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In this one-off half-hour silent film, Benny stars as the title character, a "born loser" who is unlucky in everything - especially love. He fancies a more
In this one-off half-hour silent film, Benny stars as the title character, a "born loser" who is unlucky in everything - especially love. He fancies a pretty nurse who walks by the park, but ends up with a plainer girl. close
A 1968 British musical short film (30 mins) starring Judy Huxtable and Anthony May. It was directed by Douglas Hickox. It tells the story of a young man more
A 1968 British musical short film (30 mins) starring Judy Huxtable and Anthony May. It was directed by Douglas Hickox. It tells the story of a young man (May) cycling around the Hampstead (NW3) area of London on a Raleigh RSW16. After crashing into a billboard he falls in love with a fashion model (Huxtable) depicted on it. Despite the title, the Belsize Park area does not actually feature. There is almost no spoken dialogue, and the soundtrack to the film is musical virtually throughout. The title song of the film has been a hit for Mireille Mathieu and Engelbert Humperdinck (a top ten hit in the UK and a top 40 hit in the USA) amongst others. The title is derivative of the French film, Les Parapluies de Cherbourg; apart from a musical theme there is no other obvious link. close
Plotless and wordless, beautifully edited shots of young (often naked or semi-naked) people in various positions, illustrating different emotions, actions more
Plotless and wordless, beautifully edited shots of young (often naked or semi-naked) people in various positions, illustrating different emotions, actions and situations, underlined by rock music. close
The emotions, events, and bitterness of the 1968 Student Revolution have become more meaningful over time, and, like old wine, they have become enduring more
The emotions, events, and bitterness of the 1968 Student Revolution have become more meaningful over time, and, like old wine, they have become enduring and epic. It is no coincidence that the initial credits appear only in the middle of the film after an ever-accelerating stream of fragmented images and a ragged rhythm, as if dividing the narrative into two independent periods: “Before” and “After” the Fall, which becomes the true creative principle of being subordinated exclusively to the power of human love. close
This is a small, intense film based on Schoenberg’s opus of the same name with the subtitle “danger, fear, catastrophe”. It deals with emerging fascism more
This is a small, intense film based on Schoenberg’s opus of the same name with the subtitle “danger, fear, catastrophe”. It deals with emerging fascism and the persecution of Jews, as well as with their historical continuities. close
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s more
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s the Frequency, Kenneth?” and “Drive” (both for REM), Conner’s movie is an experiment in the visual language of film. But no matter how powerful a formal analysis of his filmmaking process may be in suggesting how Conner’s rhythms affect us, there is much in Breakaway – in Basilotta’s brash and unbridled self-assertiveness, in Conner’s feverish camera style, and even in the uncomplicated honesty of Cobb’s catchy lyrics and tune – that defies verbalisation… and must simply be loved! -- Senses of Cinema close
The film may be viewed as a study of the nature of the medium and more specifically of the phenomena of framing, movement, and synchronicity of sound and picture.
The film may be viewed as a study of the nature of the medium and more specifically of the phenomena of framing, movement, and synchronicity of sound and picture. close
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his more
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub. close
He took up the camera as other people take the pencil and paper. In 1968 he presented his first film Lydia at the Solothurner Filmtage. His appearance more
He took up the camera as other people take the pencil and paper. In 1968 he presented his first film Lydia at the Solothurner Filmtage. His appearance as a Filmmaker was absolutely unexpected: the only lyric poet of the film, who succeeded virtually without effort in turning his inner life outwards, creating dreamlike images. With a juvenile absoluteness, innocently arrogant, the pale, gaunt man had put the following sentence in the festival paper: "Look, what kind of a film Reto Andrea Savoldelli has created for you with five thousand Swiss Francs." He pitched himself as "First exponent of the Swiss Immigrant's Cinema". (Martin Schaub) close
Serene Velocity stares down the center of an empty institutional hallway while shifting the focal length of a stationary zoom lens, transforming the basement more
Serene Velocity stares down the center of an empty institutional hallway while shifting the focal length of a stationary zoom lens, transforming the basement corridor into a nexus of visual and conceptual energy. close
In 1912, Szczebieniew, a rich and ailing old man, comes to Italy with his young wife, Zinaida. Bored with his company, she looks for amusement and casual more
In 1912, Szczebieniew, a rich and ailing old man, comes to Italy with his young wife, Zinaida. Bored with his company, she looks for amusement and casual affairs. Szczebieniew is aware of it but he hopes that at least this way she can bear him an heir. However, he makes sure that she is always accompanied by Emelianow, Szczebieniew's servant and confidant. One day, in a movie theater Zinaida meets Ernesto Fosca, a young Italian violinist. She asks him to give her music lessons. She doesn't conceal her affection for him and they end up spending a night together. In the morning, though, Emelianow tells Ernesto that it was all planned. close
A promotional short on the movie Dirty Harry (1971) , which compares it to such classics as 'G' Men (1935) or The Big Sleep (1946), focusing on the toughness of those movies' main characters.
A promotional short on the movie Dirty Harry (1971) , which compares it to such classics as 'G' Men (1935) or The Big Sleep (1946), focusing on the toughness of those movies' main characters. close
A film shot during the summer of 1968 in Oakland, California around the meetings organised by the Black Panthers Party to free Huey Newton, one of their more
A film shot during the summer of 1968 in Oakland, California around the meetings organised by the Black Panthers Party to free Huey Newton, one of their leaders, and to turn his trial into a political debate. They tried and succeeded in catching America’s attention. close