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A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan.
A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan. close
Examines the sea horse, the only fish that swims upright. We watch it use its prehensile tail to wrap around plants and other sea horses. A frontal bulge more
Examines the sea horse, the only fish that swims upright. We watch it use its prehensile tail to wrap around plants and other sea horses. A frontal bulge houses organs including an air ballast. Three fins propel this fish. We see a female place her eggs in a male's pouch where they are fertilized and nurtured until birth in violent contractions. Inside the pouch are nurturing blood vessels. We then follow the growth of an embryo, greatly magnified: we examine its heart beating and its dorsal fin moving. Young sea horses attach themselves to each other. The film ends with images of many sea horses moving on the ocean floor, superimposed on a horse race. close
Max accepts a wager that he cannot remain in a haunted castle for one hour (11 PM to midnight) without crying for help. As soon as he arrives he encounters more
Max accepts a wager that he cannot remain in a haunted castle for one hour (11 PM to midnight) without crying for help. As soon as he arrives he encounters strange and nightmarish visions, but he is nevertheless on the verge of winning the bet when a phone-call brings startling news. close
Afrique 50 is a 1950 French documentary film directed by René Vautier. The first French anti-colonialist film, the film derived from an assignment in more
Afrique 50 is a 1950 French documentary film directed by René Vautier. The first French anti-colonialist film, the film derived from an assignment in which the director was to cover educational activities by the French League of Schooling in West Africa. Vautier later filmed what he saw, a "lack of teachers and doctors, the crimes committed by the French Army in the name of France, the instrumentalization of the colonized peoples". For his role in the film Vautier was imprisoned over several months. The film was not permitted to be shown for more than 40 years. close
Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions more
Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shifts Alix’s narration out of sync with what we see. close
The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished more
The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished by placing the camera on a moving transport, such as a boat or train. close
The 8-year-old Aida lives in an apartment in the Parisian suburb. The daily life of Aida and the whole family is overwhelmed when her father comes back more
The 8-year-old Aida lives in an apartment in the Parisian suburb. The daily life of Aida and the whole family is overwhelmed when her father comes back from Senegal, their country of origin. Actually, he did not come back alone. He returned with the young Senegalese Rama whom he introduced as his second wife. Aida is very sensitive to her mother's distress. She decides then to get rid of the new visitor. close
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage more
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage and book covers, rephotographed photographs, views of Paris and its neighborhoods, and a catalogue of disabused, seemingly offhand footage of him and his friends in the porous zone comprising the cafe and the street. close
A day like any other in the Parisian metro – or maybe not? A young man sits quietly reading his book. A young woman is seated next to him. They have nothing more
A day like any other in the Parisian metro – or maybe not? A young man sits quietly reading his book. A young woman is seated next to him. They have nothing in common, nor do they know each other in the slightest. In spite of this, something quiet unexpected occurs between them. In full view of all the other passengers. And yet, none of the other travellers seem to notice. close
Everyman Coupeau's attempts to stop drinking are routinely thwarted by the wicked and vengeful Virginie. Based on Zola's novel, Capellani's film is about more
Everyman Coupeau's attempts to stop drinking are routinely thwarted by the wicked and vengeful Virginie. Based on Zola's novel, Capellani's film is about the free fall of a group of working-class French folk into degradation and tragedy due to carelessness, jealousy, and alcohol abuse. At the time of its release, L'Assommoir was hugely successful. close
A poetic documentary tribute to the famous Eiffel tower, built for the 1889 World Fair and intended to have been destroyed 20 years later. A vocal subset more
A poetic documentary tribute to the famous Eiffel tower, built for the 1889 World Fair and intended to have been destroyed 20 years later. A vocal subset of Parisians (among which, one may surmise, Clair would've been counted) insisted the Tower remain above the River Seine, a continued display of French engineering excellence. Clair makes strategic use of double exposures and dissolves, capturing the mechanical exuberance of the Tower; The great swooping steel latticework edifice a bounding symbol of the modern age. close
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers more
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers and foliage, a woman’s smile, arms stretching, an arm giving rhythm to a rocking chair. It uses natural elements (light, mirrors, water, and wind) and photographic techniques (multiple exposures and lenses) to distort the various elements, or to intensify their design. close
Militis, a sailor, returns to a bar where he finds Sarah, the girl he once loved and is still attracted to. However, he is now married to an exotic woman who took care of him during an illness.
Militis, a sailor, returns to a bar where he finds Sarah, the girl he once loved and is still attracted to. However, he is now married to an exotic woman who took care of him during an illness. close
A slapstick comedy centered around two neighboring republics, Crogandia and Miremia, and the various disasters that befall the ceremonial unveiling of more
A slapstick comedy centered around two neighboring republics, Crogandia and Miremia, and the various disasters that befall the ceremonial unveiling of a statue, the launching of a ship, and the crash-landing of a Miremian pilot in Crogandian territory. close
Virgile and Blanche, both aged 17, correspond by e-mail. Virgile loves Blanche, but Blanche loves a boy named Eustache. Nobody knows the other's thoughts. more
Virgile and Blanche, both aged 17, correspond by e-mail. Virgile loves Blanche, but Blanche loves a boy named Eustache. Nobody knows the other's thoughts. Virgile talks about life and death and Blanche listens acceptingly. Eustache enters the room in a blue cap. He sees Virgile first, then Blanche. Then Blanche remembers having danced with Virgile and leves the room to join him. close
Thomas, a 17-year-old high school student, finds himself attracted to Esteban, another boy from his school. The rumor of Thomas's homosexuality is spreading more
Thomas, a 17-year-old high school student, finds himself attracted to Esteban, another boy from his school. The rumor of Thomas's homosexuality is spreading fast, and he begins to suffer the gaze of others. close
Forests stretch over a third of the Earth’s surface, they are home to more than half of terrestrial species of living organisms, live hundreds of millions more
Forests stretch over a third of the Earth’s surface, they are home to more than half of terrestrial species of living organisms, live hundreds of millions of people. 7 billion people use at least something produced by forests every day. Forests are the food we eat, the water we drink, the air we breathe, the medicines we sometimes cannot survive without. At the same time, forests are one of the most poorly protected areas on our planet. They are in clear danger.
2011 has become the International Year of Forests and an extra reason to learn or remember how to treat the forests of our planet, protect, protect and use wisely. About Forests and People (Des Forêts et des Hommes) close
