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In 1880, in southern India, near Madras, a plot of land was bought by a Russian woman. She dreamed that people all over the world, seeking wisdom, could more
In 1880, in southern India, near Madras, a plot of land was bought by a Russian woman. She dreamed that people all over the world, seeking wisdom, could gather here under one roof, gain the strength to serve humanity, reduce its suffering. Woman close
At the center of the film is a man in a monkey mask inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes more
At the center of the film is a man in a monkey mask inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes inherent in human life (work, marriage, military service, leisure) do not release him from an animal form. close
An old man bases his livelihood on a very bizarre form of recyling, breeding maggots in his yard, which he uses to feed his animals. This model of self-subsistence more
An old man bases his livelihood on a very bizarre form of recyling, breeding maggots in his yard, which he uses to feed his animals. This model of self-subsistence serves as his vision of a perfect state. Experimental documentary made during the collapse of the Soviet Union. close
The office of the President of Lithuania, 1990. Inside, silence reigns, contrasting to the shouting of the crowds outside the windows of the governmental more
The office of the President of Lithuania, 1990. Inside, silence reigns, contrasting to the shouting of the crowds outside the windows of the governmental building. At the same time, this silence is mirrored by the intense silence of several women, whose faces remain on the screen for a long time. The silence is broken by music. The President plays the piano. close
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with more
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with loud and exultant noise. Such sounds accompany the restless walk of a woman and her child across a dusty street, while Bartas’ gaze wanders through many different perspectives. close
This controversial documentary created a storm in Russia by taking the cloak off a violent, repressive period of Soviet history. Filmmaker Semyon Aranovich more
This controversial documentary created a storm in Russia by taking the cloak off a violent, repressive period of Soviet history. Filmmaker Semyon Aranovich found the last surviving personal bodyguard of Joseph Stalin, Alexey Robin, who began working for the dictator in the 1930s. close
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is more
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is a cut-off of the era, watching our life, and those around us. Thinking about where the line between reality and insanity lies. close
The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system, it explores intermediate state between a human and more
The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system, it explores intermediate state between a human and a non-human: a subhuman deprived of a divine spark. close
"Solovky Power" is a documentary about the first Soviet labor camp created by Lenin in 1923. Solovky was established in a complex of ancient monasteries more
"Solovky Power" is a documentary about the first Soviet labor camp created by Lenin in 1923. Solovky was established in a complex of ancient monasteries on a cluster of islands off the remote White Sea coast. Though its name derives from the Russian word for nightingale, the title of the film echoes the term 'Soviet power', stressing the fact that from the very beginning the Soviet penal colonies were a world unto themselves. close
One family, one band. They seemed to be happy. A movie that investigates why these seemingly optimistic musicians suddenly saw no hope to continue living more
One family, one band. They seemed to be happy. A movie that investigates why these seemingly optimistic musicians suddenly saw no hope to continue living in USSR and tried to escape it by hijacking a plane. close
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with more
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with her life, important peasant secrets of working in the field have gone. Transferred to her at one time by inheritance techniques of agricultural engineering in her family to pick up no one. The son tragically died, the daughter will not work in the field, most likely she will completely leave the village.
The film consists of two chapters. The first is a color summer impression of Maria Semyonovna. Haymaking, bathing in the river, work on linen fields, vacation to the Crimea, which happens in the life of a peasant (especially in summer) is extremely rare - the very first impressions of a city man, who was the author of the film. The task is to create an impression, to immerse the viewer in pastoral emotion. The second part is a sad “gift” of fate. It's been nine years. These years have brought change. There were not some, there were others. The second chapter is a black and white image with a story about how the fate of Maria Semyonovna ended. It's a sad, elegiac narrative. The director intended to give a panorama of the fate of a particular person in specific circumstances.”
Alexander Sokurov (from the author's abstract) close
This film is made up from archive footage from the early years of the twentieth century covering the years from 1900 to 1920. The footage, often unique, more
This film is made up from archive footage from the early years of the twentieth century covering the years from 1900 to 1920. The footage, often unique, was filmed by different people and groups the world over, and is united to give a wide overview of the fate of European civilization. close
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage more
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage taken by Balabanov in 1985-1990. In addition to the main characters, the documentary footage captured many prominent figures of Sverdlovsk rock club, in particular Vyacheslav Butusov, Leonid Porokhnyu, and local actors. close
The time has come to life and went backwards, and gained all its losses. All the dead have given their time, all the time of their love and their hatred. more
The time has come to life and went backwards, and gained all its losses. All the dead have given their time, all the time of their love and their hatred. The cycle of present has opened. And in the ashes of the burnt lives a new fire flashed, and lit the way for those who went to the beginning of all beginnings. And I have witnessed it. close
The provincial Russian town of Nerekhta is celebrating its 775th anniversary. The basis of the holiday is the legend about the local craftsman Krikutny, more
The provincial Russian town of Nerekhta is celebrating its 775th anniversary. The basis of the holiday is the legend about the local craftsman Krikutny, who was the first in the world in 1731 to fly in a balloon. Was there really the balloonist Krikutny, or was this story invented by the provincial official Sulukadzev? Whom to believe? To the text of the charter for the first ballooning or to historians who refute the reality of this event? close
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date more
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes. close
The pantomime of two characters exchanging roles is accompanied by a three-layered phonogram, where sophisticated narrative text is interrupted by slightly more
The pantomime of two characters exchanging roles is accompanied by a three-layered phonogram, where sophisticated narrative text is interrupted by slightly accelerated excerpt from Brezhnev’s speeches, as well as by fragments of statements of the mentally ill person with the schizophasia symptom. close
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