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A young boy discovers a stray balloon, which seems to have a mind of its own, on the streets of Paris. The two become inseparable, yet the world’s harsh realities finally interfere.
A young boy discovers a stray balloon, which seems to have a mind of its own, on the streets of Paris. The two become inseparable, yet the world’s harsh realities finally interfere. close
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. more
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962). close
A perfect, fast and hilarious montage. Using images from Artis (Amsterdam Zoo), Bert Haanstra shows that a couple of similarities can be discovered between more
A perfect, fast and hilarious montage. Using images from Artis (Amsterdam Zoo), Bert Haanstra shows that a couple of similarities can be discovered between human and animal. Particularly the manner in which human and ape are confronted with each other, is significant. The images speak for themselves, human voices or commentary is absent. The ironic music of Pim Jacobs does add an extra dimension to the whole. With regards to human and animal Haanstra limits himself for the time being to this short film, recorded with a hidden camera. Later on, in several big films, he would return to this subject. close
A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan.
A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan. close
Early new wave effort from Rohmer, which was the first of his six moral tales. It concerns a young man who approaches a girl in the street, but after more
Early new wave effort from Rohmer, which was the first of his six moral tales. It concerns a young man who approaches a girl in the street, but after several days without seeing her again, he becomes involved with the girl in the local bakery. Eventually, he has to choose between them when he arranges dates with them on the same day. close
A short documentary about the 1962 Tour-de-France. Topics covered include: crowds of people and motorcycles, drinking raids and feeding, pileups, doping, "the charge," and the mountain stages.
A short documentary about the 1962 Tour-de-France. Topics covered include: crowds of people and motorcycles, drinking raids and feeding, pileups, doping, "the charge," and the mountain stages. close
Claire is a chic young Parisian woman married to a somewhat older husband, Jean As the story opens, she leaves her husband playing baroque music at the more
Claire is a chic young Parisian woman married to a somewhat older husband, Jean As the story opens, she leaves her husband playing baroque music at the piano, telling him she is off to see her sister, Solange. In reality she meets her lover, Claude at his apartment; After some idle chatter and love-making he tells her a story of the shriveled heads that the Jivaro Indians used to give their lovers as tokens of affection but, as she shivers in disgust, he gives her a mink instead. How will they hide it from her husband? close
Often called a “film poem” or a “film symphonie” Huszárik’s masterpiece consists of montages of horses from the dawn of time to the modern times from cave paintings to horse races. (MUBI)
Often called a “film poem” or a “film symphonie” Huszárik’s masterpiece consists of montages of horses from the dawn of time to the modern times from cave paintings to horse races. (MUBI) close
Toute la mémoire du monde is a documentary about the Bibliothèque Nationale in Paris. It presents the building, with its processes of cataloguing and more
Toute la mémoire du monde is a documentary about the Bibliothèque Nationale in Paris. It presents the building, with its processes of cataloguing and preserving all sorts of printed material, as both a monument of cultural memory and as a monstrous, alien being. close
A man receives a breakup letter from his sweetheart, who sends him back his photo, in pieces. The pained lover decides to reply. Fountain pen, penholder, more
A man receives a breakup letter from his sweetheart, who sends him back his photo, in pieces. The pained lover decides to reply. Fountain pen, penholder, desk, stamps, paper and inkwell all contrive diabolically to thwart him. close
A subtitle warns, "beware of dark sunglasses." Anna and her lover, whose looks in bowler and bow tie are reminiscent of a young Buster Keaton, kiss chastely more
A subtitle warns, "beware of dark sunglasses." Anna and her lover, whose looks in bowler and bow tie are reminiscent of a young Buster Keaton, kiss chastely on a bridge overlooking the Seine. He dons sunglasses and waves as she runs down a stairway to the river's edge, then watches in horror as she's knocked flat and loaded into the back of a hearse. In vain, he gives chase. Disconsolate, he buys a large funeral wreath and a handkerchief from sympathetic vendors. He removes the glasses to wipe his eyes and realizes they are the cause of all his woe. He replays the farewell without the glasses. close
Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third more
Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration. close
A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. Director Michael Apted plans to re-interview more
A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. Director Michael Apted plans to re-interview them at 7 year intervals to determine how their lives and attitudes have changed. close
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage more
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage and book covers, rephotographed photographs, views of Paris and its neighborhoods, and a catalogue of disabused, seemingly offhand footage of him and his friends in the porous zone comprising the cafe and the street. close
This fly on the wall-style documentary from 1961 won an Oscar for best documentary, and shows the changing patterns of human emotions during 24 hours in the life of Waterloo Station.
This fly on the wall-style documentary from 1961 won an Oscar for best documentary, and shows the changing patterns of human emotions during 24 hours in the life of Waterloo Station. close
Pathe News technicolor short showing The Beatles in concert at the ABC Cinema in Manchester, Lancashire on 11/20/63. This footage was incorporated into the 1965 Pathe feature "Pop Gear.”
Pathe News technicolor short showing The Beatles in concert at the ABC Cinema in Manchester, Lancashire on 11/20/63. This footage was incorporated into the 1965 Pathe feature "Pop Gear.” close
Tongue-in-cheek look at the French Riviera, especially in summer when it overflows with tourists. Reviews its history and famous visitors; displays its more
Tongue-in-cheek look at the French Riviera, especially in summer when it overflows with tourists. Reviews its history and famous visitors; displays its faux-exotic buildings, its crowded beaches, its trees and monuments; and, pokes fun at the colors women wear and the vagaries of fashion. The film celebrates the use of "Eden" as a place name, suggesting that paradise comes to the coast after all are gone, perhaps only on a remote island beach. close
"21-87 is a 1963 Canadian abstract film created by Arthur Lipsett that lasts 9 minutes and 33 seconds. The short film, produced by the National Film more
"21-87 is a 1963 Canadian abstract film created by Arthur Lipsett that lasts 9 minutes and 33 seconds. The short film, produced by the National Film Board of Canada, is a collage of snippets from discarded footage found by Lipsett in the editing room of the National Film Board (where he was employed as an animator), combined with his own black and white 16mm footage which he shot on the streets of Montreal and New York City, among other locations." close
The story is about Harold, an isolated figure in an overwhelming world of totalitarian bureaucracy. Harold tries to find the elusive Joseph Kilian, an more
The story is about Harold, an isolated figure in an overwhelming world of totalitarian bureaucracy. Harold tries to find the elusive Joseph Kilian, an old acquaintance, in Prague. When Harold stumbles across a state-run cat-lending store, he impulsively rents a feline for the day. Later, he attempts to return the cat and finds that the store no longer exists. Now with a furry companion, Harold continues his search for Kilian. Written and directed by Pavel Juracek, this 40 minute film effectively aims its allegorical shots at personality cults and the absurdities of a totalitarian regime. close
Little heroine, a music school student, wanders through the backstreets of Warsaw's Old Town and discovers a world to which others have no access. It more
Little heroine, a music school student, wanders through the backstreets of Warsaw's Old Town and discovers a world to which others have no access. It is a world of extraordinariness and beauty of sounds. And these are sounds that are the most important thing for the girl – the hubbub of children, the sounds of the street, the puffing of a tractor, the tuning of an organ, the sweeping of a broom and the sound of jets flying overhead. close
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental more
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject. close