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In this mesmerizing collage of silent Italian melodrama, found-footage filmmaker Peter Delpeut (Lyrical Nitrate) affectionately captures the spirit of more
In this mesmerizing collage of silent Italian melodrama, found-footage filmmaker Peter Delpeut (Lyrical Nitrate) affectionately captures the spirit of the World War One-era cinema diva. In all-but-lost gems such as La donna nuda (1914), and Tigre reale (1916), superstars such as Lyda Borelli and Pina Menichelli portrayed heroines teetering dangerously between defiant indulgence in sexual passion and hysterical remorse at their own cruelties. Delpeut’s inventive celebration of Black Romanticism is both striking and heartbreaking in its composition—a beautifully woven narrative of tempted fate and self-torment, elegantly guided by Loek Dikker’s original score. Zeitgeist Films is proud to present Delpeut’s stunningly experimental work in all its heaving bosomed, luridly tinted glory. close
Flanked by her phlegmatic sidekick, Dariko is the only outside broadcast journalist at a local Georgian television channel. With derisory resources, she more
Flanked by her phlegmatic sidekick, Dariko is the only outside broadcast journalist at a local Georgian television channel. With derisory resources, she races from one report to another to give an honest, if not objective, image of the current events that shape her environment. close
It’s a black-and-white record of European cities in the dark (2-5am), from Basle to Belfast. Quiet, and meditative, what emerges most strongly is an eerie more
It’s a black-and-white record of European cities in the dark (2-5am), from Basle to Belfast. Quiet, and meditative, what emerges most strongly is an eerie sense of city landscapes as deserted film sets, in which the desolate architecture overwhelms any sense of reality. The only reassurance that we are not in some endless machine-Metropolis is the shadow of daytime activity: a juggernaut plunging through a darkened village, a plague of small birds in the predawn light. The whole thing is underscored by a beautiful ‘composed’ soundtrack, from quietly humming streetlights to reggae and the rumble of armoured cars in Belfast. A strange and remarkable combination of dream, documentary and science-fiction. close
Refugees from the Caucasian republics, Armenians, Azerbaijanis and Russians, meet on the shore of the Black Sea: they work as shop keepers, life guards, more
Refugees from the Caucasian republics, Armenians, Azerbaijanis and Russians, meet on the shore of the Black Sea: they work as shop keepers, life guards, karaoke singers, or just enjoy their holidays. It all happens at a place called Broadway, which is no-where to be found on a map, not even the most detailed ones. The temporary inhabitants of Broadway construct a whole world en miniature, consisting of small carts, tents or booths parked in close, haphazard rows. The scenery, which is put up for a few weeks during the summer, bubbles with life – and in no way corresponds with ordinary daily life in Russia. close
Circus strongmen, bearded women, trained elephants, mad dancers, dwarfs and nude starlets behind the velvet curtains——————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————— more
Circus strongmen, bearded women, trained elephants, mad dancers, dwarfs and nude starlets behind the velvet curtains——————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————— Many fragments have never before been shown on the big screen, part of the chronicle of the turn of the XIX-XX centuries was provided by the descendants of ancient circus families. Black and white scenes are interspersed with color, elephants are replaced by a screen of tigers and acrobats, and all this together forms today in a very unfunny, a rather disturbing picture; a panopticum of morals and savages, retouched by the hands of the director with a gloomy, but an excellent sense of humor. close
In the Republic of Belarus, Europe’s last remaining unreconstructed Communist dictatorship, the Belarus Free Theatre risks censorship, imprisonment and more
In the Republic of Belarus, Europe’s last remaining unreconstructed Communist dictatorship, the Belarus Free Theatre risks censorship, imprisonment and worse to stage their provocative and subversive plays in secret performances at home and to critical acclaim abroad. Director Madeleine Sackler goes behind the scenes with this group of gutsy performers as they brave a renewed government crackdown on dissenters in 2010. close
Mental anguish is all that's present in the film Seuls / Alone (1989). Shot like a grungy medical documentary, Smolders and co-director Thierry Knauff more
Mental anguish is all that's present in the film Seuls / Alone (1989). Shot like a grungy medical documentary, Smolders and co-director Thierry Knauff intercut shots of several children at a Belgium psychiatric clinic. The kids are shown with forlorn expressions, twicthing their eyes, sometimes smiling, shaking, jumping, rocking their heads side to side, or smacking their heads with horrific glee against walls. It's a minimalist work that captures the intense monotony of lost and disturbed young minds, and maintains a gritty intensity. - kqek.com close
An examination of the history of the U.S. through archival footage and contrasting views of society, incorporating audiovisual material ranging from political more
An examination of the history of the U.S. through archival footage and contrasting views of society, incorporating audiovisual material ranging from political campaign films to animated cartoons to children’s phonograph records, featuring Al Jolson, Mickey Mouse, the young Jack Smith, and a half-dozen American presidents. close
In Rain of the Children, Ward further explores the subject of his earlier film, In Spring One Plants Alone when, as a young film student he travelled more
In Rain of the Children, Ward further explores the subject of his earlier film, In Spring One Plants Alone when, as a young film student he travelled to the Ureweras and documented the lives of an elderly Māori woman (Puhi) and her schizophrenic son (Niki). close
Working primarily in the arena of nonfiction, Marker rejected conventional narrative techniques, instead staking out a deeply political terrain defined more
