An abandoned path leads to the city of ghosts, from which it is impossible to escape. A small town, the harsh faces of the locals, a dark secret, strangers more
An abandoned path leads to the city of ghosts, from which it is impossible to escape. A small town, the harsh faces of the locals, a dark secret, strangers are sacrificed. The rain of toads will take sacrifice, the death of strangers in seven years of prosperity, a perfectly biblical exchange, pay the bills and move on, a contract is a contract. close
Persona turns a cinematic gaze on Écran Somnambule (2012), a performance by Latifa Laâbissi, that is in turn based on the film “Mary Wigman tanzt” (1930), more
Persona turns a cinematic gaze on Écran Somnambule (2012), a performance by Latifa Laâbissi, that is in turn based on the film “Mary Wigman tanzt” (1930), an excerpt of her “Hexentanz” (1926). In the film, a physical experience of the disruptive power of the masked figure is conveyed in a circumscribing camera movement. close
Imagine that you find an old wristwatch on the street and want to receive a reward for returning the find to the owner. Gratitude for the opportunity more
Imagine that you find an old wristwatch on the street and want to receive a reward for returning the find to the owner. Gratitude for the opportunity to repossess a lost thing can depend on a variety of reasons and circumstances. close
Sister Angèle is a nun just twenty-one years old. She sells the honey gathered by her fellow nuns at the street market. But she also indulges in strange more
Sister Angèle is a nun just twenty-one years old. She sells the honey gathered by her fellow nuns at the street market. But she also indulges in strange activities – she secretly visits a young man, Paolo, in a bungalow on the beach. She also visits patients in hospital. It’s here that she’s met a young Spanish woman, Rosa Maria Dolorès, whose days are numbered. This encounter, along with her relationship with Paolo, bring her face to face with herself, make her listen to the sound of her beating heart. close
Boris is smitten with Til. But when they are about to kiss for the first time an inter-loper joins them. Much to Boris' dismay and Til's delight. Will jealousy ruin everything?
Boris is smitten with Til. But when they are about to kiss for the first time an inter-loper joins them. Much to Boris' dismay and Til's delight. Will jealousy ruin everything? close
A young boy gets caught stealing a sheep and is shaved of all his hair and branded with a mark on his forehead so that everyone will know that he is a more
A young boy gets caught stealing a sheep and is shaved of all his hair and branded with a mark on his forehead so that everyone will know that he is a thief and not to be trusted. Dumped in the desert, the thief covers his marking with a headscarf and goes to the nearest village where he is taken in by a trusting family in return for his work. However, has be actually changed or is he still the same thief at heart? close
This film is about the war. Where evil begets evil. Where there is no politics, questions and answers. This is a metaphysical, documentary parable about more
This film is about the war. Where evil begets evil. Where there is no politics, questions and answers. This is a metaphysical, documentary parable about the endless war, as such. When it doesn't matter where this war is going or if there is an enemy at all. And the war has been going on since the creation of the world. And it multiplies. And her name is "Bitch". close
Max, Hoffman (2002) is set in the streets of Munich in 1918. Max Rothman, a participant in the First World War, began collecting and selling works of more
Max, Hoffman (2002) is set in the streets of Munich in 1918. Max Rothman, a participant in the First World War, began collecting and selling works of art.
Max often meets aspiring artists, hoping to find a young talent, and make a successful investment, buying good paintings at an affordable price. In his field of view gets a novice painter Adolf, also a war veteran. Max helps Adolf, but their friendship soon cracks when Adolf begins to preach his anti-Semitic views. But the collector does not know that he will remember this artist for life, because his name is Hitler.
Max (2002), starring Noah Taylor "Almost famous" ) and John Cusack ( Bullets over Broadway ). close
The director tells the story of Boris Grebenshchikov through the image of Leo Tolstoy. According to Viktor Tikhomirov, both heroes are similar "in their more
The director tells the story of Boris Grebenshchikov through the image of Leo Tolstoy. According to Viktor Tikhomirov, both heroes are similar "in their delusions and achievements". The film has a lot of chronicles and, of course, Grebenshchikov's songs sound, and George Gunitsky described the tape after its premiere at Pushkinskaya 10: "A completely untethered and insanely surreal film in a good way. And it is gratifying that all this postmodern film improvisation is involved on a cool aquarium basis. We need to look at the picture again once or twice, get a better understanding of it. And savor it. A very worthy work." close
A lost and fragile rent boy meets a wealthy man playing out a lonely game. Over one night, their lives intersect in unexpected ways, blurring the lines between betrayer and betrayed.
A lost and fragile rent boy meets a wealthy man playing out a lonely game. Over one night, their lives intersect in unexpected ways, blurring the lines between betrayer and betrayed. close
A documentary giving film fans a behind-the-scenes look at the making of this film, based on the TV show of the same name, about a group of young men more
A documentary giving film fans a behind-the-scenes look at the making of this film, based on the TV show of the same name, about a group of young men who perform painful and outrageous stunts for fun. Includes interviews with Johnny Knoxville, Bam Margera and the rest of the cast and crew, who relate some of their funnier or more painful experiences with making the film, as well as giving their views on why they do it. close
A businessman goes home during the working day to change his trousers having spilled coffee on himself. When he arrives in the underground garage below more
A businessman goes home during the working day to change his trousers having spilled coffee on himself. When he arrives in the underground garage below his apartment block he finds a car on fire with a dead man inside. He also finds himself being filmed. He takes the video upstairs to his home and watches a man do ordinary things like shave etc before covering himself in petrol and setting himself and his car alight. Procter becomes a driven man as he tries to unearth what drove this person to kill himself in such an unusual manner. By Joachim Trier. close
December, 1941. The Second World War is in full swing. Blockade Leningrad, besieged by German troops. For the remaining civilians, the frozen, silent more
December, 1941. The Second World War is in full swing. Blockade Leningrad, besieged by German troops. For the remaining civilians, the frozen, silent city itself becomes the enemy. But life doesn't stop. Contrary to common sense, it clings to the icy walls of houses, hides behind the curtains of masking, smolders with coals in iron “bourgeois”.
The heroes of the film are a blockaded family. We will only be with them for a day, but its length is comparable to the length of a small life.
Death, blood, hunger and cold swarm around, and the people of the besieged city, having survived in hand-to-hand combat, survived clinical deaths, did not lose the ability to feel and love. People in the blockade are people. That's why they won.
Additional information: Award of the film festival "Stalker" in the nomination "Debut Stalker". close
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