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On New Year's Eve, along with traditional guests and family members, very strange people appear in companies celebrating the onset of midnight. They are more
On New Year's Eve, along with traditional guests and family members, very strange people appear in companies celebrating the onset of midnight. They are just as happy about the holiday as the rest, but they are completely different. close
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at more
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe. close
Since the fall of the Iron Curtain an estimated four million children have found themselves living on the streets in the former countries of the Soviet more
Since the fall of the Iron Curtain an estimated four million children have found themselves living on the streets in the former countries of the Soviet Union. In the streets of Moscow alone there are over 30,000 surviving in this manner at the present time. The makers of the documentary film concentrated on a community of homeless children living hand to mouth in the Moscow train station Leningradsky. Eight-year-old Sasha, eleven-year-old Kristina, thirteen-year-old Misha and ten-year-old Andrej all dream of living in a communal home. They spend winter nights trying to stay warm by huddling together on hot water pipes and most of their days are spent begging. Andrej has found himself here because of disagreements with his family. Kristina was driven into this way of life by the hatred of her stepmother and twelve-year-old Roma by the regular beatings he received from his constantly drunk father. "When it is worst, we try to make money for food by prostitution," admits ... close
The history of the war consists of the fate of specific people whose experiences and joys have been preserved in the letters from the front. They allow more
The history of the war consists of the fate of specific people whose experiences and joys have been preserved in the letters from the front. They allow you to feel the breath of war, to paint life and a portrait of Soviet people on the front and in the rear. This is an artistic chronicle of the war, which reflects a variety of fates, characters, fleeting joys and the constant longing of a person for his native home.
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants. close
Film-journey according to the best Soviet film fairy tales filmed for half a century - since 1938 according to 1988, in the main legendary director Alexander more
Film-journey according to the best Soviet film fairy tales filmed for half a century - since 1938 according to 1988, in the main legendary director Alexander Rowe. Viewers will see how the fabulous fashion has changed, where the artists took inspiration from costumes, how they struggled with the widespread shortage, extracted fabrics and lace, and what ideas they gave to Soviet fashionistas. Excursion to the exhibition of costumes at the M. Gorky Film Studio is conducted by fashion historian Alexander Vasiliev. In the past, a theater artist himself knows how important every stitch and every ornament is for the integrity of the image. The film also included interviews with costume artist Dmitry Andreev, fashion historian Megan Virtanen and art historian Andrei Borovsky.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions. close
The film is in four parts. First, the camera pans the Kremlin and Marshal's Bridge. Sleds are parked in rows. Horse-drawn sleighs run up and down a busy more
The film is in four parts. First, the camera pans the Kremlin and Marshal's Bridge. Sleds are parked in rows. Horse-drawn sleighs run up and down a busy street. Next, we visit the mushroom and fish market where common people work and shop. In Petrovsky Park are the well-to-do. Men are in great coats. A file of six or seven women ski past on a narrow lane. Last, there's a general view of Moscow. A slow pan takes us to a view above the riverfront where the film began. close
Fascinating and sometimes dangerous trip to Moscow. The film gives a chance to meet the dawn at the walls of the Novodevichy Monastery, fly under the more
Fascinating and sometimes dangerous trip to Moscow. The film gives a chance to meet the dawn at the walls of the Novodevichy Monastery, fly under the train in the tunnel of the Moscow metro, visit "special" objects closed for free visit. close
Forests stretch over a third of the Earth’s surface, they are home to more than half of terrestrial species of living organisms, live hundreds of millions more
Forests stretch over a third of the Earth’s surface, they are home to more than half of terrestrial species of living organisms, live hundreds of millions of people. 7 billion people use at least something produced by forests every day. Forests are the food we eat, the water we drink, the air we breathe, the medicines we sometimes cannot survive without. At the same time, forests are one of the most poorly protected areas on our planet. They are in clear danger.
2011 has become the International Year of Forests and an extra reason to learn or remember how to treat the forests of our planet, protect, protect and use wisely. About Forests and People (Des Forêts et des Hommes) close
The film is based on an interview in New York in 1993 between critic Solomon Volkov and poet Joseph Brodsky. Behind the scenes, the poet answers the questions more
The film is based on an interview in New York in 1993 between critic Solomon Volkov and poet Joseph Brodsky. Behind the scenes, the poet answers the questions of the journalist. The conversation, in the end, covers almost the entire life of Brodsky. We are faced with the dramatic story of a man who categorically refuses to dramatize it. The story of a poet who gained in full, but lost immeasurably more. close
Russian names of geographical objects discovered by outstanding domestic navigators are in any corner of our planet. Including them and in Oceania, with more
Russian names of geographical objects discovered by outstanding domestic navigators are in any corner of our planet. Including them and in Oceania, with the island world of which Russia has strong historical and scientific ties for more than two hundred years. The history of studying this region by domestic seafarers is striking in its grandeur and scale. Only in Oceania alone were discovered more than 70 geographical objects that received Russian names. The work done by the team of the Miklouho-Maclay Foundation under the leadership of N.N. Miklouho-Maclay Jr. on the identification of Russian geographical names on the map of Oceania, — is another step to the revival of the continuity of research in Oceania by Russian scientists, k preservation of priceless monuments of the world historical and world heritage, restoration of Russian geographical maps. close
This short documentary, shot in the glass factories of Leerdam and Schiedam, demonstrates how glass blowers do their work. But thanks to the superbly more
This short documentary, shot in the glass factories of Leerdam and Schiedam, demonstrates how glass blowers do their work. But thanks to the superbly edited ballet of working hands and the sequence of mechanical motions of the engines, is it especially a cinematic tour de force. That the industry can’t do without man’s involvement is shown in the scene where we hear the voice of Haanstra himself counting the bottles on the conveyor belt, until one bottle breaks… close
In a futuristic, antiseptic food factory, workers select healthy chicks, while the rejects are carried along a conveyor belt until they are crushed by more
In a futuristic, antiseptic food factory, workers select healthy chicks, while the rejects are carried along a conveyor belt until they are crushed by a mallet and drop into a garbage bin. A single black chick appears among the yellow and is shoved toward the garbage bin. Before the mallet strikes, the gasping chick rebels. close
A scientific film essay, narrated by Phil Morrison. A set of pictures of two picnickers in a park, with the area of each frame one-tenth the size of the more
A scientific film essay, narrated by Phil Morrison. A set of pictures of two picnickers in a park, with the area of each frame one-tenth the size of the one before. Starting from a view of the entire known universe, the camera gradually zooms in until we are viewing the subatomic particles on a man's hand. close
Set in a leper colony in the north of Iran, The House is Black juxtaposes "ugliness," of which there is much in the world as stated in the opening scenes, with religion and gratitude.
Set in a leper colony in the north of Iran, The House is Black juxtaposes "ugliness," of which there is much in the world as stated in the opening scenes, with religion and gratitude. close
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and more
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons. close
Peleshian transforms footage from a train ride into a metaphor for the shape of a life. Early images of faces on the train give way to landscape, a journey more
Peleshian transforms footage from a train ride into a metaphor for the shape of a life. Early images of faces on the train give way to landscape, a journey through a black tunnel, and a final emergence into pure white light. close
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