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The film was filmed in Bibi-Heybat, a suburb of Baku (now the capital of Azerbaijan), during a fire at the Bibi-Heybat oil field. The film was shot on more
The film was filmed in Bibi-Heybat, a suburb of Baku (now the capital of Azerbaijan), during a fire at the Bibi-Heybat oil field. The film was shot on 35mm film by the Lumiere brothers in 1898. On August 2 of the same year, a demonstration of Alexander Michon's program took place, which included the film "Fire at an oil fountain in Bibiheybat". close
A film directed by the pioneer of cinema in Azerbaijan, Alexandre Michon, it was filmed on August 4, 1898 in Balakhany, Baku and presented at the International more
A film directed by the pioneer of cinema in Azerbaijan, Alexandre Michon, it was filmed on August 4, 1898 in Balakhany, Baku and presented at the International Paris Exhibition. The film was shot using a 35mm film on a Lumière cinematograph. Silent movie. (Wikipedia) close
This newsreel documentary was shot by Lev Kuleshov in 1919, which once credited to Dziga Vertov. A fragment of this newsreel was shown in the documentary more
This newsreel documentary was shot by Lev Kuleshov in 1919, which once credited to Dziga Vertov. A fragment of this newsreel was shown in the documentary The Kuleshov Effect (1969), where Kuleshov talked about his early film work, claiming this short newsreel as his own work. close
"Though not given a New York showing until 1935, V. I. Pudovkin's Mechanics of the Brain (Mekhanika Golovnovo Mozga) was written and directed by Pudovkin more
"Though not given a New York showing until 1935, V. I. Pudovkin's Mechanics of the Brain (Mekhanika Golovnovo Mozga) was written and directed by Pudovkin in 1926. A full year in the making, this scientific documentary concentrates on the behavioral studies conducted by Prof. Ivan Pavlov. The laboratory dogs used in Pavlov's research don't seem too happy about it, and as a result this film might be hard to take for the more sensitive viewers (the vivisection sequence is particularly rough). The progress of the research is detailed with charts and graphs, hardly the "cinematic" touches one might expect from Pudovkin. Interestingly, Mechanics of the Brains was released two years before the results of Pavlov's studies were printed in book form." close
This documentary depicts the creation of collective farms for Jews in Crimea. It shows them building their houses, digging a well, and farming the land.
This documentary depicts the creation of collective farms for Jews in Crimea. It shows them building their houses, digging a well, and farming the land. close
The new power stations are beating like hearts to the pulse of modernisation. At gigantic expense and effort, the Soviet Union is rapidly industrialised. more
The new power stations are beating like hearts to the pulse of modernisation. At gigantic expense and effort, the Soviet Union is rapidly industrialised. The state plan foresees the construction of forty power-generation centres across the country. However, the people must first be enlightened about the nature and use of electrical current. Horses and tractors, households and industry, nature and the world of work, neon signs and the construction of power stations all depend on this miraculous new source of energy. The famous Soviet director Lev Kuleshov masterfully realises this project with documentary shots, acted scenes, and lots of creative trick sequences. close
A documentary film about the agricultural development in the region of Gorky: the everyday life in a sovkhoz, the building of a reservoir and of a greenhouse.
A documentary film about the agricultural development in the region of Gorky: the everyday life in a sovkhoz, the building of a reservoir and of a greenhouse. close
This film was created by Sokurov before or during his VGIK student years for the regional TV of Gorki. He does not consider it a part of his filmography. more
This film was created by Sokurov before or during his VGIK student years for the regional TV of Gorki. He does not consider it a part of his filmography. For its creators, it was just a TV program, and the people who worked on it most often were being given no distinction in the credits. This document of the very origins of Sokurov gives us a notion of his "pre-stylistic" period, where the personality of the future great filmmaker reveals itself in spite of means and circumstances. close
Interesting short documentary on young athletes in a Soviet ice skating program, some of whom are barely past toddler age. Kinetic and up close, the doc more
Interesting short documentary on young athletes in a Soviet ice skating program, some of whom are barely past toddler age. Kinetic and up close, the doc focuses on movement with music, eschewing interview and conversation, and mostly submerging political and social commentary. close
Picture Nauma Ardashnikov “I came and talk” tells about one of the stages of the creative path of the Russian star Alla Pugacheva . This is the second more
Picture Nauma Ardashnikov “I came and talk” tells about one of the stages of the creative path of the Russian star The Woman Who Sings .
