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Based on real events, the film’s protagonist inherits a house in West Philadelphia that becomes home to an urban collective for activists of color. The more
Based on real events, the film’s protagonist inherits a house in West Philadelphia that becomes home to an urban collective for activists of color. The increasingly claustrophobic drama unfolds as the group attempts to live together and find consensus through Black political discourse and social philosophy. close
XIX century. Orphan Pedro da Silva is raised under the care of her father Denis. The child grew up, became a priest, and then he begins to learn the secrets surrounding the history of his birth.
XIX century. Orphan Pedro da Silva is raised under the care of her father Denis. The child grew up, became a priest, and then he begins to learn the secrets surrounding the history of his birth. close
A group of men and women have been brought together after World War II, when Italy regained its national and territorial unity. They make up a primitive more
A group of men and women have been brought together after World War II, when Italy regained its national and territorial unity. They make up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life, and look to protect themselves from violence, misery and fear. Amid the ruins of this post-war period, these men and women build a new rapport between themselves, between sexes, between generations, between social and geographical origins, between political camps. close
Jean-Marie Straub's first film after the death of Danièlle Huillet is a love poem to her. Le Genou d'Artémide is based on Cesare Pavese's "Dialogues of more
Jean-Marie Straub's first film after the death of Danièlle Huillet is a love poem to her. Le Genou d'Artémide is based on Cesare Pavese's "Dialogues of Leuco", which had already been adapted by Straub et Huillet as Ces Rencontres Avec Eux (2006). close
Spanish filmmaker Víctor Erice talks about the first movie he probably ever saw, Roy William Neill's The Scarlet Claw (1944), starring Basil Rathbone more
Spanish filmmaker Víctor Erice talks about the first movie he probably ever saw, Roy William Neill's The Scarlet Claw (1944), starring Basil Rathbone as Sherlock Holmes. The remembrances of such a formative cinematic experience leads him to recall the dark days after the end of the Spanish Civil War, to confess the many fears stalking children and to reflect on the nature of memory itself. close
Theres and Kenneth are both young when they first meet whilst on holiday. They fall in love but are unable to prevent themselves from losing each other. more
Theres and Kenneth are both young when they first meet whilst on holiday. They fall in love but are unable to prevent themselves from losing each other. Thirty years later, in another country, another couple: Ariane leaves her husband David because she no longer loves him. The paths they both take lead them to Kenneth and Theres. close
Chad, 2006. After a forty-year civil war, the radio announces the government has just amnestied the war criminals. Outraged by the news, Gumar Abatcha more
Chad, 2006. After a forty-year civil war, the radio announces the government has just amnestied the war criminals. Outraged by the news, Gumar Abatcha orders his grandson Atim, a sixteen-year-old youth, to trace the man who killed his father and to execute him. Atim obeys him and, armed with his father's own gun, he goes in search of Nassara, the man who made him an orphan. It does not take long before he finds him. Nassara, who now goes straight, is married, goes to the mosque and owns a small bakery. After some hesitation Atim offers him his services as an apprentice. He is hired then it will be easy for him to gun down the murderer of his father. At least, that is what he thinks... close
Before immigrating to the West, Abdallah travels to the coastal city of Nouadhibou, Mauritania, to visit his mother. Although he grew up there, Abdallah more
Before immigrating to the West, Abdallah travels to the coastal city of Nouadhibou, Mauritania, to visit his mother. Although he grew up there, Abdallah feels anything but at home in his old neighborhood: He can no longer speak the local dialect, and he wears western clothes that immediately cast him as an outsider. But, as Abdallah spends time with a young boy and an elderly electrician, he can't help but feel a sense of loss for the life he's abandoning. close
We are in the year 1871. A journalist for Versailles Television broadcasts a soothing and official view of events while a Commune television is set up more
We are in the year 1871. A journalist for Versailles Television broadcasts a soothing and official view of events while a Commune television is set up to provide the perspectives of the Paris rebels. On a stage-like set, more than 200 actors interpret characters of the Commune, especially the Popincourt neighbourhood in the XIth arrondissement. They voice their own thoughts and feelings concerning the social and political reforms. The scenes consist mainly of long camera takes. close
Vargas, a 54 year old man, gets out of jail in the province of Corrientes, Argentina. Once released, he wants to find his now adult daughter, who lives more
Vargas, a 54 year old man, gets out of jail in the province of Corrientes, Argentina. Once released, he wants to find his now adult daughter, who lives in a swampy and remote area. A deep mystery surrounds him. close
The Popular Front wins elections, the Spanish Civil War begins, and Hitler and Stalin are manipulating and spying. The brilliant exile, Fiodor Voronin, more
The Popular Front wins elections, the Spanish Civil War begins, and Hitler and Stalin are manipulating and spying. The brilliant exile, Fiodor Voronin, a general at 20, is the deputy at the White Russian Military Union, probably slated to replace the aging Général Dobrinsky soon. Fiodor's Greek wife, Arsinoé, paints and stays away from politics, befriending Communist neighbors. Her health declines; the attentive Fiodor arranges care and, against the backdrop of Stalin's Great Purge, considers his options. He plays a chess game in which love of country, love of Arsinoé, ideology, petty jealousies, and the machinations of power roil in matters of life and death. close
General Montriveau, having returned from the Napoleonic Wars in despair, quickly becomes enamored with Duchess Langeais. Across a series of nocturnal more
