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Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first more
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames. close
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and more
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière. close
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 more
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds. close
A film shot during the summer of 1968 in Oakland, California around the meetings organised by the Black Panthers Party to free Huey Newton, one of their more
A film shot during the summer of 1968 in Oakland, California around the meetings organised by the Black Panthers Party to free Huey Newton, one of their leaders, and to turn his trial into a political debate. They tried and succeeded in catching America’s attention. close
One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and more
One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and throwing it in the air, it appears on the table opposite another head, and both detached heads sing in unison. The conjurer then removes it a third time. You then see all three of his heads, which are exact duplicates, upon the table at one time, while the conjurer again stands before the audience with his head perfectly intact, singing in unison with the three heads upon the table. He closes the picture by bowing himself from the stage. close
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage more
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage and book covers, rephotographed photographs, views of Paris and its neighborhoods, and a catalogue of disabused, seemingly offhand footage of him and his friends in the porous zone comprising the cafe and the street. close
The film is in four parts. First, the camera pans the Kremlin and Marshal's Bridge. Sleds are parked in rows. Horse-drawn sleighs run up and down a busy more
The film is in four parts. First, the camera pans the Kremlin and Marshal's Bridge. Sleds are parked in rows. Horse-drawn sleighs run up and down a busy street. Next, we visit the mushroom and fish market where common people work and shop. In Petrovsky Park are the well-to-do. Men are in great coats. A file of six or seven women ski past on a narrow lane. Last, there's a general view of Moscow. A slow pan takes us to a view above the riverfront where the film began. close
Everyman Coupeau's attempts to stop drinking are routinely thwarted by the wicked and vengeful Virginie. Based on Zola's novel, Capellani's film is about more
Everyman Coupeau's attempts to stop drinking are routinely thwarted by the wicked and vengeful Virginie. Based on Zola's novel, Capellani's film is about the free fall of a group of working-class French folk into degradation and tragedy due to carelessness, jealousy, and alcohol abuse. At the time of its release, L'Assommoir was hugely successful. close
The storyline is based on the fairy tale “Snow White” (as well as “The Tale of the Dead Princess and the Seven Heroes”) and the events of the October more
The storyline is based on the fairy tale “Snow White” (as well as “The Tale of the Dead Princess and the Seven Heroes”) and the events of the October Revolution of 1917. The main characters of Tristan and the Red Army soldier Rasukin in love with her confront the evil queen, not without the help of Marxist dwarves. close
A poetic documentary tribute to the famous Eiffel tower, built for the 1889 World Fair and intended to have been destroyed 20 years later. A vocal subset more
A poetic documentary tribute to the famous Eiffel tower, built for the 1889 World Fair and intended to have been destroyed 20 years later. A vocal subset of Parisians (among which, one may surmise, Clair would've been counted) insisted the Tower remain above the River Seine, a continued display of French engineering excellence. Clair makes strategic use of double exposures and dissolves, capturing the mechanical exuberance of the Tower; The great swooping steel latticework edifice a bounding symbol of the modern age. close
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers more
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers and foliage, a woman’s smile, arms stretching, an arm giving rhythm to a rocking chair. It uses natural elements (light, mirrors, water, and wind) and photographic techniques (multiple exposures and lenses) to distort the various elements, or to intensify their design. close
A little girl sits at a table, holding a container of what appears to be some sort of food. Suddenly there's a flash of movement: a tortoiseshell cat, more
A little girl sits at a table, holding a container of what appears to be some sort of food. Suddenly there's a flash of movement: a tortoiseshell cat, with long hair and a very furry tail, has leapt onto the table. close
Angelic and demonic serpentine dances from dawn of cinema. The dancer is Loie Fuller; the pioneer modern dancer. Recorded in Paris, and hand-colored frame by frame.
Angelic and demonic serpentine dances from dawn of cinema. The dancer is Loie Fuller; the pioneer modern dancer. Recorded in Paris, and hand-colored frame by frame. close
Pluto, having seen the earth, comes back home amazed at the success of that well-known dance, the "cake-walk." He has brought back with him two noted more
Pluto, having seen the earth, comes back home amazed at the success of that well-known dance, the "cake-walk." He has brought back with him two noted well-known dancers, who start their favorite dance amidst the flames. close
Aïssa is a Congolese immigrant in France. She says that she is under eighteen but the authorities consider her an adult. To determine if she can be deported, more
Aïssa is a Congolese immigrant in France. She says that she is under eighteen but the authorities consider her an adult. To determine if she can be deported, a doctor must give her a physical examination. close
A poor but honest man wins great wealth, and the hand of a beautiful princess, after facing a series of exciting trials in the tunnels and catacombs of more
A poor but honest man wins great wealth, and the hand of a beautiful princess, after facing a series of exciting trials in the tunnels and catacombs of ancient Araby. Guided by the mysterious Khalafar, the troupe (alongside him go some cowardly scholars) encounter skeletons, fire-breathing lizards, and mirages on their journey through the lower world. close