Working primarily in the arena of nonfiction, Marker rejected conventional narrative techniques, instead staking out a deeply political terrain defined by the use of still images, atmospheric soundtracks, and literate commentary. In Description d’un Combat, Marker’s idiosyncratic style, combining location footage with archival material, builds a complex and personal portrayal. Israel’s demography is explored, from the kibbutzim to the Arab minorities, the orthodox Jews, and the tourists. The “battle” of the title does not refer to the tank-and-artillery variety, but to the inner struggle of Israeli citizens to adapt to a new view of themselves, in a new country. close
A complex, insightful look at the Chicano experience as mirrored in the lives and music of the most acclaimed Norteño musicians of the Texas-Mexican border, more
A complex, insightful look at the Chicano experience as mirrored in the lives and music of the most acclaimed Norteño musicians of the Texas-Mexican border, including Flaco Jimenez and Lydia Mendoza. Video includes bonus feature, Del Mero Corazon. close
The co-founder of the Gamma press agency, Raymond Depardon, created this documentary of press photographers in Paris and their subjects by following the more
The co-founder of the Gamma press agency, Raymond Depardon, created this documentary of press photographers in Paris and their subjects by following the photographers around for one month, in October, 1980. In-between long hours waiting for a celebrity to emerge from a restaurant or a hotel, boredom immediately switches to fast action as the cameras click and roll when the person appears. The reaction to the gaggle of photographers is as varied as the people they often literally chase all around town. While some of the celebrities, such as Jacques Chirac who was mayor of Paris at the time, are perceived as comical caricatures, others are shown simply going about ordinary pursuits - including Catherine Deneuve, Gene Kelly, and Jean-Luc Godard. close
The emotion and feelings should not be confused with sentimentality. Emotion is ancient and more powerful than any artistic expression. The film observes more
The emotion and feelings should not be confused with sentimentality. Emotion is ancient and more powerful than any artistic expression. The film observes young couples face difficulties while trying to move their love experiences clear decision making. A film full of ideas, details and associations, fictional scenes, documentary footage, archival materials and opera music. close
Chantal Akerman followed famous Choreographer Pina Bausch and her company of dancers, The Tanzteater Wuppertal, for five weeks while they were on tour more
Chantal Akerman followed famous Choreographer Pina Bausch and her company of dancers, The Tanzteater Wuppertal, for five weeks while they were on tour in Germany, Italy and France. Her objective was to capture Pina Bausch's unparalleled art not only on stage by behind the scenes. close
Modest meditation on youth, life and mortality made up almost entirely from professionally made family films. What is more heart-rending than seeing pictures more
Modest meditation on youth, life and mortality made up almost entirely from professionally made family films. What is more heart-rending than seeing pictures of people who have died? The aim of Mort à Vignole is to transcend the pain of a certain family and to come to terms with sensitive memories and family bonds. - IFFR close
The startling story of Ryszard Siwiec, a man who, on a Polish national holiday in September 1968, immolated himself in front of thousands of people in a stadium in Warsaw.
The startling story of Ryszard Siwiec, a man who, on a Polish national holiday in September 1968, immolated himself in front of thousands of people in a stadium in Warsaw. close
In his most recent work, Christian Frei turns to an age-old dream of man: to leave our planet as a «normal person» and travel into outer space. For 20 more
In his most recent work, Christian Frei turns to an age-old dream of man: to leave our planet as a «normal person» and travel into outer space. For 20 million dollars, the American Anousheh Ansari was able to fulfil this childhood dream. This documentary follows her journey into space and shows everyday life as it is on the International Space Station. close
Experimental filmmaker James Benning returns with this abstract documentary about California's Central Valley, part 1 of his "California Trilogy". Consisting more
Experimental filmmaker James Benning returns with this abstract documentary about California's Central Valley, part 1 of his "California Trilogy". Consisting of 35 shots, each over two minutes long, the film quietly portrays nature's subjugation to encroaching commercial interests. This film was screened at the 2000 Sundance Film Festival. close
Three sectors of American society hit by recession in the mid-1980s: heartland farms, factory workers out of a job, and the new homeless. In Minnesota, more
Three sectors of American society hit by recession in the mid-1980s: heartland farms, factory workers out of a job, and the new homeless. In Minnesota, 250 family farms are being repossesed each week; men and women talk about their farms, the nature of their bank loans, the onslaught of corporate farming, and their sorrow and despair. In cities where 3,500 jobs per day go overseas, unemployed workers contemplate their options. The newly homeless talk about the jobs they've lost, "Justice Ville" in Los Angeles (bulldozed by court order), and squatting in New York's abandoned buildings. A family living in a welfare hotel tells their story. close
There has never been a concert like it. There never could be again. It was July 5th 1969, two days after the death of guitarist Brian Jones, when half more
There has never been a concert like it. There never could be again. It was July 5th 1969, two days after the death of guitarist Brian Jones, when half a million people gathered in Hyde Park to pay homage to the British group described as the greatest rock'n'roll band in the world. They were The Rolling Stones. The Stones in the Park is a vivid record of this momentous occasion. .. Play List: 1. Midnight Rambler 2. Satisfaction 3. I'm Free 4. I'm Yours She's Mine 5. Jumping Jack Flash 6. Honky Tonk Woman 7. Love In Vain 8. Sympathy For The Devil close
The award-winning Old Believers (2001), made over a period of five years, documents the life of a strongly religious community in the Danube Delta where time seems to stand still.
The award-winning Old Believers (2001), made over a period of five years, documents the life of a strongly religious community in the Danube Delta where time seems to stand still. close
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