General Montriveau, having returned from the Napoleonic Wars in despair, quickly becomes enamored with Duchess Langeais. Across a series of nocturnal visitations, the Duchess mercilessly toys with her hot-tempered suitor, as the machinations of a shadowy conspiracy unfold in the background. close
On the outskirts of Birmingham and the margins of society the Billingham family perform extreme rituals and break social taboos as they muddle through more
On the outskirts of Birmingham and the margins of society the Billingham family perform extreme rituals and break social taboos as they muddle through a life decided by factors beyond their control. At times shocking and laced with an unsettling humor, three episodes unfold as a powerful evocation of the experience of growing up in a Black Country council flat. close
Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw more
Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced. close
The true story of the rise to power and brutal assassination of the formerly vilified and later redeemed leader of the independent Congo, Patrice Lumumba. more
The true story of the rise to power and brutal assassination of the formerly vilified and later redeemed leader of the independent Congo, Patrice Lumumba. Using newly discovered historical evidence, Haitian-born and later Congo-raised writer and director Raoul Peck renders an emotional and tautly woven account of the mail clerk and beer salesman with a flair for oratory and an uncompromising belief in the capacity of his homeland to build a prosperous nation independent of its former Belgian overlords. Lumumba emerges here as the heroic sacrificial lamb dubiously portrayed by the international media and led to slaughter by commercial and political interests in Belgium, the United States, the international community, and Lumumba's own administration; a true story of political intrigue and murder where political entities, captains of commerce, and the military dovetail in their quest for economic and political hegemony. close
After the Portuguese government demolishes his slum and relocates him to a housing project on the outskirts of Lisbon, 75-year-old Cape Verde immigrant more
After the Portuguese government demolishes his slum and relocates him to a housing project on the outskirts of Lisbon, 75-year-old Cape Verde immigrant Ventura wanders between his new and old homes, reconnecting with people from his past. close
Adam Ousmane is a pool attendant at a local resort. When the new managers decide to downsize, Adam loses his job to his own son, Abdel. Shattered by the more
Adam Ousmane is a pool attendant at a local resort. When the new managers decide to downsize, Adam loses his job to his own son, Abdel. Shattered by the turn of events, Adam is pressured into contributing to the Chadian war effort. With no money to speak of, the only asset he can donate is his son. close
In Seoul, a suicidal student meets a young woman who decides to join him in his fatal gesture. Tongsu, an unsuccessful filmmaker, spots a beautiful young more
In Seoul, a suicidal student meets a young woman who decides to join him in his fatal gesture. Tongsu, an unsuccessful filmmaker, spots a beautiful young woman, who happens to be the lead actress in the film he has just seen. Their stories will cross paths thanks to their love for cinema. close
Paris, 1995. Laure is about to meet friends for dinner. But on her way out, she discovers that the entire city is stalled by a massive transit strike. more
Paris, 1995. Laure is about to meet friends for dinner. But on her way out, she discovers that the entire city is stalled by a massive transit strike. When a handsome stranger offers her a ride, Laure takes a highly charged, impossibly erotic detour. close
An examination of the creation of the state of Israel in 1948 through to the present day. A semi-biographic film, in four chapters, about a family spanning more
An examination of the creation of the state of Israel in 1948 through to the present day. A semi-biographic film, in four chapters, about a family spanning from 1948 until recent times. Combined with intimate memories of each member, the film attempts to portray the daily life of those Palestinians who remained in their land and were labelled "Israeli-Arabs," living as a minority in their own homeland. close
An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping next room. Waste more
An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping next room. Waste land on the city outskirts: behind a line of abandoned trailers, the man silently watches what seems to be a family. The same city, the same man: driving through traffic with two hand-made firing pins for a hunting rifle. The man is 42 years old, his name - Viorel. Troubled by obscure thoughts, he drives across the city to a destination known only to him. close
Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the more
Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope? close
Three disaffected youths live in Datong in 2001, part of the new "Birth Control" generation. Fed on a steady diet of popular culture, both Western and more
Three disaffected youths live in Datong in 2001, part of the new "Birth Control" generation. Fed on a steady diet of popular culture, both Western and Chinese, the characters of Unknown Pleasures represent a new breed in the People's Republic of China, one detached from reality through the screen of media and the internet. close
Morán works as a clerk in a bank in Buenos Aires. He is as good as invisible to his colleagues. Over dinner with his colleague Román, Morán tells him more
Morán works as a clerk in a bank in Buenos Aires. He is as good as invisible to his colleagues. Over dinner with his colleague Román, Morán tells him that he stole exactly $650,000, which is exactly double what he would have made until his retirement. He plans to turn himself in, but not before offering Román to split the money if agrees to hide it for the duration of his incarceration. close
A filmmaker sets out to discover the life of Joyce Vincent, who died in her bedsit in North London in 2003. Her body wasn't discovered for three years, more
A filmmaker sets out to discover the life of Joyce Vincent, who died in her bedsit in North London in 2003. Her body wasn't discovered for three years, and newspaper reports offered few details of her life - not even a photograph. close