You want to choose the most popular kind short documentary movies from the selection "greatest movie candidates" from this list, which you'll really like?
Tell us a little about yourself or rate some films.
The most popular kind short documentary movies from the selection "Greatest Movie Candidates" - choose and watch online
Kind short documentary movies from the selection "Greatest Movie Candidates" - not very popular category. We know 186 this movies.
These are the most popular ones but just because a lot of people have watched them doesn't mean you should watch them.
If you want to choose movies,
which you won't be disappointed,
fill out a short form
and/or rate several films,
and filmAdviser will pick you up
kind short documentary movies from the selection "greatest movie candidates"
according to your taste
among those
186 ,
which we know.
We will not only help you choose movie,
but we’ll also tell you where it is watch online for free
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at more
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe. close
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first more
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames. close
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 more
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds. close
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants. close
A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up more
A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear. close
'Day of the Fight' shows Irish-American middleweight boxer Walter Cartier during the height of his career, on the day of a fight with black middleweight more
'Day of the Fight' shows Irish-American middleweight boxer Walter Cartier during the height of his career, on the day of a fight with black middleweight Bobby James, which took place on April 17, 1950. close
Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, more
Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks. close
Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the more
Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues. close
Short documentary directed by Jean Vigo about the French swimmer Jean Taris. The film is notable for the many innovative techniques that Vigo uses, including more
Short documentary directed by Jean Vigo about the French swimmer Jean Taris. The film is notable for the many innovative techniques that Vigo uses, including close ups and freeze frames of the swimmer's body. close
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage more
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage taken by Balabanov in 1985-1990. In addition to the main characters, the documentary footage captured many prominent figures of Sverdlovsk rock club, in particular Vyacheslav Butusov, Leonid Porokhnyu, and local actors. close
A film shot during the summer of 1968 in Oakland, California around the meetings organised by the Black Panthers Party to free Huey Newton, one of their more
A film shot during the summer of 1968 in Oakland, California around the meetings organised by the Black Panthers Party to free Huey Newton, one of their leaders, and to turn his trial into a political debate. They tried and succeeded in catching America’s attention. close
A depiction of life in wartime England during the Second World War. Director Humphrey Jennings visits many aspects of civilian life and of the turmoil more
A depiction of life in wartime England during the Second World War. Director Humphrey Jennings visits many aspects of civilian life and of the turmoil and privation caused by the war, all without narration. close
Lasting for roughly 50 seconds, it shows the goodbyes of many passersby - first Europeans, then Palestinian Arabs, then Palestinian Jews - as a train leaves Jerusalem.
Lasting for roughly 50 seconds, it shows the goodbyes of many passersby - first Europeans, then Palestinian Arabs, then Palestinian Jews - as a train leaves Jerusalem. close
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and more
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons. close
Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. more
Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed. close
Toute la mémoire du monde is a documentary about the Bibliothèque Nationale in Paris. It presents the building, with its processes of cataloguing and more
Toute la mémoire du monde is a documentary about the Bibliothèque Nationale in Paris. It presents the building, with its processes of cataloguing and preserving all sorts of printed material, as both a monument of cultural memory and as a monstrous, alien being. close
This documentary short examines the special train on which mail is sorted, dropped and collected on the run, and delivered in Scotland on the overnight run from Euston, London to Glasgow.
This documentary short examines the special train on which mail is sorted, dropped and collected on the run, and delivered in Scotland on the overnight run from Euston, London to Glasgow. close
Annabelle (Whitford) Moore performs one of her popular dances. For this performance, her costume has a pair of wings attached to her back, to suggest more
Annabelle (Whitford) Moore performs one of her popular dances. For this performance, her costume has a pair of wings attached to her back, to suggest a butterfly. As she dances, she uses her long, flowing skirts to create visual patterns. close
Peleshian transforms footage from a train ride into a metaphor for the shape of a life. Early images of faces on the train give way to landscape, a journey more
Peleshian transforms footage from a train ride into a metaphor for the shape of a life. Early images of faces on the train give way to landscape, a journey through a black tunnel, and a final emergence into pure white light. close
At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, more
At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary. close
1 from 7
If you were registered, you should have seen the full description right here...