The material was used performances of the pop singer during her touring trips, filming from personal and working archives, interviews and rehearsal work. The film sounds hits Pugacheva, performed by her in the first half of the eighties. close
The reburial of great Russian singer Feodor Chaliapin from Les Batignolles cemetery in Paris to Novo–Devitchye cemetery in Moscow. The daughters from more
The reburial of great Russian singer Feodor Chaliapin from Les Batignolles cemetery in Paris to Novo–Devitchye cemetery in Moscow. The daughters from Chaliapin’s second marriage travel to the Soviet Union for the ceremony. close
The picture is about the anti-Hitler coalition of the USSR, England and America, which developed as a counterweight to the aggressive policy of Nazi Germany more
The picture is about the anti-Hitler coalition of the USSR, England and America, which developed as a counterweight to the aggressive policy of Nazi Germany during the Second World War. The unique newsreel footage of these years, shot by operators of different warring countries, is connected with today's thoughts of the author about the fate of the post-war world, about the humanitarian losses of both sides and about gaining unstable hopes for the unity of the world in countering evil. close
The manifestation and fireworks on the 1st of May, one of the ritual celebrations of Soviet times, as a gathering of tired participants of a mass scene more
The manifestation and fireworks on the 1st of May, one of the ritual celebrations of Soviet times, as a gathering of tired participants of a mass scene falling into pieces without the director's orders and without any aims. close
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage more
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage taken by Balabanov in 1985-1990. In addition to the main characters, the documentary footage captured many prominent figures of Sverdlovsk rock club, in particular Vyacheslav Butusov, Leonid Porokhnyu, and local actors. close
The provincial Russian town of Nerekhta is celebrating its 775th anniversary. The basis of the holiday is the legend about the local craftsman Krikutny, more
The provincial Russian town of Nerekhta is celebrating its 775th anniversary. The basis of the holiday is the legend about the local craftsman Krikutny, who was the first in the world in 1731 to fly in a balloon. Was there really the balloonist Krikutny, or was this story invented by the provincial official Sulukadzev? Whom to believe? To the text of the charter for the first ballooning or to historians who refute the reality of this event? close
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date more
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes. close
The second film by Sokurov featuring Boris Yeltsin as the principal character. Now he is the President of Russia, invested with power, bearing the full more
The second film by Sokurov featuring Boris Yeltsin as the principal character. Now he is the President of Russia, invested with power, bearing the full responsibility for the destinies of his distant compatriots as well as his closest kin and friends. close
In the spring of 1992, the director Stanislav Govorukhin came to Vermont, where for several days he communicated with the famous writer Alexander Solzhenitsyn and members of his family.
In the spring of 1992, the director Stanislav Govorukhin came to Vermont, where for several days he communicated with the famous writer Alexander Solzhenitsyn and members of his family. close
The sequel of feature-publicistic film «You Can’t Live Like That». Showing the countrymen charmless and sometimes scaring life picture of once great power more
The sequel of feature-publicistic film «You Can’t Live Like That». Showing the countrymen charmless and sometimes scaring life picture of once great power with pain and anger, the author tries to uncover the reason of the country’s and nation’s tragedy. close
Roman Viktyuk either hate or adore. But the eccentricity, the dissimilarity to everything of his work is recognized by everyone. The film by Alexei Uchitel more
Roman Viktyuk either hate or adore. But the eccentricity, the dissimilarity to everything of his work is recognized by everyone. The film by Alexei Uchitel - illustration for the life of the scandalous maestro. Unique shots from rehearsals, a trip to Lviv and New York, young actors, now stars - once opened by Viktyuk, scenes from the director's most striking and challenging performances. And Roman Viktyuk himself, ironic, funny, sincere . close
The film contains unique documentary footage: - court hearing in the case of A.R. Chikatilo, the imposition of the death sentence;
- the last interview more
The film contains unique documentary footage:
- court hearing in the case of A.R. Chikatilo, the imposition of the death sentence;
- the last interview with Chikatilo, who is already on death row;
- Record from the investigation in the case of Boris Serebryakov and other documents;
- there is a fragment of the examination of the tortured girl, music videos.
The documentary is made in the style of post-Soviet art house. . .
Melancholy black and white avant-garde rarity, the USSR is felt. close
Set to readings of Thomas Mann's 'The Magic Mountain', a collage of medical, art and found footage, exploring various medical cases, including reconstructing more
Set to readings of Thomas Mann's 'The Magic Mountain', a collage of medical, art and found footage, exploring various medical cases, including reconstructing the damaged human body, the separation of Siamese twins, and Cold War era attempts to create superhumans. close
The author's view of the events of the history and modernity of Russia is a continuation of the journalistic cycle, which began with the film "You can't live like that".
The author's view of the events of the history and modernity of Russia is a continuation of the journalistic cycle, which began with the film "You can't live like that". close
These images and sounds are poetic metaphors that transform “Elegy from Russia” into a document that provides a emotional–historical “memory bank” for all.
These images and sounds are poetic metaphors that transform “Elegy from Russia” into a document that provides a emotional–historical “memory bank” for all. close
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