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A 26-second documentary filmed by Abraham Zapruder in Dallas on the day of the assassination of John F. Kennedy on November 22, 1963. The film shows the more
A 26-second documentary filmed by Abraham Zapruder in Dallas on the day of the assassination of John F. Kennedy on November 22, 1963. The film shows the movement of the presidential motorcade and the hit of two shots in the neck and head of Kennedy. close
A film shot during the summer of 1968 in Oakland, California around the meetings organised by the Black Panthers Party to free Huey Newton, one of their more
A film shot during the summer of 1968 in Oakland, California around the meetings organised by the Black Panthers Party to free Huey Newton, one of their leaders, and to turn his trial into a political debate. They tried and succeeded in catching America’s attention. close
Originally commissioned by an Austrian couple in 1961 to photograph a travel diary documenting their wild game hunt, Kubelka shot three hours of film more
Originally commissioned by an Austrian couple in 1961 to photograph a travel diary documenting their wild game hunt, Kubelka shot three hours of film and recorded fourteen hours of audio. Over the next few years, Kubelka toiled in the editing bay, producing a work charged with intricate, ironic brutality. close
A silent short movie, is a literal journey that we can experience. We are being taken to Avebury and given the chance to admire it for 10 minutes. The more
A silent short movie, is a literal journey that we can experience. We are being taken to Avebury and given the chance to admire it for 10 minutes. The shots are incredibly beautiful, as we see a huge stone or trees bathed in orange light of sunset. close
“A silent perusal of the Grand Canyon, morning to night, from a single, fixed camera position, by means of constant dissolves spaced a few seconds apart. more
“A silent perusal of the Grand Canyon, morning to night, from a single, fixed camera position, by means of constant dissolves spaced a few seconds apart. Man — entirely absent — is no longer the center of the universe; the canyon exists outside of him. Despite the invisible photographer and his technologically-caused dissolves, this is a creditable approximation of the true foreign-ness of nature.” — Amos Vogel, Film as a Subversive Art (1974) close
The magnificent landscape seen from the windows of a house in Wiltshire is shot to beautiful music. The voice of the invisible announcer lists the details more
The magnificent landscape seen from the windows of a house in Wiltshire is shot to beautiful music. The voice of the invisible announcer lists the details of the fall from the windows of adults and children, telling about the causes and time of the fall, the age of the victims, their professions and health and sanity. Statistics note accidents, suicides and murders, experiments with a parachute and testing their own ability to fly like a bird, drug delusions and dementia.
Arthouse film Peter Greenway It is filmed as an experience of abstract cinema in search of the specifics of the combination of image and sound and reflects its characteristic tendency to systematize in cinema. close
In the complex geometry of space, a woman in a translucent gas dress, a young man, a creature with a head of a devil and their endless reflections collide.
In the complex geometry of space, a woman in a translucent gas dress, a young man, a creature with a head of a devil and their endless reflections collide. close
In 1912, Szczebieniew, a rich and ailing old man, comes to Italy with his young wife, Zinaida. Bored with his company, she looks for amusement and casual more
In 1912, Szczebieniew, a rich and ailing old man, comes to Italy with his young wife, Zinaida. Bored with his company, she looks for amusement and casual affairs. Szczebieniew is aware of it but he hopes that at least this way she can bear him an heir. However, he makes sure that she is always accompanied by Emelianow, Szczebieniew's servant and confidant. One day, in a movie theater Zinaida meets Ernesto Fosca, a young Italian violinist. She asks him to give her music lessons. She doesn't conceal her affection for him and they end up spending a night together. In the morning, though, Emelianow tells Ernesto that it was all planned. close
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as more
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt? close
Krzysztof Kieslowski's protagonist is Joseph Malesa, a former party activist, labor leader and mason. The document talks about his career and life through ups and downs
Krzysztof Kieslowski's protagonist is Joseph Malesa, a former party activist, labor leader and mason. The document talks about his career and life through ups and downs close
A promotional short on the movie Dirty Harry (1971) , which compares it to such classics as 'G' Men (1935) or The Big Sleep (1946), focusing on the toughness of those movies' main characters.
A promotional short on the movie Dirty Harry (1971) , which compares it to such classics as 'G' Men (1935) or The Big Sleep (1946), focusing on the toughness of those movies' main characters. close
The capital of Yemen, the city of Sana'a, holds an important part of history within its walls filled with medieval architecture and culture. But that more
The capital of Yemen, the city of Sana'a, holds an important part of history within its walls filled with medieval architecture and culture. But that same culture was about to disappear with the country's modernization which came after the civil war in the 1960's. To impeach such modern invasion, director Pasolini pledges to UNESCO for the recognition of Sana'a as a World Heritage Site. close
George Lucas's senior project at the University of Southern California in 1966. It was named for the lap time of the Lotus 23 race car that was the subject more
George Lucas's senior project at the University of Southern California in 1966. It was named for the lap time of the Lotus 23 race car that was the subject of the film. It is a nonstory visual tone poem depicting the imagery of a car going at full speed, and featuring the car's engine as the primary sound element. Shot on 16mm color film with a 14 man student crew, it was filmed at Willow Springs Raceway, north of Los Angeles, CA. The Lotus 23 was driven by Pete Brock. close
One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for more
One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for each filmmaker was to keep each short under three minutes, to set it in one hotel room, and to include the sentence “I miss Sonja Henie." This experimental film was shot over a single night at the international film festival FEST in Beograd in 1971. close
An account of Italian film director Luchino Visconti's travels in search for a young actor to portray the role of Tadzio in his 1971 adaptation of Thomas Mann's novella Death in Venice (1912).
An account of Italian film director Luchino Visconti's travels in search for a young actor to portray the role of Tadzio in his 1971 adaptation of Thomas Mann's novella Death in Venice (1912). close
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s more
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s the Frequency, Kenneth?” and “Drive” (both for REM), Conner’s movie is an experiment in the visual language of film. But no matter how powerful a formal analysis of his filmmaking process may be in suggesting how Conner’s rhythms affect us, there is much in Breakaway – in Basilotta’s brash and unbridled self-assertiveness, in Conner’s feverish camera style, and even in the uncomplicated honesty of Cobb’s catchy lyrics and tune – that defies verbalisation… and must simply be loved! -- Senses of Cinema close
Serene Velocity stares down the center of an empty institutional hallway while shifting the focal length of a stationary zoom lens, transforming the basement more
Serene Velocity stares down the center of an empty institutional hallway while shifting the focal length of a stationary zoom lens, transforming the basement corridor into a nexus of visual and conceptual energy. close
This is a small, intense film based on Schoenberg’s opus of the same name with the subtitle “danger, fear, catastrophe”. It deals with emerging fascism more
This is a small, intense film based on Schoenberg’s opus of the same name with the subtitle “danger, fear, catastrophe”. It deals with emerging fascism and the persecution of Jews, as well as with their historical continuities. close