable work that refracts documentary impressions of his homeland through the surrealist concept of the exquisite corpse game. Enlisting locals to contribute improvised narration to a simple tale, Apichatpong charts the collective construction of the fiction as each new encounter imbues it with unpredictable shades of fantasy and pathos. close
In the follow-up to Embracing (1992), Naomi Kawase learns of her father's death and struggles with her loneliness and the feeling of having been abandoned by her parents.
In the follow-up to Embracing (1992), Naomi Kawase learns of her father's death and struggles with her loneliness and the feeling of having been abandoned by her parents. close
A detailed look at the gradual decline of Shenyang’s industrial Tiexi district, an area that was once a vibrant example of China’s socialist economy. more
A detailed look at the gradual decline of Shenyang’s industrial Tiexi district, an area that was once a vibrant example of China’s socialist economy. But industry is changing, and the factories of Tiexi are closing. Director Wang Bing introduces us to some of the workers affected by the closures, and to their families. close
The dysfunctional Chinese justice system allows citizens with grievances against their local governments to petition the court to clear or correct their more
The dysfunctional Chinese justice system allows citizens with grievances against their local governments to petition the court to clear or correct their record. Yet in order to do so, the petitioners must travel to Beijing to file paperwork and wait an indefinite period to plead their case. Following the saga of a group of petitioners over the years of 1996 and 2008, Petition unfolds like a novel by Zola or Dickens. This was filmed surreptitiously from the point of view of the petitioners, and not the justice officials, the police, or those heavies sent by the municipalities. close
The "Great Sichuan Earthquake" took place at 14:28 on May 12, 2008. In the days after, ordinary people salvage destroyed pig farms in the mountains, collect more
The "Great Sichuan Earthquake" took place at 14:28 on May 12, 2008. In the days after, ordinary people salvage destroyed pig farms in the mountains, collect cheap scrapped metals, or pillaging other victims' homes. Behind the media circus of official visits is an inconsolable grief of families searching for loved ones. As the Lunar New Year approaches, vagabonds and family tell of the ill-handling of rebuilding schemes and misuse relief funds. As they prepare for another visit from a high official, the refugees are swept out of the town and into tent cities. The promise to put a roof over their heads before winter seems impossible to keep. close
This documentary reviews and summarises the development of homosexuality as an issue in the past three decades in China. We interviewed thirty prominent more
This documentary reviews and summarises the development of homosexuality as an issue in the past three decades in China. We interviewed thirty prominent figures in the gay community, who have experienced the changes of views and life-styles regarding homosexuality. close
A family embarks on an annual tormenting journey along with 200 other million peasant workers to reunite with their distant family, and to revive their more
A family embarks on an annual tormenting journey along with 200 other million peasant workers to reunite with their distant family, and to revive their love and dignity as China soars as the world's next super power. close
The Khmer Rouge slaughtered nearly two million people in the late 1970s. Yet the Killing Fields of Cambodia remain unexplained. Until now. Enter Thet more
The Khmer Rouge slaughtered nearly two million people in the late 1970s. Yet the Killing Fields of Cambodia remain unexplained. Until now. Enter Thet Sambath, an unassuming, yet cunning, investigative journalist who spends a decade of his life gaining the trust of the men and women who perpetrated the massacres. From the foot soldiers who slit throats to Pol Pot's right-hand man, the notorious Brother Number Two, Sambath records shocking testimony never before seen or heard. Having neglected his own family for years, Sambath's work comes at a price. But his is a personal mission. He lost his parents and his siblings in the Killing Fields. Amidst his journey to discover why his family died, we come to understand for the first time the real story of Cambodia's tragedy. close
The character of this story lives far from the worlds of the material and the spirit. He has built his own subsistence conditions. He often goes to the more
The character of this story lives far from the worlds of the material and the spirit. He has built his own subsistence conditions. He often goes to the neighboring villages, although he doesn’t communicate with other people. He collects some waste but doesn’t beg. He prowls about the ruins of deserted villages, as an animal or as a ghost. Under double political and economical pressure, most of people are depriving of their last dignity into a world where it exists a lack of material and spirit. But a human being stays a human being. He is looking for reasons to continue to live. —Wang Bing close
What would be the shortest route between Entre Rios in Argentina and the Chinese metropolis Shanghai? Simply a straight line through the center of the more
What would be the shortest route between Entre Rios in Argentina and the Chinese metropolis Shanghai? Simply a straight line through the center of the earth, since the two places are antipodes: they are located diametrically opposite to each other on the earth's surface. During his visits to four such antipodal pairs, the award-winning documentary filmmaker Victor Kossakovsky captured images that turn our view of the world upside down. close
Over the course of one year, this film follows the life of an ordinary Pyongyang family whose daughter was chosen to take part in Day of the Shining Star more
Over the course of one year, this film follows the life of an ordinary Pyongyang family whose daughter was chosen to take part in Day of the Shining Star (Kim Jong-il's birthday) celebration. While North Korean government wanted a propaganda film, the director kept on filming between the scripted scenes. The ritualized explosions of color and joy contrast sharply with pale everyday reality, which is not particularly terrible, but rather quite surreal. close
In a quiet village in southern China, Fang Xiuying is sixty-seven years old. Having suffered from Alzheimer's for several years, with advanced symptoms more
In a quiet village in southern China, Fang Xiuying is sixty-seven years old. Having suffered from Alzheimer's for several years, with advanced symptoms and ineffective treatment, she was sent back home. Now, bedridden, she is surrounded by her relatives and neighbors, as they witness and accompany her through her last days. close
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